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Although Domenico Scarlatti did not write a single piece of music for guitar, from his almost six hundred sonatas for harpsichord that have come down to us, more than two hundred have been transcribed for solo guitar over the last century, which probably converts the Neapolitan genius in the most transcribed author in the history of the guitar, in terms of number of pieces. Nowadays there are still many gems to discover inside the Scarlattian treasure, and this new collection intends to continue expanding the repertoire from Scarlatti adapted for guitar, searching among all the untranscribed sonatas. So, the most of the pieces from this book are unique transcriptions. The transcriptions are fully fingered, to ease the student’s work. Contains the sonatas: K26, K35, K45, K49, K97, K121, K141, K160, K189, K230, K234, K258, K281, K287, K294, K295, K298, K306, K311, K315, K351, K360, K418, K420, K425, K435.
This collection of arrangements for solo guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability at intermediate and advanced levels. Core repertoire for Grades 68 of ABRSM's Guitar syllabus. Includes idiomatic adaptations, with original ornamentation.
This edition will assist piano students in achieving a better, more stylistically correct interpretation of Domenico Scarlatti’s piano music. These 16 intermediate to late intermediate level sonatas include dynamics, fingering, articulation and phrasing, realization of ornaments and metronome indications in parentheses. Historical background, performance problems and performance suggestions, including pedaling, are included in the "About Each Sonata" section.
A collection of articles and music transcribed for solo classical guitar gathered from ten years of the popular series in the journal Soundboard. Each of the music scores is accompanied by an article describing the process of transcription for the guitar, the history of the music and composer, and performance suggestions. All pieces are fully fingered and suitable for intermediate to advanced players.
Silvius Leopold Weiss (1687 – 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss’s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden. While the baroque lute’s tuning makes some works awkward or impossible on the guitar, the three works presented here—Sonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major— are in their original keys which happen to be guitar-friendly. The author’s generous and scholarly “Preface” provides thorough historical and performance notes for the music in this volume. While just three of Weiss’s 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist— Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contest—now made accessible to the modern classical guitarist.
An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.