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Contained within this rare book is a fascinating treatise on the unsung history of the dog and his place beside man as his best friend, written by the authority on the subject and master of dog-based writing, Albert Terhune. The perfect book for dog-lovers, this title will greatly appeal to fans of Terhune’s work and collectors of canine-based literature. This book has been elected for modern republication due to its timeless literary value, republished now in the hopes that it will continue to be read and enjoyed in the future as it has in the past. Albert Payson Terhune (1872 –1942) was an American author, journalist, and passionate breeder of dogs, most famous for his prolific stories detailing the misadventures of canines. This book was originally published in 1937 and is proudly republished here with a new prefatory biography of the author.
This handsome volume celebrates irresistible felines as depicted in the great works of art in the Louvre's collection.
This volume gathers contributions from scholars from a variety of disciplines to provide a comprehensive assessment of the importance of dogs through history. There is a focus on the necessity of an ‘interdisciplinary perspective’ to fully understand the fundamental role that dogs have played in our past.
This, the final title to be published from the sessions of the 2002 ICAZ conference, focuses on the role of man's best friend. As worker or companion, the dog has enjoyed a unique relationship with its human master, and the depth and variety of the papers in this fascinating collection is a testament to the interest that this symbiotic arrangement holds for many scholars working in archaeology today. The book covers an eclectic range of subjects, such as considering dogs as animals of sacrifice and animal components of ancient and modern religious ritual and practice; dogs as human companions subject to loving care, visual/symbolic representation, deliberate or accidental breed manipulation; as working dogs; and finally as co-inhabitors of human dwelling paces and co-consumers of human food resources. While many of the papers in this volume have a predominant focus, they also demonstrate that the relationships between humans and dogs are rarely , if ever singular or simple. Instead these relationships are complex, often combining the practical, the ideological and the symbolic.
The world-renowned Louvre museum in Paris contains more than just the most famous works of art in history. At night, within its darkened galleries, an unseen and surreal world comes alive—a world witnessed only by the small family of cats that lives in the attic. Until now... Translated by Tekkonkinkreet film director Michael Arias. -- VIZ Media
Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie. Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding—all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more manageable version of the world—it relieved the pressures of contemporary life and improvised solutions to the intractable mesh that was post-Enlightenment France. The faithful, affectionate family dog became a counterpoint to the isolation of individualism and lack of community in urban life. By century's end, however, animals no longer represented the human condition with such potency, and even the irascible, autonomous cat had been rehabilitated into a creature of fidelity and affection. Full of fascinating details, this innovative book will contribute to the way we understand culture and the creation of class. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
In this fanciful and richly imaginative story, one of the most original and important young European comic artists imagines a frozen world thousands of years hence in which all human history has been forgotten. A small group of archaeologists come upon the Louvre, buried in age-old snow, and cannot begin to explain all of the artifacts they see. Their interpretations of the wonders before them strike a humorous, absurd, and farcical tone. One of the few books coedited by the Louvre, this graphic novel features stunning illustrations as it presents a unique vision of the great museum.