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As a comedian, Dominic Holland has fearlessly confronted thorny subjects. Asking questions such as; When is an onion actually peeled? Rest assured, his writing here remains as intrepid. 31 comic essays on your life and his.
Sometimes things just happen. Little things that appear incidental but go on to have life changing consequences; good and bad. The Fruit Bowl draws on this theme. Break-time at St. Edmunds School in the 1970's; two boys lives are about to be changed forever. Tom Harper is a twelve year old being picked on by a bully. An everyday scenario played out at every break-time. Paddy Porter is an older boy and sensing the mismatch, he intervenes and settles the dispute. Just a compulsion to act and in doing so, Tom and Paddy's futures become fused. An innocuous incident between two strangers but one that will reconnect them some thirty years later and set in motion a chain of events that completes and saves each of their lives. The Fruit Bowl is a life affirming story. A rare novel that evokes tears of laughter and sadness. A story that celebrates the human spirit and values love and kinship above all else. Holland has made his living observing human nature. He makes people laugh by reflecting people's lives in his own and he draws on this experience to tell this heart rending story. It has evolved over considerable time. Based on a series of real events in his own life, it is not a story that could be written quickly. A beautiful tale of love and loss. Holland shines a brilliant light on human nature and what it is that sustains us. Our vulnerability and our need for other people and their love to complete as human beings.
An explanation of how a boy called Tom Holland who was never even in a school play, managed to become Marvel's new Spider-Man while still in his teens. Written with great humour and affection by his dad, the British comedian, Dominic Holland who is as proud as he is bemused at his son's burgeoning career.
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
A "marvelous" (Economist) account of how the Christian Revolution forged the Western imagination. Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.
“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in 1976’s hit film Network, struck a chord with a generation of Americans. In this colourful new history, Dominic Sandbrook ranges seamlessly over the political, economic, and cultural high (and low) points of American life in the 1970s, exploring the roots of the fears, resentments, cravings, and disappointments we know so well today. From Richard Nixon and Ronald Reagan to Anita Bryant and Jerry Falwell, he shows how the 1970s saw the emergence of a new right-wing populism, setting the stage for the bitter partisanship and near-total cynicism of our modern political landscape.
One town under siege . . . One batch of doughnuts . . . One ripple of resentment. Profit-hungry developers are swarming over Middleton, determined to see the local football ground turned into luxury flats. But they haven't counted on the spirited resistance of local baker, Bill Baxter, who vents his frustration at the developers' plans by neglecting to put jam into a batch of doughnuts. Unbeknown to Bill, a rogue jamless doughnut sets in train a ripple of irrational anger that grows, wave upon wave, until finally it threatens to swamp the entire nation, leaving careers ruined, fortunes won and Parliament in turmoil. But where will it end? And what will become of Bill and his beloved Middleton? Stand up comedian Dominic Holland delivers another slick slice of comedy that will have you roaring with laughter, rooting for the good guys and relegating the villains to the bottom of the table.
Gabriel is a man of contradictions; soaring success and abject failure. Blessed with a brilliant mind yet incapable of understanding that most simple equation; to create contentment and happiness. Lost to the progressives, he feels marginalised until a beautiful epiphany which saves his life but one he must strive to understand to save his soul.
Have you ever seriously questioned Christianity? If so, you’re not alone. A lot of people have wondered if this faith is outdated . . . irrelevant . . . maybe even harmful. But what if everything is not as it seems? What if there’s more to the story? Questioning Christianity explores the nature and relevance of the Christian story in an accessible and compelling way. No slogans. No politics. No simple solutions to complex problems. After many years of exploring issues of faith with skeptics, seekers, and new believers, Dan Paterson and Rian Roux serve as guides to help you navigate what can be a disorienting and confusing journey. Perhaps you’re feeling lost, unable to find your bearings, and you need some help to map out the terrain around you. Or maybe you’ve encountered obstacles and have hard questions that need to be addressed before you can move ahead. Whatever it is that has made you curious about this faith, there are good answers waiting to be discovered. So go ahead. Question Christianity. Just give Christianity the chance to answer back.
A "fresh...thrilling" (The Guardian) account of the Graeco-Persian Wars. In the fifth century B.C., a global superpower was determined to bring truth and order to what it regarded as two terrorist states. The superpower was Persia, incomparably rich in ambition, gold, and men. The terrorist states were Athens and Sparta, eccentric cities in a poor and mountainous backwater: Greece. The story of how their citizens took on the Great King of Persia, and thereby saved not only themselves but Western civilization as well, is as heart-stopping and fateful as any episode in history. Tom Holland’s brilliant study of these critical Persian Wars skillfully examines a conflict of critical importance to both ancient and modern history.