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For a general audience interested in solving mysteries in art, history, and literature using the methods of science, 'forensic astronomy' is a thrilling new field of exploration. Astronomical calculations are the basis of the studies, which have the advantage of bringing to readers both evocative images and a better understanding of the skies. Weather facts, volcano studies, topography, tides, historical letters and diaries, famous paintings, military records, and the friendly assistance of experts in related fields add variety, depth, and interest to the work. The chosen topics are selected for their wide public recognition and intrigue, involving artists such as Vincent van Gogh, Claude Monet, Edvard Munch, and Ansel Adams; historical events such as the Battle of Marathon, the death of Julius Caesar, the American Revolution, and World War II; and literary authors such as Chaucer, Shakespeare, Joyce, and Mary Shelley. This book sets out to answer these mysteries indicated with the means and expertise of astronomy, opening the door to a richer experience of human culture and its relationship with nature. Each subject is carefully analyzed. As an example using the study of sky paintings by Vincent van Gogh, the analytical method would include: - computer calculations of historical skies above France in the 19th century - finding and quoting the clues found in translations of original letters by Van Gogh - making site visits to France to determine the precise locations when Van Gogh set up his easel and what celestial objects are depicted. For each historical event influenced by astronomy, there would be a different kind of mystery to be solved. As an example: - How can the phase of the Moon and time of moonrise help to explain a turning point of the American Civil War - the fatal wounding of Stonewall Jackson at Chancellorsville in 1863? For each literary reference to astronomy, it was determined which celestial objects were being described and making an argument that the author is describing an actual event. For example, what was the date of the moonlit scene when Mary Shelley first had the idea for her novel “Frankenstein?” These and more fun riddles will enchant and delight the fan of art and astronomy.
"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."
The Problematic Press edition of James De Mille's A Strange Manuscript Found in a Copper Cylinder features the following unique additions: * A Foreword by David Reynolds introduces the author and the novel. * Annotated end notes by David Reynolds reflect on interesting elements of the text and reference scholarly works. DESCRIPTION While playing a silly game, four bored yachtsmen find a mysterious copper cylinder bobbing along the sea. They soon discover the briny cylinder contains a massive script, a journal of sorts, detailing the adventures of Adam More, a sailor lost at sea. Examining the script reveals More's incredible story of drifting across the ocean, sailing to lost lands, encountering giant beasts, and meeting truly peculiar people. This is a satirical tale that is sure to entertain!
This Open Access book explains that after long periods of prehistoric research in which the importance of the archaeological as well as the natural context of rock art has been constantly underestimated, research has now begun to take this context into focus for documentation, analysis, interpretation and understanding. Human footprints are prominent among the long-time under-researched features of the context in caves with rock art. In order to compensate for this neglect an innovative research program has been established several years ago that focuses on the merging of indigenous knowledge and western archaeological science for the benefit of both sides. The book gathers first the methodological diversity in the analysis of human tracks. Here major representatives of anthropological, statistical and traditional approaches feature the multi-layered methods available for the analysis of human tracks. Second it compiles case studies from around the globe of prehistoric human tracks. For the first time, the most important sites which have been found worldwide are published in a single publication. The third focus of this book is on firsthand experiences of researchers with indigenous tracking experts from around the globe, expounding on how archaeological sciencecan benefit from the ancestral knowledge. This book will be of interest to professional archaeologists, graduate students, ecologists, cultural anthropologists and laypeople, especially those focussing on hunting-gathering and pastoralist communities and who appreciate indigenous knowledge.--
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
Berbers, also known as Imazighen, are the ancient inhabitants of North Africa, but rarely have they formed an actual kingdom or separate nation state. Ranging anywhere between 15-50 million, depending on how they are classified, the Berbers have influenced the culture and religion of Roman North Africa and played key roles in the spread of Islam and its culture in North Africa, Spain, and Sub-Saharan Africa. Taken together, these dynamics have over time converted to redefine the field of Berber identity and its socio-political representations and symbols, making it an even more important issue in the 21st century. This second edition of Historical Dictionary of the Berbers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Berbers.
The name of French composer and musician Charles Tournemire (1870-1939) is familiar to organists. From 1898 to 1939, Tournemire was the titular organist at the Parisian Basilica of Sainte-Clotilde, a post once held by César Franck, his organ professor at the Paris Conservatoire. However, beyond the world of organists, Tournemire has been largely neglected and forgotten. This volume of collected essays, the first book on Tournemire available in English, aims at making Tournemire known to a wider audience. A number of essays investigate Tournemire's best-known work, a monumental organ cycle entitled L'Orgue mystique (The Mystic Organ) composed between 1927 and 1932. Related topics include Gregorian chant, improvisation, and performance practice. Tournemire's legacy is also considered in the careers of later musicians, including (among others) Joseph Bonnet (1884-1944), Maurice Duruflé (1902-1986), Jean Langlais (1907-1991), Olivier Messiaen (1908-1992), and Naji Hakim (1955-). Finally, beyond the organ, Tournemire's literary world is examined: in terms of influences on his thought (especially Ernest Hello [1828-1885] and Léon Bloy [1846-1917]); and in his own librettos and commentaries written for numerous instrumental, symphonic, and operatic compositions. The portrait of Tournemire drawn in this collection is that of an unexpectedly complex and prolific thinker, teacher, and composer.
This extensive and wide-ranging selection comprises the poetry of one of France's most exciting writers of the twentieth century, the surrealist Robert Desnos. Hailed as the 'prophet' of the Surrealist movement by AndrE Breton, Desnos was a hugely influential figure across all art forms at the time, and yet today his work completely underrepresented in the English language, with only his children's poems currently available in English translation. The present volume of nearly 300 poems seeks to redress the balance, moving from youthful, light-hearted material to full-blown surrealism, from poems full of anguish and torment to delightful love poetry, and from whimsical, humorous verses to some of the great poem sequences of the Nazi Occupation period when Desnos was an active resistant.
Conservation and Restoration of Glass is an in-depth guide to the materials and practices required for the care and preservation of glass objects. It provides thorough coverage of both theoretical and practical aspects of glass conservation. This new edition of Newton and Davison's original book, Conservation of Glass, includes sections on the nature of glass, the historical development and technology of glassmaking, and the deterioration of glass. Professional conservators will welcome the inclusion of recommendations for examination and documentation. Incorporating treatment of both excavated glass and historic and decorative glass, the book provides the knowledge required by conservators and restorers and is invaluable for anyone with glass objects in their care.