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Over the past decade the Metal Unit of the Material Culture Section, Archaeology Research Division, Canadian Parks Service, has maintained a reference file identifying marks found on metal artifacts. This document is a selection of marks on file that relate primarily to tableware items, from the late 18th century to about 1900.
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Dregni has penned the first major critical biography of Gypsy legend and guitar icon Django Reinhardt.
In Chanel: An Intimate Life, acclaimed biographer Lisa Chaney tells the controversial story of the fashion icon who starred in her tumultuous era Coco Chanel was many things to many people. Raised in emotional and financial poverty, she became one of the defining figures of the twentieth century. She was mistress to aristocrats, artists and spies. She broke rules of style and decorum, seducing both men and women, yet in her work expected the highest standards. She took a 'plaything' and turned it into a global industry which defined the modern woman. Filled with new insights and thrilling discoveries, Lisa Chaney's Chanel provides the most defining and provocative portrait yet. 'Chaney's research is laudable, uncovering fresh details of Chanel's well-trodden rag trade to riches story' Evening Standard 'An unflinching examination of the historically inscrutable designer' Vogue Lisa Chaney has lectured and tutored in the history of art and literature, made TV and radio broadcasts on the history of culture, and reviewed and written for journals and newspapers, including The SundayTimes, the Spectator and the Guardian. She is the author of two previous biographies: Elizabeth David and Hide-and-Seek With Angels: The Life of J.M. Barrie.
Material objects must always be seen in context with the humans who created and used them. It is only possible to recognize and evaluate material culture in connection with human thought and behavior. The material world depends on the immaterial one, and vice versa. Neither sphere can exist without the other. In historical research, however, such contexts have not been considered regularly. In particular, the inter-connections between emotions and material culture have not been taken sufficiently into account in research. This was the reason for the "Institut fur Realienkunde des Mittelalters und der fruhen Neuzeit" to organize a round-table-discussion on "Emotions and Material Culture" and to publish its proceedings. The volume contains eleven contributions by specialists from eight countries. They show various possibilities to contextualize the material world and emotional behavior. They may be seen as a first step towards a "material emotionology" of the past. The complex results are intended to serve as a further impetus towards the systematic and comparative research into "emotional communities" and their material life in the Middle Ages and the early modern period.
The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
Tentoonstellingscatalogus. Met bibliografie en register.
Provides pronunciations, origins, and meanings for words and phrases from foreign sources, ranging from everyday terms to words in the news and the specialized languages of cooking, music, the arts, and the law.