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Create authentic period shops in miniature with the help of the full-color resource. Rich with historical facts, full-color photographs, line drawings, diagrams, patterns, and how-to instructions, this delightful volume is a must-have for doll house enthusiasts. Recreate an early Victorian book store, a 1930s Grocery, an Art Deco tea room, an Edwardian toy shop, and more. From tiny cash registers and merchandise to window awnings and shopkeepers' uniforms, you'll be delighted by the wonderful details of these tiny worlds.
June 1944. Ginnie Travis is working in her father's furniture shop, when the continued bombing raids and her sister Shirley's untimely pregnancy force the two girls to go and stay with their aunt in Shropshire. Here Ginnie falls in love with an American, Lieutenant Nick Miller, stationed nearby. But she discovers that Nick has a fiancée back home and a heartbroken Ginnie ends the relationship. Then news of their father's death in an air raid reaches them. With the family left almost penniless and Shirley and her child to provide for, Ginnie is responsible for them all. And when the shop comes under threat, she is even more determined to make it succeed and build a new life for herself and her family.
In 1886 Philadelphia, Hannah Willer begins employment as a maid for Isabelle Martin, the pregnant wife of a prosperous shopkeeper. When the man dies under suspicious circumstances, Hanna finds herself thrust into the midst of a murder trial.
Lord Brentmore--half Irish peasant, half English aristocrat--grew up under a cloud of scandal. Even money and a title aren't enough to stay the wagging tongues of the Ton. But he's vowed that his children will never experience the same stigma. After the death of their infamous mother they need a reputable governess. Anna Hill is too passionate, too alluring, but she fills Brentmore Hall with light and laughter again--and its master with feelings he'd forgotten.... But a lord marrying a governess would be the biggest scandal of all
"Have we come to misunderstand children? Have we forgotten that children's consciousness, their minds, is intrinsically different from ours? And is that why we are trying to train them to become 'adults' rather than realizing we need to relearn our way of thinking in order to understand children?" Given the fast pace of modern life, the traditional qualities associated with childhood -- imagination, play, wonder, and even fun itself -- are in danger of being left behind. Surrounded by technology and pressures on parents toward early learning, today's young child is often bounced between television entertainment and computer games and then thoroughly unbalanced by premature intellectualization, early reading, and tests. Sally Schweizer calls for a reevaluation of childhood and an awakening to the real needs of children. Being a mother of four and having spent more thirty years in education (as a kindergarten teacher, teacher trainer, and advisor), she is qualified to ask the hard questions and offer real solutions. Well, I Wonder is packed with practical suggestions, anecdotes, humor, and delightful quotes from Schweizer's students. Her approach is based on the study and practice of Rudolf Steiner's educational philosophy, as well as personal, firsthand knowledge gained from long experience. The author guides us through the stages of childhood development, explaining children's need for daily rhythm, movement, and play. She emphasizes the importance of guarding children's imagination and the significance of festivals and celebrations. She offers helpful tips and wise advice throughout this well-illustrated book, which also features an eight-page color section on the evolution of children's drawings.
A three-dimensional book that unfolds to reveal five old-fashioned domestic scenes, including a shop, a living room, and a kitchen, each with pop-up furnishings and occupants.
This story tells of how two girls born 150 years apart became friends . Elisabeth Rose Moved into an old Victorian house , on exploring Elizabeth Rose finds a doll's house in the cellar , she takes it up to her room . waking in the middle of the night she sees a shadow image Playing with the doll's house. They talk And she realises That this image is a young girl dressed in Victorian clothes. The image is black and white and negative.The Victorian girl tells Elizabeth Rose that she and her family had lived in this house 150 years ago .And that the doll's house was hers back in Victorian times. and her auntie was a witch , The Witch was jealous because Rose's father had been left the house and the family fortune by their late father.The Witch put a spell on them they found themselves In a black and white negative dimension.