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"A famous harpsichordist's study of the life, times, and works of one of the greatest composers for his instrument."--Cover.
Volume I of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata I to Sonata XXX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices and ease of playing.
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
This portrait traces the life of the influential composer through the royal courts, chapels, and concert halls of Italy, Spain, Portugal, and Poland and examines his works and a large number of newly authenticated compositions.
Again available in paperback, this definitive work on the genius of Domenico Scarlatti (1685-1757) is the result of twelve years of devoted effort by America's foremost harpsichordist and one of the principal authorities on eighteenth-century harpsichord music. Mr. Kirkpatrick traveled extensively to collect material that has tripled the known facts about Scarlatti's life, providing the first adequate biography of one of the greatest harpsichord composers of the eighteenth century and one of the most original composers of all time. The second half of his book is an illuminating study of Scarlatti's 555 sonatas, concluding with a chapter on their performance. The book contains extensive appendixes, including discussions of ornamentation and Scarlatti's vocal music, and an updated section of addenda and corrigenda.
Domenico Scarlatti, the great Italian composer, enjoys his cat's company when he plays harpsichord. Little does he know, his cat, Pulcinella also dreams of composing her own music! One day, while chasing a mouse, she tumbles onto the harpsichord. Suddenly, she can't resist the urge to play. When she begins to play, Scarlatti's eyes widen?
This carefully edited volume contains 19 of Scarlatti's easiest pieces, including minuets, sonatas and assorted other works. Suggestions for interpretation and a discussion of the original editions are provided. Unique to this collection is a consideration of figured bass as used in several of Scarlatti's sonatas.
An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
Pagano provides a study of the relationship between composer Alessandro Scarlatti and his son Domenico (also a composer), in the context of seventeenth-century Sicilian culture. He addresses many of the research questions that have persisted in scholarship since Ralph Kirkpatrick's monograph, such as Domenico's role at the Portuguese court, reasons
"Because Domenico Scarlatti left almost no personal records and because his brilliant and erratic keyboard style has never been entirely understood, he has suffered a neglect unsurpassed in the literature of music for a composer of his stature. Now after two hundred years he finds in this first full-length biography his greatest opportunity to become known. This rediscovery of Scarlatti gains special significance from the fact that it has been made by a celebrated harpsichordist to satisfy his own need for a fuller understanding of a favorite composer. 'At all times,' writes Ralph Kirkpatrick, 'my interest has been that of a performer of Scarlatti who wishes to leave no source of information or enlightenment untouched that might affect a conception of his music.' Through his discoveries, the known facts of Scarlatti's life have been more than tripled. Through his reconstruction of the background of events, persons, and places, so penetrating an insight is gained into the composer's career that the point of view seems to be Scarlatti's and the bare outlines of biography afforded by the documents are filled in as if by a contemporary hand. The second half of the book is an illuminating study of Scarlatti's 555 sonatas, most of them the astonishing harvest of the last few years of his life and his finest achievement. The last chapter on the performance of the sonata bears the authority of the writer's almost unique position as both a scholar and a world-famous performing artist."--Dust jacket.