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For the first time this volume makes Jean-Pierre Meunier's insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.
Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
“Whatever happens, the flame of French resistance must not and will not go out.” As Charles de Gaulle ended his radio address to the French nation in June 1940, listeners must have felt a surge of patriotism tinged with uncertainty. Who would keep the flame burning through dark years of occupation? At what cost? Olivier Wieviorka presents a comprehensive history of the French Resistance, synthesizing its social, political, and military aspects to offer fresh insights into its operation. Detailing the Resistance from the inside out, he reveals not one organization but many interlocking groups often at odds over goals, methods, and leadership. He debunks lingering myths, including the idea that the Resistance sprang up in response to the exhortations of de Gaulle’s Free French government-in-exile. The Resistance was homegrown, arising from the soil of French civil society. Resisters had to improvise in the fight against the Nazis and the collaborationist Vichy regime. They had no blueprint to follow, but resisters from all walks of life and across the political spectrum formed networks, organizing activities from printing newspapers to rescuing downed airmen to sabotage. Although the Resistance was never strong enough to fight the Germans openly, it provided the Allies invaluable intelligence, sowed havoc behind enemy lines on D-Day, and played a key role in Paris’s liberation. Wieviorka shatters the conventional image of a united resistance with no interest in political power. But setting the record straight does not tarnish the legacy of its fighters, who braved Nazism without blinking.
"Using the example of the aircraft industry, which takes him like an arrow to the heart of many of the key conflicts in French life between 1936 and 1948, Herrick Chapman has written a penetrating and exceptionally well documented account of the way that France developed her present style of industrial relations, in which the state plays such a central role. No book I know so successfully integrates the history of aviation . . . with the political and social history of France. Both thorough and thoughtful, it is an impressive achievement."--Robert Wohl, University of California, Los Angeles "An unusual, innovative book based on impressive research that throws new light in a major way on twentieth-century French politics and society . . . one of the most interesting and original monographs in modern French history in a long time."--Robert O. Paxton, Columbia University "This is a breakthrough of considerable importance. [Chapman] will become the leading North American, perhaps even English-speaking, historian of contemporary France."--George Ross, Brandeis University
French film in the 1980s might have lacked the invention of the New Wave but gritty police thrillers and nostalgic costume-dramas such as Jean de Florette and Manon des Sources brought French cinema to a wider audience than ever before. This landmark study is not merely a history of French film in the 1980s, but offers a set of critical essays on the crisis of masculinity in contemporary French culture, and its interrelationship with nostalgia. After a brief overview both of the crisis in the French film industry during the 1980s, and of the socio-political crisis of masculinity in the wake of 1970s feminism, the book is divided into three sections: the retro-nostalgic film, the Polar, or police thriller, and the comic film. Films studied in detail include Diva, Subway, Coup de foudre, Vivement dimanche , La Vie est un long fleuve tranquille, and Tenue de soir e, while the volume covers actors from G rard Depardieu, Daniel Auteuil, and Yves Montand to Isabelle Adjani, Isabelle Huppert, and Emmanuelle B art.
A look at how the 1931 International Colonial Exposition in Paris created hybrids of French and colonial culture.
This is a 1990 collection of interviews and essays by the legendary filmmaker Jean Renoir.
Human Zoos offers a fascinating, sobering and macabre tour of man's exploitation of man--that is, Western man's exploitation of non-Western men and women--as recorded throughout the early history of photography, from the 1860s to the 1930s and the invention of "humane exhibiting" of nonwhite persons. Freak shows, the circuses of Buffalo Bill and P.T. Barnum and European colonial exhibitions provided the occasions for most of these images, several of which were incorporated into posters, postcards and other ephemera, designed with an improbable jauntiness. Human Zoos traces the evolution of such paradigmatic conceptions as "specimen," "savage" and "native" for the designation of peoples as various as Native Americans, Asians and Africans from all corners of the continent. As horrific and compelling as it is brilliantly researched and compiled, this volume unflinchingly surveys the very recent history of the West's arrogant abuse of those deemed to fall outside its brutal terms of civilization.