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The story of the thoroughly Victorian origins of dog breeds. For centuries, different types of dogs were bred around the world for work, sport, or companionship. But it was not until Victorian times that breeders started to produce discrete, differentiated, standardized breeds. In The Invention of the Modern Dog, Michael Worboys, Julie-Marie Strange, and Neil Pemberton explore when, where, why, and how Victorians invented the modern way of ordering and breeding dogs. Though talk of "breed" was common before this period in the context of livestock, the modern idea of a dog breed defined in terms of shape, size, coat, and color arose during the Victorian period in response to a burgeoning competitive dog show culture. The authors explain how breeders, exhibitors, and showmen borrowed ideas of inheritance and pure blood, as well as breeding practices of livestock, horse, poultry and other fancy breeders, and applied them to a species that was long thought about solely in terms of work and companionship. The new dog breeds embodied and reflected key aspects of Victorian culture, and they quickly spread across the world, as some of Britain’s top dogs were taken on stud tours or exported in a growing international trade. Connecting the emergence and development of certain dog breeds to both scientific understandings of race and blood as well as Britain’s posture in a global empire, The Invention of the Modern Dog demonstrates that studying dog breeding cultures allows historians to better understand the complex social relationships of late-nineteenth-century Britain.
The Routledge Companion to Animal-Human History provides an up-to-date guide for the historian working within the growing field of animal-human history. Giving a sense of the diversity and interdisciplinary nature of the field, cutting-edge contributions explore the practices of and challenges posed by historical studies of animals and animal-human relationships. Divided into three parts, the Companion takes both a theoretical and practical approach to a field that is emerging as a prominent area of study. Animals and the Practice of History considers established practices of history, such as political history, public history and cultural memory, and how animal-human history can contribute to them. Problems and Paradigms identifies key historiographical issues to the field with contributors considering the challenges posed by topics such as agency, literature, art and emotional attachment. The final section, Themes and Provocations, looks at larger themes within the history of animal-human relationships in more depth, with contributions covering topics that include breeding, war, hunting and eating. As it is increasingly recognised that nonhuman actors have contributed to the making of history, The Routledge Companion to Animal-Human History provides a timely and important contribution to the scholarship on animal-human history and surrounding debates.
Written by experts in different areas, this book presents an up-to-date account of the behavioral biology of dogs. Split in three parts, the book addresses the specific aspects of behavioral biology. The first part deals with the evolution and development of the dog, whereas the next part deals with basic aspects of dog behavior. The final part emphasizes on the behavioral problems, their prevention and cure.
This volume gathers contributions from scholars from a variety of disciplines to provide a comprehensive assessment of the importance of dogs through history. There is a focus on the necessity of an ‘interdisciplinary perspective’ to fully understand the fundamental role that dogs have played in our past.
Dogs fill our hearts with love and our minds with wonder, but their emotional lives have remained unexplored since Darwin 125 years ago. Now in Dogs Never Lie About Love, controversial psychoanalyst Jeffrey Masson brilliantly navigates the rich inner landscape of "our best friends." As he guides readers through the surprising depth of canine emotional complexity, Jeffrey Masson draws from myth and literature, from scientific studies, and from the stories and observations of dog trainers and dog lovers around the world. But the stars of the book are the author's own three dogs whose delightful and mysterious behavior provides the way to exploring a wide range of subjects--from emotions like gratitude, compassion, loneliness, and disappointment to speculating what dogs dream of and how their powerful sense of smell shapes their perception of reality. As he sweeps aside old prejudices on animal behavior, Masson reaches into a rich universe of dog feeling to its essential core, their "master emotion": love. Like the dogs he loves, Masson's writing will capture the reader with its playful, mysterious, and serious sides. Its surprising insights provide a new dimension of understanding for dog owners everywhere.
This collection of essays comprises short "biographies" of a number of famous taxidermied animals. Each essay traces the life, death and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.
General George Armstrong Custer and his wife, Libbie Custer, were wholehearted dog lovers. At the time of his death at Little Bighorn, they owned a rollicking pack of 40 hunting dogs, including Scottish Deerhounds, Russian Wolfhounds, Greyhounds and Foxhounds. Told from a dog owner's perspective, this biography covers their first dogs during the Civil War and in Texas; hunting on the Kansas and Dakota frontiers; entertaining tourist buffalo hunters, including a Russian Archduke, English aristocrats and P. T. Barnum (all of whom presented the general with hounds); Custer's attack on the Washita village (when he was accused of strangling his own dogs); and the 7th Cavalry's march to Little Bighorn with an analysis of rumors about a Last Stand dog. The Custers' pack was re-homed after his death in the first national dog rescue effort. Well illustrated, the book includes an appendix giving depictions of the Custers' dogs in art, literature and film.
Although people have been altering earth’s landscapes to some extent for tens of thousands of years, humankind today is causing massive changes to the planet. Such widespread environmental change is accompanied by accelerating rates of species extinction. In this book, noted ecologist H. H. Shugart presents important ecological concepts through entertaining animal parables. He tells the stories of particular birds and mammals—the packrat, ivory-billed woodpecker, penguin, dingo, European rabbit, and others—and what their fates reveal about the interactions between environmental change and the extinctions or explosions of species populations. Change is the root of many planetary problems, but it is also an intrinsic feature of our living planet. Shugart explores past environmental change, discusses the non-existence of a “balance of Nature,” and documents how human alterations have affected plants, soils, and animals. He looks with hope toward a future in which thoughtful people learn—and use—ecological science to protect the landscapes upon which terrestrial creatures depend.