Download Free Doctor Frigo Book in PDF and EPUB Free Download. You can read online Doctor Frigo and write the review.

A quiet doctor’s life is turned upside down by a Caribbean coup d’état in this “masterly novel” by the acclaimed author of Epitaph for a Spy (The New York Times Book Review). As the son of a Central American political leader, Dr. Ernesto Castillo grew up close to the world of influence and intrigue. But ever since his father was assassinated, he has shunned politics and shut himself off from the world. In fact, Ernesto’s cool, detached demeanor has earned him the nickname Dr. Frigo. He’s is content to live quietly on a small island, keeping busy with his practice and his mistress . . . until his late father’s political party comes calling. Its rising leader, Manuel Villegas, hopes to put Ernesto to work as his physician. His presence would rally the elder Castillo’s supporters, who are necessary to help Villegas win power in a planned coup. Ignoring the advice of his mistress, whose marriage to a French intelligence officer made her an expert player of political games, the doctor unwisely stumbles his way forward, risking his profession—and then his life.
A coup d'état in a Caribbean state causes a political storm in the region and even the seemingly impassive and impersonal Doctor Castillo, nicknamed Doctor Frigo, cannot escape the consequences. As things heat up, Frigo finds that both his profession and life are horribly at risk.
Peter Ackland is ordered to rest by his Doctor. He travels to Cornwall and is greeted by Henry Braddock, who has a revolver in his pocket. Ackland also comes across other characters who try their hand at blackmail, and a stage that is all set for murder.
Multiple-choice questions are an ideal way to improve understanding and revise for examinations. This book consists of 200 MCQs in psychiatry suitable for candidates for postgraduate examinations such as the MRCPsych. However medical students general practitioners psychiatric nurses clinical psychologists psychiatric social workers and psychiatric occupational therapists will also find it useful as a valuable revision guide. The questions have been carefully selected to reflect the educational needs of psychiatrists in training. Most questions are accompanied by a short answer to provide an ideal self-teaching book for all those wanting to revise for examinations and improve their understanding of this important area.
The “Able Criminal”, as defined by noted criminologist Frits Krom, strikes with no discernible pattern or method, and flies below the radar of crime syndicates and law enforcement agencies alike. He is virtually uncatchable—but Krom is willing to try. He knows that Paul Firman, the director of an ostensibly legitimate international investment firm, is in fact an expert in tax avoidance and a textbook Able Criminal. Surprisingly, Firman agrees to submit to an interview with Krom and his two colleagues at his secluded villa on the French Riviera. He’s more than a little curious about what they really want from him and confident he can avoid implicating himself. But it soon becomes evident that the host and his guests are under siege by a third party, one whose motives and violent intentions are unclear. If they are to survive, the criminal and the criminologists will have to band together. The Siege of the Villa Lipp is a classic Eric Ambler tale of suspense in which a man thrust into a high-stakes situation, far outside of his usual expertise, finds himself at the mercy of forces beyond his control.
Eric Ambler's first six novels released between 1936 and 1940 quickly established his reputation as a master craftsman of intrigue and espionage narratives. Far less often discussed are the twelve Cold War novels he published, after an eleven-year hiatus as a screenwriter, between 1951 and 1981. This study argues that his entire corpus manifests late modernism's impulse toward a broadly social, political, and cultural critique of the times. Ambler's fiction from the mid-1950s onward is also remarkable for its ludic turn as he assesses the self-deceptions of an increasingly bureaucratized and media-focused world blind to its own follies. In these later works can be seen elements of what has come to be known as postmodernism, though in his commitment to chronicling the juggernaut of modernity he remains a uniquely independent witness of what is now being called the long twentieth century.
Charles Burton, journalist, cannot get work past Iron Curtain censors and knows he should leave. However, he is in love with Anna Maras, who is in danger. Then the President is assassinated and a colleague is found dead. He decides to smuggle Anna out, but is sought by secret police and counter-revolutionaries alike.
Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long. The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism. This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.