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William McKnight was a member of the Seventh Ohio Volunteer Cavalry from September 1862 until his death in June of 1864. During his time of service, McKnight penned dozens of emotion-filled letters, primarily to his wife, Samaria, revealing the struggles of an entire family both before and during the war. This collection of more than one hundred letters provides in-depth accounts of several battles in Kentucky and Tennessee, such as the Cumberland Gap and Knoxville campaigns that were pivotal events in the Western Theater. The letters also vividly respond to General John Hunt Morgan’s raid through Ohio and correct claims previously published that McKnight was part of the forces chasing Morgan. By all accounts Morgan did stay for a period of time at McKnight’s home in Langsville during his raid through Ohio, much to McKnight’s horror and humiliation, but McKnight was in Kentucky at the time. Tragically, McKnight was killed in action nearly a year later during an engagement with Morgan’s men near Cynthiana, Kentucky.
William McKnight was a member of the Seventh Ohio Volunteer Cavalry from September 1862 until his death in June of 1864. During his time of service, McKnight penned dozens of emotion-filled letters, primarily to his wife, Samaria, revealing the struggles of an entire family both before and during the war. This collection of more than one hundred letters provides in-depth accounts of several battles in Kentucky and Tennessee, such as the Cumberland Gap and Knoxville campaigns that were pivotal events in the Western Theater. The letters also vividly respond to General John Hunt Morgan’s raid through Ohio and correct claims previously published that McKnight was part of the forces chasing Morgan. By all accounts Morgan did stay for a period of time at McKnight’s home in Langsville during his raid through Ohio, much to McKnight’s horror and humiliation, but McKnight was in Kentucky at the time. Tragically, McKnight was killed in action nearly a year later during an engagement with Morgan’s men near Cynthiana, Kentucky.
John Beatty's 'The Citizen Soldier: Memoirs of a Volunteer' is a compelling account of one man's journey through the American Civil War. Written in a straightforward and authentic style, Beatty provides vivid descriptions of the experiences he faced as a volunteer soldier, offering a first-hand perspective on the turmoil and challenges of war. His keen attention to detail and emotional depth make this book a valuable historical resource for understanding the realities of soldier life during this tumultuous period in American history. Beatty's narrative style is both engaging and informative, making the reader feel as though they are right alongside him in the midst of battle. The book's literary context is significant as it sheds light on the personal stories of ordinary citizens who were thrust into extraordinary circumstances during a pivotal moment in American history. Beatty's personal account offers a unique and insightful angle on the Civil War, making it a must-read for history enthusiasts and scholars alike.
Osborne joined the Confederate Army in the spring of 1861. He had no idea what he was getting into. Before he was captured in April 1865, he had been in numerous battles. In his diaries, he constantly complained about the miles and miles of marching through the countryside. He and his fellow soldiers seldom had enough food or supplies. He helped scour battlefields after the fighting, searching for food, weapons, ammunition, and supplies. Letter writing was an everyday ocurrence. Often his poor health required him to help guard the ammunition train or aid with the sick and wounded in various hospitals. Some of his writings about fighting, especially at Antietam and Gettysburg, make us wonder how any of the soldiers survived the war.
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Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.