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THE STORY: The New York Daily News comments: With sunny patience, Holbrook plays an English teacher in this rehabilitation center, which is really a prison for young junkies, male and female and black and white. Pacino portrays the most evil of th
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The bestselling author of Fast Fade reveals Pacino's turbulent and controversial personal life in this compelling portrait of a complex and fascinating actor--one of Hollywood's most glamorous anti-heroes. A must for film buffs.--Newsday. Ties in with release of new Pacino movie Glengarry Glen Ross. Fine.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
(Limelight). "Philip Rose was in the right place so many times and he was the right person to be in those places. In this book he has written about the times and the people who lived in those times. He has written about history. To speak exactly, Philip Rose has made history. I welcome this book." Maya Angelou
Is it okay to believe in destiny? Do things happen for a reason or do situations occur because of luck? Some people believe that your life was already set for you before you were born. Others may be cynical. Whatever you believe, I Still Believe! (An Inspirational Journey) Memoirs of Mark from Michigan Who Went to Hollywood, Then Conquered the World shows an artist's determination to become an actor, public speaker, and athlete when much was not in his favor. This journey shows over four decades of trying to obtain that dream but then learning life lessons along the way. Undying faith, perseverance, love for family, friends, and humanity can finally be unfolded. The initial dream may not happen the way that it was originally intended, but other accomplishments came as a result. To anyone who has ever had a dream and wanted to achieve it, this story may inspire you to make those dreams reality. The dream can turn out bigger and better than anticipated.
The audition is the first -- and most essential -- test of any actor's craft, one that is typically performed for a very tough audience, under conditions that are always less than perfect. This practical, hands-on guide by a veteran producer covers every aspect of the auditioning process: the monologue, the cold reading, the musical audition, and the interview. It shows actors how to see their performance through the eyes of prospective employers, how to sell themselves even before they step into character, and how to Interpret roles without outside direction.
Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.
For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight was reinforced wherever one looked—whether in the news media (memorably captured in the infamous New York Daily News headline “Ford to City: Drop Dead”) or the countless movies that evoked the era’s uniquely gritty sense of dread. The Taking of New York City is a history of both New York and some of the decade’s most definitive films, including The French Connection (1971), the first two Godfather movies (1972 & 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in “Blaxploitation” classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves. Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York’s problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the “Rotten Apple”—and how movies told that story to the country and the world.