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Up to the eighteenth century, the Latin biblical epic poets of late antiquity were much read, and were influential on various strands within European poetry. Milton's Paradise Lost is the culmination of the English branch of the tradition. Renewed scholarly interest in the literature of the late Roman period has included a revaluation of its biblical poetry. But attention has been concentrated on the rhetorical skill of the writers; in terms of content it is still often assumed that biblical epic is a straightforward rendering of the bible narrative. Doctrine and Exegesis in Biblical Latin Poetry throws light on an important but under-explored aspect of the content of these works. In a thorough study of how two areas of doctrine significant in late antiquity - the nature of God, and the theory of creation - are represented in the biblical epics, Daniel Nodes shows that the poets were actively commenting on, and propagating particular views of, the vital doctrinal issues of their time. The writers represented in this volume range in time from the fourth to the sixth centuries: the female poet Proba (whose Virgilian Cento is one of the earliest examples of biblical epic), Cyprianus Gallus, Hilarius poeta , Claudius Marius Victorius, the north-African Dracontius, and Avitus, Bishop of Vienne. The author draws on the works of the Church Fathers, both Greek and Latin, and on Jewish exegetical writings. The book should interest students of later Latin literature, church history, and theology and exegesis.
This volume investigates various exegetical possibilities in Christian Latin poetry during Late Antiquity and the Middle Ages. In the Latin West poetry was mainly associated with the powerful pagan tradition of writers like Vergil and Ovid, and by many poetry was considered to tell lies and provide mere entertainment potentially corrupting the soul. Therefore, Christians initially had reservations about this genre and believed it to be incompatible with Christian worship, literacy and intellectual activity. In practice, however, forms of specifically Christian poetry developed from the end of the third century onwards; theoretical reconciliations were developed around 400 A.D. This collection examines specimens of Christian poetry from Juvencus (the first biblical epicist shortly after 300) up to the thirteenth century. Its particular usefulness lies in the combination of literary theory and hermeneutics, close readings of the texts and new readings on a sound philological basis.
This volume examines for the first time the most important methodological issues concerning Christian poetry – i.e. biblical and theological poetry in classical meters – from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.
Christian Latin poetry from the fourth to sixth centuries was hugely influential on English and French medieval literature. In this, the first substantial overview of this poetry, Carolinne White sets the works in their literary and historical context, including translations of over thirty poems and excerpts, many never translated into English before.
The essays of Patristic Exegesis in Context examine the biblical exegesis of early Christians beyond the formal genre of biblical commentary. The past couple of decades have seen a broadening of perspective on the study of patristic exegesis; the phenomenon is increasingly situated within its various literary contexts and genres, and the definition of what counts as patristic exegesis is therefore widened. This volume thus situates itself within this emerging scholarly tradition, which aims not to give an account of exegetical strategies and methodologies as found primarily in exegetical commentaries and homilies, but to demonstrate the highly sophisticated nature of biblical exegesis in other genres, and the manifold uses to which this exegesis was put. Ancient Christian authors lived and breathed scripture; it served as their primary source of theological and liturgical vocabulary, their way of processing the world, their social ethic, and their mode of constructing self and communal identity. Scripture therefore permeates all ancient Christian literature, regardless of genre, and the various contexts in which interpretation of scripture took place resulted in a wide variety of uses of the church's authoritative texts. The essays in this volume demonstrate the interpretive skill, creativity, and sophistication of early Christian authors in a myriad of other early Christian genres, such as poetry, paraphrase, hymns, martyr accounts, homilies, prophetic vision accounts, monastic writings, argumentative treatises, encomia, apocalypses, and catenae. Accordingly, the volume aims to help the modern person, who is used to hearing the Bible explained in explicitly expository situations (for example, in academic commentaries or religious sermons) to become more habituated to ancient ways of interacting with and expounding the biblical text. These essays attempt to contextualize various types of patristic exegesis, in order for us to glimpse the complex and diverse uses of the Bible in this period.
A collection of Pollmann's previously-published essays on early Christian poetry, most newly-translated from German and all updated and corrected. It is a genre that has tended to be overlooked by both Classicists and Patristics scholars and this collection will rectify that.
The Oxford Handbook of Late Antiquity offers an innovative overview of a period (c. 300-700 CE) that has become increasingly central to scholarly debates over the history of western and Middle Eastern civilizations. This volume covers such pivotal events as the fall of Rome, the rise of Christianity, the origins of Islam, and the early formation of Byzantium and the European Middle Ages. These events are set in the context of widespread literary, artistic, cultural, and religious change during the period. The geographical scope of this Handbook is unparalleled among comparable surveys of Late Antiquity; Arabia, Egypt, Central Asia, and the Balkans all receive dedicated treatments, while the scope extends to the western kingdoms, and North Africa in the West. Furthermore, from economic theory and slavery to Greek and Latin poetry, Syriac and Coptic literature, sites of religious devotion, and many others, this Handbook covers a wide range of topics that will appeal to scholars from a diverse array of disciplines. The Oxford Handbook of Late Antiquity engages the perennially valuable questions about the end of the ancient world and the beginning of the medieval, while providing a much-needed touchstone for the study of Late Antiquity itself.
Converting Verse provides a fresh account of the ways Christian poets in the late Roman world-especially those in the outlying provinces of Gaul-reinvented Latin poetry's purpose and power during the turbulent fifth century, a period that witnessed barbarian incursions, the rise of monasticism, and the collapse of the Western Roman Empire itself.
First published in 1997. What's new in the Second Edition: Some 250 new entries, twenty-five percent more than in the first edition, plus twenty-five new expert contributors. Bibliographies are greatly expanded and updated throughout; More focus on biblical books and philosophical schools, their influence on early Christianity and their use by patristic writers; More information about the Jewish and pagan environment of early Christianity; Greatly enlarged coverage of the eastern expansion of the faith throughout Asia, including persons and literature; More extensive treatment of saints, monasticism, worship practices, and modern scholars; Greater emphasis on social history and more theme articles; More illustrations, maps, and plans; Additional articles on geographical regions; Expanded chronological table; Also includes maps.
Biblical poetry, written between the fourth and eleventh centuries, is an eclectic body of literature that disseminated popular knowledge of the Bible across Europe. Composed mainly in Latin and subsequently in Old English, biblical versification has much to tell us about the interpretations, genre preferences, reading habits, and pedagogical aims of medieval Christian readers. Biblical Epics in Late Antiquity and Anglo-Saxon England provides an accessible introduction to biblical epic poetry. Patrick McBrine’s erudite analysis of the writings of Juvencus, Cyprianus, Arator, Bede, Alcuin, and more reveals the development of a hybridized genre of writing that informed and delighted its Christian audiences to such an extent it was copied and promoted for the better part of a millennium. The volume contains many first-time readings and discussions of poems and passages which have long lain dormant and offers new evidence for the reception of the Bible in late Antiquity and the Middle Ages.