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Key Selling Points In Don't Stand So Close to Me an eighth grader and her friends adjust to life during the COVID-19 pandemic. The book is set in real time during a worldwide historical event and, while it examines the harsh realities of a global pandemic, it ultimately shares a message of coming together and having hope. The book was produced in less than one month, an unprecedented publishing event; it was written and released during the same pandemic it is set in. A portion of the sales will be donated to Lakeside HOPE House in the author's hometown of Guelph, Ontario. HOPE House offers immediate relief and ongoing support to those in need as well as programs and community projects that challenge the stigmas surrounding poverty. With increasing financial insecurity for many due to COVID-19, their work is now more important than ever.
A small-town musician from North Carolina tries his luck on the biggest stage of all: New York City. And he hits the jackpot. Mere months into his NYC gambit, guitarist Jeffrey Lee Campbell is catapulted from selling candy in Broadway theaters to touring the world with rock legend Sting. Go behind the scenes with the provincial, wide-eyed rookie as he fakes his way around the globe, shoulder-to-shoulder with his longtime musical hero. Do Stand So Close is a layered, coming-of-age memoir, recounting Jeffrey Lee Campbell's glamorous (and grueling) twenty-five country, six-continent trial by fire on Sting's "Nothing Like The Sun" World Tour. Filled with humorous anecdotes and poignant revelations, Do Stand So Close follows Jeffrey's amazing odyssey--from relocating to NYC and miraculously landing the high-profile gig, to life on the road with one of the planet's biggest rock stars, to his humbling crash-and-burn after the tour. Buckle up
In a dual biography and humorous information guide, the star of Home Improvement discusses his prison term and successful television show while offering hints on how to deal with the opposite sex and recognize the parallels between golf courses and strip joints. Reprint.
A lingering, compulsive debut novel that will keep you tightly in its grip. What would you do if a young girl knocked on your door and asked for your help? If it was snowing and she was freezing cold, but you were afraid and alone? What would you do if you let her in, but couldn't make her leave? What if she told you terrible lies about someone you love, but the truth was even worse? Traumatized by her final case as a psychologist, Stella only feels truly safe hidden away in the isolated house she shares with her husband, Max. Then Blue appears in the middle of a snow-storm, begging to be let in. As secrets and lies gradually seep out of the young girl, Stella's tightly controlled world begins to unravel . . .
From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction
In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.
#1 BESTSELLER • The apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published. • The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity.
Key Selling Points In The King of Jam Sandwiches , ayoung teen is afraid to let anyone know what is going on at home. This book examines the effects of mental illness, poverty and parental neglect. This is a very personal story for Eric Walters, informed by his own experience. Eric Walters has written over 100 books and is an avid presenter visiting thousands of students each year.
This practical guide details ten key principles that will profoundly change the way you think about, organize, and lead the meetings that matter most. Rather than trying to change anyone's behavior, Weisbord and Janoff show you how to change the conditions under which people interact. By doing less, you help others do more. With examples from around the world, and practical tips and exercises in every chapter, Don't Just Do Something, Stand There! gives you many new techniques for helping people discover common ground, make productive use of dissension, and take responsibility for action.
“An ambitious look at the last days of the Clash . . . as much a political history of the 1980s as it is a look at an influential band in its final years.”—Publishers Weekly The Clash was a paradox of revolutionary conviction, musical ambition, and commercial drive. We Are The Clash is a gripping tale of the band’s struggle to reinvent itself as George Orwell’s 1984 loomed. This bold campaign crashed headlong into a wall of internal contradictions and rising right-wing power. While the world teetered on the edge of the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer, Paul Simonon, and Bernard Rhodes waged a desperate last stand after ejecting guitarist Mick Jones and drummer Topper Headon. The band shattered just as its controversial final album, Cut the Crap, was emerging. Andersen and Heibutzki weave together extensive archival research and in-depth original interviews with virtually all of the key players involved to tell a moving story of idealism undone by human frailty amid a climatic turning point for our world. “The Clash’s final chapter, after guitarist Mick Jones’ 1983 departure, has largely been forgotten—until this book, in which authors Mark Andersen and Ralph Heibutzki argue that the punk pioneers were still creating vital music to the very end.”—Rolling Stone, an RS Picks/New Books “Focuses on a very different moment in the band’s history: the point at which the group splintered in the early 1980s, and its members grappled with an onset of reactionary governments around the world.”—Vol. 1 Brooklyn “One of the most rewarding music books you’ll come across this year.”—Johns Hopkins Magazine