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Made in Rome around A.D. 400, the Vatican Vergil is the most famous and the most attractive illustrated book surviving from classical antiquity. David H. Wright introduces this masterpiece of late antique art and shows why it is such an impressive example of the new form of book, the codex, that replaced the traditional papyrus roll and permitted more elaborate illustrations. Here are thirty-two of the most interesting illustrations from the Vatican Vergil, reprinted in full color from the 1980 facsimile published in Graz, Austria, in collaboration with the Vatican Library. Facing each reproduction is the appropriate text from Vergil, in Latin and in English, together with explanatory comments. Wright discusses how the manuscript was made, describing the style of the capital script and of the illustrations as well as their sources in older classical traditions. He examines the Vatican Vergil as an example of the revival of classical culture in pagan circles in Rome at a time when Christian authority was systematically suppressing pagan religion. Finally, he surveys the "afterlife" of the codex, tracing how the work was studied and copied first in the Carolingian era and then in the Italian Renaissance. All the illustrations not reproduced in color are given at full size in black and white in a concluding list of the illustrations that have survived in this unique masterpiece. Made in Rome around A.D. 400, the Vatican Vergil is the most famous and the most attractive illustrated book surviving from classical antiquity. David H. Wright introduces this masterpiece of late antique art and shows why it is such an impressive example of the new form of book, the codex, that replaced the traditional papyrus roll and permitted more elaborate illustrations. Here are thirty-two of the most interesting illustrations from the Vatican Vergil, reprinted in full color from the 1980 facsimile published in Graz, Austria, in collaboration with the Vatican Library. Facing each reproduction is the appropriate text from Vergil, in Latin and in English, together with explanatory comments. Wright discusses how the manuscript was made, describing the style of the capital script and of the illustrations as well as their sources in older classical traditions. He examines the Vatican Vergil as an example of the revival of classical culture in pagan circles in Rome at a time when Christian authority was systematically suppressing pagan religion. Finally, he surveys the "afterlife" of the codex, tracing how the work was studied and copied first in the Carolingian era and then in the Italian Renaissance. All the illustrations not reproduced in color are given at full size in black and white in a concluding list of the illustrations that have survived in this unique masterpiece.
The Roman Vergil (or Codex Romanus so named by Valeriano in 1521) is one of the most precious manuscripts in the Vatican Library. Produced in Rome before the end of the fifth century AD, it is an enormous and beautifully made copy of the works of Vergil, finely designed and illuminated. Its influence on the development of mediaeval manuscript art is important in many ways: for example the first page of the text of the Aeneid is the earliest-known decorated incipit page. In this volume, all 20 illuminated pages are reproduced in sequence, with explanatory text. In the accompanying commentary Professor Wright provides a wide-ranging discussion of the place of the manuscript in the history of art and book design, illustrated with comparative material from other manuscripts, mosaics and ivories, along with an analysis of the script and letter forms.
Reprint of the original, first published in 1876.
v.48: Biondo, Flavio. Scritti inediti e rari di Biondo Flavio... 1927.
Our country and the world is changing fast, and a knowledge of history helps us understand the hows, whats, and whys of modern civilization. Fully revised and updated, this new edition of The Handy History Answer Book answers over 1,000 how-what-why questions. A concise guide to all things historical, this feast of facts and compelling stories recounts the revolutionary ideas, acts, and inventions that have changed the world from the Stone Age through the 21st century. Open the pages of this historical guide and get ready for an exciting journey. From Neanderthal Man to sports, from the Trojan War to the Arab Spring, from the Hippocratic Oath to the Internet, this is the perfect companion for history buffs of any age and a resource for learning—and brushing up on—the events, terms, and history makers. A concise guide to all things historical, this feast of facts and compelling stories recounts the revolutionary ideas, acts, and inventions that have changed the world. Beginning with a section on historical eras, this popular reference source tracks history and organizes information in 13 specific subject sections, ranging from politics and war to science and religion. It tackles exploration and settlement, technological advances, legal fireworks, financial and business events, social movements, natural and man-made disasters, medicine and disease, and art and culture. From the Stone Age to sports, from the Trojan War to the Arab Spring, and from the Hippocratic Oath to the internet, this is the perfect companion for history buffs of any age.
Bernhard Bischoff (1906-1991) was one of the most renowned scholars of medieval palaeography of the twentieth century. His most outstanding contribution to learning was in the field of Carolingian studies, where his work is based on the catalogue of all extant ninth-century manuscripts and fragments. In this book, Michael Gorman has selected and translated seven of his classic essays on aspects of eighth- and ninth-century culture. They include an investigation of the manuscript evidence and the role of books in the transmission of culture from the sixth to the ninth century, and studies of the court libraries of Charlemagne and Louis the Pious. Bischoff also explores centres of learning outside the court in terms of the writing centres and the libraries associated with major monastic and cathedral schools respectively. This rich collection provides a full, coherent study of Carolingian culture from a number of different yet interdependent aspects, providing insights for scholars and students alike.