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Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors
A young chef who revels in local bounty, a long-ago murder that remains unsolved, the homeless of Stanley Park, a smooth-talking businessman named Dante — these are the ingredients of Timothy Taylor's stunning debut novel — Kitchen Confidential meets The Edible Woman. Trained in France, Jeremy Papier, the young Vancouver chef, is becoming known for his unpretentious dishes that highlight fresh, local ingredients. His restaurant, The Monkey's Paw Bistro, while struggling financially, is attracting the attention of local foodies, and is not going unnoticed by Dante Beale, owner of a successful coffeehouse chain, Dante's Inferno. Meanwhile, Jeremy's father, an eccentric anthropologist, has moved into Stanley Park to better acquaint himself with the homeless and their daily struggles for food, shelter and company. Jeremy's father also has a strange fascination for a years-old unsolved murder case, known as "The Babes in the Wood" and asks Jeremy to help him research it. Dante is dying to get his hands on The Monkey's Paw. When Jeremy's elaborate financial kite begins to fall, he is forced to sell to Dante and become his employee. The restaurant is closed for renovations, Inferno style. Jeremy plans a menu for opening night that he intends to be the greatest culinary statement he's ever made, one that unites the homeless with high foody society in a paparazzi-covered celebration of "local splendour."
From the postcolonial perspective of the early twenty-first century, the importance of travel literature, for considerations of national and international cultures and identities, has become increasingly apparent. Travel literature in French has, however, received little critical scrutiny. This book contributes to contemporary reassessments of the form in a number of disciplines, focusing specifically on the discourses and contexts of travel in twentieth-century texts written in French. Its scope is interdisciplinary, involving theoretical and generic considerations as well as a historical overview of colonial and postcolonial texts. The book provides essential reading for all students of travel literature in French - and of travel literature in general.
All current methods of secure communication such as public-key cryptography can eventually be broken by faster computing. At the interface of physics and computer science lies a powerful solution for secure communications: quantum cryptography. Because eavesdropping changes the physical nature of the information, users in a quantum exchange can easily detect eavesdroppers. This allows for totally secure random key distribution, a central requirement for use of the one-time pad. Since the one-time pad is theoretically proven to be undecipherable, quantum cryptography is the key to perfect secrecy. Quantum Communications and Cryptography is the first comprehensive review of the past, present, and potential developments in this dynamic field. Leading expert contributors from around the world discuss the scientific foundations, experimental and theoretical developments, and cutting-edge technical and engineering advances in quantum communications and cryptography. The book describes the engineering principles and practical implementations in a real-world metropolitan network as well as physical principles and experimental results of such technologies as entanglement swapping and quantum teleportation. It also offers the first detailed treatment of quantum information processing with continuous variables. Technologies include both free-space and fiber-based communications systems along with the necessary protocols and information processing approaches. Bridging the gap between physics and engineering, Quantum Communications and Cryptography supplies a springboard for further developments and breakthroughs in this rapidly growing area.
