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In his brief life, Chekhov was a doctor, essayist, dramatist and a humanitarian. He saw no conflict between art and science or art and medicine. This collection of stories presents powerful portraits of doctors in their everyday lives, struggling with their own personal problems.
Here is a unique collection of short stories by one of the world's most beloved storytellers, Anton Chekhov. Selected and with an introduction by author Tobias Wolff, these stories are some of Chekhov's most powerful and memorable works. Includes The Kiss and Dreams.
A collection of vignettes including an old woman who storms a bank and upbraids the manager for his gout and lack of money, a father who takes his son to a house for sex only to relent at the last moment, a grafty seducer who realizes it is the married woman who is in command, the tale of a man who offers to drown himself for three rubles, etc.
Chekhov often said that 'I am a doctor by trade and sometimes I do literary work in my free time', a surprising claim, given his status as a giant of 20th century drama. This literary-biographical study uncovers new sides to him, as both a medical professional and humanitarian, and tells the story of Chekhov's trip to Sakhalin Island in the harsh wastes of Siberia. Anton Chekhov practiced medicine for most of his life and engaged in humanitarian work which took him away from writing for months. He placed one such trip though, across the unforgiving terrain of Siberia to write about the penal island of Sakhalin, above all others. Chekhov's Sakhalin Journey, written by a neuroscientist and practicing clinician, uses this trip and Chekhov's own account of it to shed light on hitherto overlooked aspects of his life. In doing so, it shows that to understand the man we need his medicine as well as his literature, and we need to assess his life from his perspective as well as ours.
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
Immerse yourself in the nuanced world of Anton Pavlovich Chekhov's "The Doctor." This insightful short story delves into the life of a physician and the complexities of his professional and personal experiences. Chekhov’s narrative explores themes of medical ethics, personal sacrifice, and the human element within the field of medicine. Chekhov, renowned for his profound psychological insight and attention to detail, presents a story that reveals the emotional and moral challenges faced by medical professionals. The narrative provides a reflective examination of the doctor’s role and the impact of his decisions on his patients and himself."The Doctor" is a compelling read for those interested in Chekhov’s exploration of medical life and the personal dynamics within the profession. Ideal for readers who appreciate stories that delve into the ethical and emotional aspects of healthcare and the complexities of human interactions.
‘Typhus’ is a deeply personal short story by Chekhov, about a young man, Klimov, returning home on a train while suffering from a terrible illness. The tale begins with Chekhov’s classic dark humour as the protagonist is disgusted with the characters that surround him. The story changes as Chekhov illustrates a slowly creeping illness that engulfs the main character and terrifyingly distorts the world around him. As the nightmarish train moves rapidly along, vivid imagery portrays the horrors of his illness. As Klimov’s body and mind become consumed by the infection, he longs to find sanctuary and safety in his own home. However, what awaits him there is far worse. This short story portrays Chekhov’s incredible ability to depict ghastly images of everyday life and the tragedy of illness. ‘Typhus’ is a poignant tale that is just as relevant in our pandemic age as when it was written, and should be read by all. A prolific writer of seven plays, a novel and hundreds of short stories, Anton Chekhov (1860-1904) is considered one of the best practitioners of the short story genre in literature. True to life and painfully morbid with his miserable and realistic depictions of Russian everyday life, Chekhov’s characters drift between humour, melancholy, artistic ambition, and death. Some of his best-known works include the plays 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard', where Chekhov dramatizes and portrays social and existential problems. His short stories unearth the mysterious beneath the ordinary situations, the failure and horror present in everyday life.
Dependents and with the tuberculosis that was to kill him at age forty-four. He was one of the greatest playwrights and short-story writers ever born, but he was torn between medicine and literature, as he was between family and friends, between a longing for solitude and a need for company. When he was a child, his family life was at times made a hell by a monstrous father, a possessive sister, and delinquent elder brothers; his own adult life was tortuously balanced between the affections of a series of mistresses and a marriage to an actress that was not as idyllic as it has traditionally been painted. Donald Rayfield's biography strips the whitewash from the image of Chekhov and shows us what lay behind his restrained, ironic facade. The result does not denigrate him but shows him in the full heroism of his brief, prodigiously creative life. Rayfield has spent more than three years combing the Chekhov archives all over Russia (Chekhov was a restless traveler for the whole of his life, going from Siberia to the Cote d'Azur) and has uncovered thousands of documents and letters from Chekhov's lovers, friends, and family, most of them never published before, which cumulatively tell of a life far more entangled and turbulent than we ever previously suspected. The many cuts made in Soviet and foreign editions of Chekhov's and his wife's letters have been restored; what once was hidden is now revealed.
The essays collected in this book constitute a new contribution to our understanding of the originality and significance of Chekhov’s prose. A close textual analysis of his work is provided, and especially of previously neglected works—some long overdue for in-depth investigation—that Chekhov himself rightfully considered to be masterpieces. Analysis of both these and other previously analyzed works offers a new interpretation which contrasts with those offered by previous Chekhov scholars. Works examined include those dealing with Chekhov’s astonishingly accurate and artistic portrayal of a wide variety of illnesses—without the use of any medical terms. These works are shown to be not mere “clinical studies,” but genuine, impressive works of art. The author, who suffered half of his life from tuberculosis, effectively portrayed many characters afflicted with this disease which was incurable at the time. Many of these works reveal an indisputable symbiosis of the doctor and the artist. Chekhov maintained that “in Goethe the poet lived amicably side by side with the scientist”—a fitting description of him as well. Doctors, the most frequently portrayed characters in Chekhov’s oeuvre are appropriately subjected to extensive analysis, as are the themes of fate and death and dying that figure so prominently in Chekhov’s work. Attention is accorded to imaginative fictional works dealing with philosophy and the theme of crime and punishment, as well as The Island of Sakhalin, a narrative of non-fictional sociological content.