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This is the first book to study the middlebrow novel in France. It asks what middlebrow means, and applies the term positively to explore the 'poetics' of the types of novel that have attracted 'ordinary' fiction readers - in their majority female - since the end of the 19th century.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
This book analyses how the idea – or the problem - of belonging is articulated in a range of contemporary francophone Mauritian novels. Waters explores how forms of affective belonging intersect with the exclusionary ‘politics of belonging’ in novels by Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza.
Joseph Zobel (1915-2006) is one of the best-known Francophone Caribbean authors, and is internationally recognised for his novel La Rue Cases-Nègres (1950). Yet very little is known about his other novels, and most readings of La Rue Cases-Nègres consider the text in isolation. Through a series of close readings of the author's six published novels, with supporting references drawn from his published short stories, poetry and diaries, Joseph Zobel: Négritude and the Novel generates new insights into Zobel's highly original decision to develop Négritude's project of affirming pride in black identity through the novel and social realism. The study establishes how, influenced by the American Harlem Renaissance movement, Zobel expands the scope of Négritude by introducing new themes and stylistic innovations which herald a new kind of social realist French Caribbean literature. These discoveries in turn challenge and alter the current understanding of Francophone Caribbean literature during the Négritude period, in addition to contributing to changes in the current understanding of Caribbean and American literature more broadly understood.
This exhaustive reading of the review Lignes provides the first in depth study of a French intellectual periodical publication form the 1980s to the contemporary moment. It demonstrates the preservation and development of 'French Theory' into the new millennium, and provides a new cultural history of France, from the fall of the Berlin Wall to the 2016 terror attacks.
The first full-length account of modernism from the perspective of literary geography.
Superb story of a love affair between Lea, a still-beautiful 49-year-old ex-courtesan, and Cheri, a handsome but selfish young man 30 years her junior, is widely considered the author's best work.
Pacifist Invasions is about what happens to the contemporary French lyric in the translingual Arabic context. Drawing on lyric theory, comparative poetics, and linguistics, it reveals three generic modes of translating Arabic poetics into French in works by Habib Tengour (Algeria), Edmond Jabès (Egypt), Salah Stétié (Lebanon), Abdelwahab Meddeb (Tunisia), and Ryoko Sekiguchi (Japan).
Who was the early twentieth-century masculine middlebrow reader? How did his reading choices respond to his environment? This book looks at British middlebrow writing and reading from the late Victorian period to the 1950s and examines the masculine reader and author, and how they challenged feminine middlebrow and literary modernism.
In the storm-swept landscapes of Normandy's coastline lies a village that might just be at the ends of the earth. A woman has recently arrived to seek healing for some deep sorrow, and spends her days cataloguing migratory birds. On the day of a battering storm a stranger appears in the bar, arousing her curiosity. He stirs up suspicion in the village, looking for answers to apparently unanswerable questions about his family lost long years ago in an accident at sea. What actually happened? How was it that the lighthouse did not guide them safely to shore? The eccentric inhabitants of this desolate village seem riveted to old hatreds, determined to leave secrets buried. Gradually the bird-watcher succeeds in unravelling a tragedy at the heart of a community in which many are suffering still from the loss of people they have loved. And in the process finds her own peace. The Breakers is an immensely satisfying and evocative mystery of great depth. Claudie Gallay unpeels the emotions of her unforgettable characters with such subtlety that the reader is captivated.