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This timely study demonstrates how images of beauty and ugliness have constructed a visual history that records the artificial boundaries dividing "healthy" bodies from those that are "ill". "Gilman tells an excellent tale."—Jewish Chronicle
Acting on AIDS stems from an international conference at the Institute of Contemporary Arts in London in collaboration with the Terrence Higgins Trust, in March 1996. Over three days, experts and activists across the political, medical, social, artistic and cultural fields from all round the world discussed new strategies for fighting HIV and AIDS in the 1990s and beyond.
A study of visual sources, from 19th-century textbook illustrations to recent government AIDS posters, which finds that the history of our perception of the "beautiful body" is charged with anxieties about contagion and ugliness. It's also entangled with political implications brought about by our interpretation of race as a medical category, says Gilman (liberal arts and human biology, U. of Chicago). A history both of medicine and of the aestheticization of the body. Many bandw illustrations. Originally published in Great Britain by Reaktion Books as Health and Illness: Images of Difference. Annotation copyright by Book News, Inc., Portland, OR