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Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
A ground-breaking study of the cinematic representation of Paris in the films of émigré filmmakers who made it their first refuge from Hitler's Germany.
Perhaps no world city has so many resonances, on so many levels, as Paris. Cafe society, demi-monde, the intellectual life, film-makers and writers... Paris has fragmented socially, sexually, intellectually and linguistically into many fields. Parisian Fields sets out to investigate some of these. The writers investigate how Paris has been both seen and shaped by tourist guides; how its topography has been represented and allegorized by film-makers like Godard, Clair, Vigo and Renoir; how the city has responded to "new" Parisians - for example Afro-American musicians and dancers such as Josephine Baker - and to previously marginalized Parisians - gays and women. Literary analysis, film, social and gender theory, perspectives on urbanism; here are many provocative and innovative views of the open field of Paris, which will appeal to anyone interested in French cultural and literary studies - or just in the City of Light herself. With essays by Roger Clark, Nicholas Hewitt, Jon Kear, Tom Conley, Michael Sheringham, Alex Hughes, Adrian Rifkin, Belinda Jack, Verena Andermatt Conley and Marc Augé.
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
This study explores the available cross-national data and national policies on early childhood education and care ... in Europe.
The collected shorter film criticism of one of the most brilliant English-language film critics.
The fascinating story of émigré intellectuals, writers, artists, scientists, movie directors, and scholars — including Bertolt Brecht, Theodor Adorno, Albert Einstein, Hannah Arendt, Thomas Mann, Arnold Schoenberg, George Grosz, Erik Erikson, Billy Wilder and Fritz Lang — who fled Nazi Germany and changed America. Heilbut provides a vivid narrative of how they viewed their new country and how America reacted to their arrival as the atom bomb was being developed, the Cold War and McCarthyism were underway, and Hollywood dominated moviemaking. “The son of Jewish immigrants who fled Germany, Anthony Heilbut grew up in New York. Exiled in Paradise, a social history he wrote more than 35 years ago, is still the most immersive account of the German-speaking exiles who came to this country between 1933 and 1941 and of their outsize influence on the culture they found here... Mr. Heilbut provides an absorbingly detailed chronicle of some of these immigrant lives — among them Theodor Adorno, Hannah Arendt, Thomas Mann, Billy Wilder and Cold War physicists.” — Donna Rifkind, The Wall Street Journal “Still the best book on the topic” — Phillip Lopate, The New York Times Book Review “Insightful ... valuable and stimulating ... For some readers, especially the children of generations of émigrés, the book will provide a background to their most basic intellectual assumptions.” — Christopher Lehmann-Haupt, The New York Times “From one page to the next, the book transcends its stated purpose of providing a link between the history of the German-Jewish immigrants and their staggering cultural achievements to acquire the dimensions of that mysterious reality which even a Bresson cannot hope to define: a work of art.” — Marcel Ophuls, American Film Magazine “The story of these refugees has finally found its singular and single voice; it is that of Anthony Heilbut, himself the son of exiles ... His book turns into something more than a panorama about foreigners. It is a way of revealing to Americans themselves what their country really is like.” — Ariel Dorfman, The Washington Post “Anthony Heilbut has exercised impressive scholarship, and even a touch of poetry, to get to the heart of this diaspora.” — Time
"This book serves as a practical guide for integration of Instructional Design languages and notation systems into the practice of ID by presenting recent languages and notation systems, exploring the connection between use of ID languages and integration of technologies in education, and assessing the benefits and drawbacks of the use of ID languages in specific project settings"--Provided by publisher.