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Chu Chin Chow is a musical tale that has captivated audiences for over a century. Frederic Norton's charming characters and melodic tunes make this story one that will enchant readers of all ages. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Well illustrated book on history of silent movies
100 Silent Films provides an authoritative and accessible history of silent cinema through one hundred of its most interesting and significant films. As Bryony Dixon contends, silent cinema is not a genre; it is the first 35 years of film history, a complex negotiation between art and commerce and a union of creativity and technology. At its most grand – on the big screen with a full orchestral accompaniment – it is magnificent, permitting a depth of emotional engagement rarely found in other fields of cinema. Silent film was hugely popular in its day, and its success enabled the development of large-scale film production in the United States and Europe. It was the start of our fascination with the moving image as a disseminator of information and as mass entertainment with its consequent celebrity culture. The digital revolution in the last few years and the restoration and reissue of archival treasures have contributed to a huge resurgence of interest in silent cinema. Bryony Dixon's illuminating guide introduces a wide range of films of the silent period (1895–1930), including classics such as The Birth of a Nation (1915), The General (1926), Metropolis (1927), Sunrise (1927) and Pandora's Box (1928), alongside more unexpected choices, and represents major genres and directors of the period – Griffith, Keaton, Chaplin, Murnau, Sjöström, Dovzhenko and Eisenstein – together with an introductory overview and useful filmographic and bibliographic information.
A fiction novel telling the story about love, music, and loyalty in a Denver, Co neighborhood that is corrupt with drugs and violence. This story shows how love can either complicate or compliment a life that is already full of controversy!
He was the consummate designer of film architecture on a grand scale. He was known for his visual flair and timeless innovation, a man who meticulously preplanned the color and design of each film through a series of continuity sketches that made clear camera angles, lighting, and the actors' positions for each scene, translating dramatic conventions of the stage to the new capabilities of film. Here is the long-awaited book on William Cameron Menzies, Hollywood's first and greatest production designer, a job title David O. Selznick invented for Menzies' extraordinary, all-encompassing, Academy Award-winning work on Gone With the Wind (which he effectively co-directed). It was Menzies--winner of the first-ever Academy Award for Art Direction, and who was as well a director (fourteen pictures) and a producer (twelve pictures)--who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. Now, James Curtis, acclaimed film historian and biographer, writes of Menzies' life and work as the most influential designer in the history of film. Interviewing colleagues, actors, directors, friends, and family, and with full access to the Menzies family collection of artwork and unpublished writing, Curtis gives us the path-finding work of the movies' most daring and dynamic production designer: his evolution as artist, art director, production designer, and director. Here is a portrait of a man in his time that makes clear how the movies were forever transformed by his startling, visionary work.--Adapted from book jacket.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Presidential campaigns of the twenty-first century were not the first to mobilize an array of new media forms in efforts to gain electoral victory. In Politicking and Emergent Media, distinguished historian Charles Musser looks at four US presidential campaigns during the long 1890s (1888–1900) as Republicans and Democrats deployed a variety of media forms to promote their candidates and platforms. New York—the crucial swing state as well as the home of Wall Street, Tammany Hall, and prominent media industries—became the site of intense struggle as candidates argued over trade issues, currency standards, and a new overseas empire. If the city’s leading daily newspapers were mostly Democratic as the decade began, Republicans eagerly exploited alternative media opportunities. Using the stereopticon (a modernized magic lantern), they developed the first campaign documentaries. Soon they were exploiting motion pictures, the phonograph, and telephone in surprising and often successful ways. Brimming with rich historical details, Musser’s remarkable tale reveals the political forces driving the emergence of modern media.
Secondary edition statement from table of contents.
During his lifetime, Spencer Tracy was known as Hollywood's 'actor's actor'. Critics wrote that what Olivier was to theatre, Tracy was to film. Over his career he was nominated for nine Academy Awards, and won two. But there has been no substantial, intimate biography of the man, until now. From his earliest days in stock theatre, Tracy was a publicist's trial, guarding his private life fiercely. Most of the people associated closely with him shunned the limelight - notably his wife, his children and the great actress Katharine Hepburn, with whom he had an affair that lasted over 26 years. Although his screen roles often depicted a happy, twinkling Irishman, Tracy struggled with alchoholism to the end, a fact which the studios managed to keep out of the papers.With the help of Tracy's daughter, Susie, and access to previously unseen papers, James Curtis has now produced the definitive biography of a tortured, complex and immensely talented man.The book contains 124 integrated photos, many published for the first time.