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This wide-ranging volume traces the development of second-wave feminism in Ireland, drawing upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O'Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women's studies.
This book provides a comprehensive analysis of the emergence, consolidation and development of the Irish women's movement, as a social movement, in the course of the twentieth century. It seek to address several lacunae in Irish studies by illuminating the processes through which the movement and, in particular, networks of constituent organisations, came to fruition as agencies of social change. The central argument advanced is that when viewed historically, the Irish women's movement is characterised by its interconnectedness and continuity: the central tensions, themes and organising strategies of the movement connects diverse organisations and constituencies, over time and space. This book will be essential reading for those interested in Irish studies, sociology, history, women's studies, and politics.
The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires constant renewal. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary 'leaders' who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere, with the memory of their vital political and military role in the revolution forgotten and erased.Women and the Irish Revolution examines diverse aspects of women's experiences in the revolution after the Easter Rising. The complex role of women as activists, the detrimental impact of violence and social and political divisions on women, the role of women in the foundation of the new State, and dynamics of remembrance and forgetting are explored in detail. Important and timely, and featuring previously unpublished material, this book will prompt essential new
Contemporary feminists are used to juggling many different identities at once, balancing affiliations based on race, nation, class, and sexuality. First-wave feminists also negotiated--or failed to negotiate--similar tensions in their international organizing. Using primary documents dating from the abolitionist movement to the Second World War, Maureen Moynagh and Nancy Forestell investigate the tensions inherent in organizing early transnational feminist movements. Documenting First Wave Feminisms: Volume 1 provides a historical framework to bring together voices of women both canonical and less well known, from Mary Wollstonecraft to Mabel Dove, who were active in feminist movements in all corners of the world. Suffrage, imperialism, citizenship, sexuality, and moral reform are shown to be key issues in a variety of exchanges across North America, Europe, the global south, and the Pan-Pacific region. This source book is as nuanced as first-wave feminism itself and will prove a valuable resource for studying women's rights in an increasingly globalized world.
Contemporary feminists are used to juggling many different identities at once, balancing affiliations based on race, nation, class, and sexuality. First-wave feminists also negotiated—or failed to negotiate—similar tensions in their international organizing. Using primary documents dating from the abolitionist movement to the Second World War, Maureen Moynagh and Nancy Forestell investigate the tensions inherent in organizing early transnational feminist movements. Documenting First Wave Feminisms: Volume 1 provides a historical framework to bring together voices of women both canonical and less well known, from Mary Wollstonecraft to Mabel Dove, who were active in feminist movements in all corners of the world. Suffrage, imperialism, citizenship, sexuality, and moral reform are shown to be key issues in a variety of exchanges across North America, Europe, the global south, and the Pan-Pacific region. This source book is as nuanced as first-wave feminism itself and will prove a valuable resource for studying women's rights in an increasingly globalized world.
"Contemporary feminists are used to juggling many different identities at once, balancing affiliations based on race, nation, class, and sexuality. First-wave feminists also negotiated--or failed to negotiate--similar tensions in their international organizing. Using primary documents dating from the abolitionist movement to the Second World War, Maureen Moynagh and Nancy Forestell investigate the tensions inherent in organizing early transnational feminist movements.
As Ireland made the transition from a rural to a post-industrial society from the 1970s onwards, Irish women developed a significant political voice. Long excluded from participation in the civic arena, they organised to make new, challenging and specific demands on government. The relationship between feminist representatives and political decision makers is at the core of this book. It shows how Irish women developed the political skills required to represent women's interests to government effectively, and finds that the political activity of the women's movement in the Republic of Ireland contributed to the dismantling of a range of discriminatory policies against women. Galligan discusses the compromises made by both sides as the political system slowly moved to accomodate the feminist agenda. In doing so, she explores the dynamics of Irish politics from a different, yet complementary, perspective from the institutional approach which characterizes other studies of the Irish political system. This book clearly marks the significant points in the creation of a more woman-friendly society in Ireland from the 1970s to the present day. It is the story of women's rights in contemporary Ireland.
This Companion provides an authoritative introduction to the historical, social and stylistic complexities of modern Irish culture. Readers will be introduced to Irish culture in its widest sense and helped to find their way through the cultural and theoretical debates that inform our understanding of modern Ireland. The volume combines cultural breadth and historical depth, supported by a chronology of Irish history and arts. A wide selection of essays on a rich variety of Irish cultural forms and practices are complemented by a series of in-depth analyses of key themes in Irish cultural politics. The range of topics covered will enable a comprehensive understanding of Irish culture, while the authors gathered here - all acknowledged experts in their fields - provide stimulating essays that together amount to an invaluable guide to the shaping of modern Ireland.
Feminism and the Contradictions of Oppression is a penetrating and comprehensive study of the development of feminism over the last thirty years. The first part of this major new textbook examines feminist theory and feminist political strategy. The second section examines how contradictions of class, race, subculture and sexuality divide women. The final part explores ways out of the impasse. This level-headed and challenging book is one of the most notable contributions to feminism in recent years.
Austerity and Irish Women’s Writing and Culture, 1980–2020 focuses on the under-represented relationship between austerity and Irish women’s writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women’s writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women’s writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women’s writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland’s consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women’s life writing, ​and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.