"Two world wars, concentration camps, the obliteration of Hiroshima and Nagasaki, and continued preparations for nuclear war illustrate the modern world's propensity for mass destruction. . . . Yet there have been important signs of resistance to this trend. These have included not only the emergence of mass-based peace and disarmament movements but activist intellectuals grappling with the growing problem posed by mass violence among nation-states. . . . Bess examines the lives and ideas of four of these intellectuals: Leo Szilard of Hungary and (later) the United States, E. P. Thompson of England, Danilo Dolci of Italy, and Louise Weiss of France. . . . Realism, Utopia, and the Mushroom Cloud is a powerful, important scholarly work, casting new light upon some of the great issues of modern times. Readers will learn much from it."—Lawrence S. Wittner, Peace and Change "Bess seeks to understand the way in which the creation of the atomic bomb has changed the social and political situation of humankind. Are we to be held hostage by military forces or can we transform our situation? He describes the lives of four very different activists, each with different views on what causes conflict and how best to address conflict. . . . Overall, this book offers an interesting perspective on life after the atomic bomb. . . . In asking ourselves what the possibilities of our future are, we can turn to these lives for some guidance. . . . This book is informative, provocative, and encourages one to consider carefully how s/he chooses to live."—Erin McKenna, Utopian Studies "These four lives, researched and skillfully presented by historian Michael Bess, make fascinating stories in themselves. They also serve as useful vehicles for examining major cross-currents of Cold War resistance. . . . From Weiss the cynical pragmatist to Szilard the high-level fixer to hompson the social reformer to Dolce the spiritual street organizer, Michael Bess has woven an illuminating tapestry of human efforts to cope with life under the mushroom cloud."—Samuel H. Day Jr., The Progressive
Study of the contribution made by women writers to politically committed literature in 1930s France, to bring to light the work of female authors of left-wing fiction, such as Madeleine Pelletier, Simone Téry, Edith Thomas, Henrietee Valet and Louise Weiss. It shows how women were able to relate to fiction and to politics in inter-war France, situating the novels within their social, historical, literary and poltical environment.
This autobiographical film history provides recounts Saville's experience on the Western Front during World War I and includes stories of filmmaking in Britain and America during the transition from silent to sound cinema, and then from black-and-white to color. It also gives a glimpse into Hollywood as it existed in the late 1930s and early 1940s, emphasizing Saville's work with stars like Spencer Tracy, Katharine Hepburn, Joan Crawford, Ingrid Bergman, Lana Turner, Elizabeth Taylor, Errol Flynn, and Paul Newman. Annotation copyrighted by Book News Inc., Portland, OR
This book studies travel writing produced by French authors between the two World Wars following visits to authoritarian regimes in Europe and the Union of Soviet Socialist Republics (USSR). It sheds new light on the phenomenon of French political travel in this period by considering the well-documented appeal of Soviet communism for French intellectuals alongside their interest in other radical regimes which have been much less studied: fascist Italy, the Iberian dictatorships and Nazi Germany. Through analyses of the travel writing produced as a result of such visits, the book gauges the appeal of these forms of authoritarianism for inter-war French intellectuals from a broad political spectrum. It examines not only those whose political sympathies with the extreme right or extreme left were already publicly known, but also non-aligned intellectuals who were interested in political models that offered an apparently radical alternative to the French Third Republic. This study shows how travel writing provided a space for reflection on the lessons France might learn from the radical political experiments of the inter-war years. It argues that such writing can usefully be read as a form of utopian thinking, distinguishing this from colloquial understandings of utopia as an ideal location. Utopianism is understood neither as a fantasy ungrounded in the real nor as a dangerously totalitarian ideal, but, in line with Karl Mannheim, Paul Ricœur, and Ruth Levitas, as a form of non-congruence with the real that it seeks to transcend. The utopianism of French political travel writing is seen to lie not in the attempt to portray the destination visited as utopia, but rather in the pursuit of a dialogue with radical political alterity.
Catholicism, once the protean monster, still functions as a complex component of French identity. No consideration of modern France would be complete without reference to the enduring impact and influence of Catholicism on the life of the nation. This volume sets out to capture some of the variety and significance of the Catholic phenomenon in twentieth-century secular France, and to express something of its extraordinary vitality and interest. Each contribution focuses on a specific theme or period crucial to an understanding of the role played by French Catholics and their Church. Collectively, these studies reveal that Catholics were involved in almost every event of consequence and voiced an opinion on almost every issue. Equally, the volume offers a collage of insights which reflects the fragmentation of Catholic activity and attitudes as the century progressed. Being Catholic in modern France no longer means the espousal of a particular political or social agenda. Nor does it necessarily mean regular and traditional religious observance, or even strict adherence to the dictates of the Church. Modern French Catholicism truly has many mansions.