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Feminist Research: Prospect and Retrospect offers a thorough look at the problems of women today, suggesting that society is encountering a period of strong reaction to the feminist movement of the late sixties and early seventies. Marguerite Anderson argues that only the "dynamite of research" will allow construction of a positive route forward.
This Second Edition is an essential resource for librarians, scholars, and students. This succinct handbook includes more than 1,000 entries covering the persons, organizations, campaigns and court cases, goals and achievements, and current and future directions of the feminist movement, 75 percent of which are new and revised from the first edition. This second edition also features a more internationally focused introduction that provides an overview of the history and development of feminism as a movement and as a philosophy. Rounding out this new edition are an expanded chronology, and an updated bibliography that brings attention to many feminist online resources and periodicals, and emphasizes global and third-wave feminism, both new developments in the field since the publication of the first edition. Paying tribute to the struggles of the women, and men, who have worked to change and to improve the living conditions for women in the world, this book promises a comprehensive historical overview for readers of all interest levels.
This book offers a selection of the papers of the Women in Pragmatism International Conference held at the University of Barcelona in January 2020. The conference gathered women and non-binary scholars from twelve different countries. This was the first pragmatist conference organized entirely by women and non-binary persons. It has initiated a stable network of mentoring and support analogous to other women philosophers’ organizations. The book provides paths to reconstruct the roots of pragmatism, integrating the works of women pragmatists of the past and linking them to the current developments of feminist and pragmatist topics. Scholars of different countries, status, and backgrounds serve as a powerful example of the trend toward interdisciplinary cooperation and versatility we might expect for the future of pragmatism. The book is of interest for scholars interested in both pragmatism and feminism, from various perspectives ranging from psychology to semiotics, logic, and sociology, wishing to expand their horizons and understand their relevant interactions.
In the resistance to the violence of gender-based oppression, vibrant – but often ignored – worlds have emerged, full of nuance, humour, and beauty. Correcting an absence of writing about contemporary feminist work by Canadian artists, Desire Change considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Essays by historians, artists, and curators present an overview of a range of artistic practices including performance, installation, video, textiles, and photography. Contributors address the desire for change through three central frames: how feminist art has significantly contributed to the complex understanding of gender as it intersects with sexuality and race; the necessary critique of patriarchy and institutions as they relate to colonization within the Canadian nation-state; and the ways in which contemporary critiques are formed and expressed. The resulting collection addresses art through an activist lens to examine intersectional feminism, decolonization, and feminist institution building in a Canadian context. Heavily illustrated with representative works, Desire Change raises both the stakes and the concerns of contemporary feminist art, with an understanding that feminism is always and necessarily plural. Contributors include Janice Anderson (Concordia University), Gina Badger (artist, writer, editor, Toronto), Noni Brynjolson (writer, San Diego), Amber Christensen (curator and writer, Toronto), Karin Cope (NSCAD), Lauren Fournier (artist, writer, and curator, York University), Amy Fung (curator and writer, Toronto), Kristina Huneault (Concordia University), Alice Ming Wai Jim (Concordia University), Tanya Lukin Linklater (artist, North Bay), Sheila Petty (University of Regina), Kathleen Ritter (curator and writer, Vancouver), Daniella Sanader (curator and writer, Toronto), Thérèse St. Gelais (UQAM), cheyanne turions (curator and writer, Toronto), Ellyn Walker (Queen’s University), Jayne Wark (NSCAD) and Jenny Western (curator and writer, Winnipeg).
This is the final volume of nine in a series on Gay and Lesbian studies. Originally published in 1993, Lesbian Sources is a cross-referenced bibliography of articles written by and/or about lesbians and published in nationally- or internationally-distributed periodicals between 1970 and 1990.
This new collection provides an interdisciplinary examination of young women's multilayered lives. Contributors from various fields wrestle with both subculture theory and feminism in an attempt to understand contemporary strategies for connection and social action.
"... comprehensive, well-written, and useful... A must... " -- Choice "... interdisciplinary... with exciting contributions from the humanities and the social and natural sciences." -- Quest "... a treasure of rich and challenging scholarship that covers many fields... " -- Religious Education "The helpful insights from a wide range of disciplines -- Economics to Literature -- accumulated here in a focused manner should be useful to all scholars interested in Women's Studies." -- Kathryn Allen Rabuzzi, Syracuse University, Religious Studies Review "... exciting, state-of-the-art essays across a wide variety of fields." -- Gender & Society Nationally recognized scholars assess the impact of over a decade of research on women. Originally intended merely as a corrective -- filling in a missing part of the story -- the cumulative effect of this body of scholarship is to pose paradigm shifts for the traditional disciplines.
An indispensable resource for instructors and students in digital studies programs, Critical Digital Studies is a comprehensive, creative, and fascinating look at a digital culture that is struggling to be born, survive, and flourish."--Publisher description.