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This is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on Franju in English since 1967. Enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs Le Sang des bêtes, Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic Les Yeux sans visage. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.
Hugh Johnson has won a legion of fans with his keen ability to make the sometimes complex topic of wine wonderfully lucid—and every year, his popular pocket guide is a bestseller. That makes it number one in the market. Here, in it’s 30th anniversary year, he has completely revised and updated this classic, offering more current news than ever on over 6,000 wines, growers, and regions, along with up-to-the-minute vintage information, recommended wines (including budget options), and star ratings. With this book in hand, wine lovers won’t need anything else to help them select anything from a bottle for an everyday dinner to a prestige vintage for investment. A new section showcases Johnson’s special, personal choices, and there are plenty of quick-reference maps, charts, and fact boxes for a little extra guidance.
In this classic fantasy novel a warrior sets out to win a deadly contest to rule a prehistoric empire—and take the hand of its beautiful priestess. The lost city of Opar was first introduced to readers in the Tarzan novels of Edgar Rice Burroughs. Hidden deep in Africa, it is a place shrouded in mystery and awash with incredible riches. In Hadon of Ancient Opar, Hugo and Nebula Award–winning author Philip José Farmer reimagines this forgotten land, revealing the heroes who lived in its prehistoric golden age . . . A poor young man of great ambition, Hadon leaves his village to enter the great games of Klakor—a bloody contest in which only the strongest and most cunning warrior will survive. He seeks the ultimate prize: to rule the Khokarsan Empire alongside the powerful High Priestess. But his quest for the throne leads him beyond the empire’s edge, where he finds himself embroiled in civil war.
All those who ever lived on Earth have found themselves resurrected - healthy, young, and naked as newborns - on the grassy banks of a mighty river, in a world unknown. Miraculously provided with food, but with no clues to the meaning of their strange new afterlife, billions of people from every period of Earth's history - and prehistory - must start again. Sir Richard Francis Burton would be the first to glimpse the incredible way-station, a link between worlds. This forbidden sight would spur the renowned 19th-century explorer to uncover the truth. Along with a remarkable group of compatriots, including Alice Liddell Hargreaves (the Victorian girl who was the inspiration for Alice in Wonderland), an English-speaking Neanderthal, a WWII Holocaust survivor, and a wise extraterrestrial, Burton sets sail on the magnificent river. His mission: to confront humankind's mysterious benefactors, and learn the true purpose - innocent or evil - of the Riverworld . . . Winner of the Hugo Award for best novel, 1972
The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US. Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France) * Juan Dominguez (Spain) * Trisha Brown (US) * La Ribot (Spain) * Xavier Le Roy (France-Germany) * Vera Mantero (Portugal) and visual and performance artists: * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.