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For decades, Katie D’Angelo and Valerie Harrison engaged in conversations about race and racism. However, when Katie and her husband, who are white, adopted Gabriel, a biracial child, Katie’s conversations with Val, who is black, were no longer theoretical and academic. The stakes grew from the two friends trying to understand each other’s perspectives to a mother navigating, with input from her friend, how to equip a child with the tools that will best serve him as he grows up in a white family. Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. These friendly dialogues about guarding a child’s confidence and nurturing positive racial identity form the basis for Do Right by Me. Harrison and D’Angelo share information on transracial adoption, understanding racism, developing a child’s positive racial identity, racial disparities in healthcare and education, and the violence of racism. Do Right by Me also is a story about friendship and kindness, and how both can be effective in the fight for a more just and equitable society.
A mother and daughter team up to help readers identify, focus on, and develop their own strengths. This book offers an approach that leads to greater self-esteem and a richer sense of life's possibilities-a positive and refreshing alternative to problem-focused self-help books.
"This book orients parents and communities of black children, including white adoptive parents, to the particular challenges and inequalities race brings to childhood. The authors present research, insight, and their own experience to guide parents to challenges related to education, health, safety, self-esteem, and community building"--
Do Right, and Live Right and Be Who God Calls You to Be is a book that was written in response to God speaking to me through the sermons of Brother David Berrier who served as Interim Pastor of Advent Moravian Church during the latter part of 2009 and the early part of 2010. The book is a blend of sermons and my own journal writings that came straight from my heart. May God bless you through the words that started in our hearts and made it to the pages of this book.
(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.
Move over, Holden Caulfield, and meet Marshall Field Finney, in the 30th anniversary edition of Right by My Side, by a celebrated chronicler of Black middle class life in the American Midwest A Penguin Classic With wit and realism, David Haynes presents a different kind of Holden Caulfield in fifteen-year-old Marshall Field Finney, an ordinary, sullen teenager who discovers storytelling as a way to ease his adolescent anger and family tensions. Living with his parents in “Washington Park,'' a housing development outside St. Louis, Missouri in the 1980s, his high-strung mother walks out on him and his father, a flawed yet strong man who manages the local landfill. Marshall's two best friends, one Black and one white, are his only allies, as they navigate school and family life together. Through these relationships, Haynes poses Marshall's universal questions about his place in his community and what’s next in his life. Ultimately, Marshall’s story proves that people take care of each other, families take care of others, and a boy finds his own resilience to become a young man. "[Haynes] belongs to the old realist tradition that believes that everyday life, if truly rendered, is more than exciting enough."—Los Angeles Times Book Review "Haynes offers engaging characters who tackle fundamental issues such as love, family and benevolence," Publishers Weekly
Presents a biography of author Alice Walker along with critical views of her work.
When the narrator, who is married, attends her college reunion, she falls head over heels for an old flame, causing her to place a personal ad to find a new wife for her husband Reilly, and, among the nymphos, gold diggers, and man-haters, finds her replacement. Reprint.
Don’t stay down you can make a different in your life you are not your past broke the bloodline. Am still Gods child.
'So, what do you do?' Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places-until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version. In Lush Life, Richard Price tears the shiny veneer off the 'new' New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and 'quality of life' squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose' Michiko Kakutani, The New York Times