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Roy Hobbs blew the cash windfall from his best-seller book. Gone was his money, and then his wife Rachel was murdered with the killer never found. Roy chose to pick up the pieces, riding into his sunset as a crime reporter in a smaller market. Then a weird stranger made him a freaky offer. The stranger would pay Roy the same money as his best-seller book in return for Roy to write a book for the stranger. The subject of the book would be secret until after Roy makes a decision. Big payday or walk away? Roy chose big money, and his life hurled into a dimension he could have never imagined. It was there that he faced the most outrageous do-over that would reconstruct his life in surprising ways. Could he truly have a do-over on his biggest mistakes in life? Would he make those mistakes time and time again? Could a do-over allow him to rescue Rachel and put an end to the killings? Roy Hobbs wouldn't be writing this strange new book, he would be living it and the ending could kill him and kill Rachel again and again.
Sixteen-year-old Emilie, stuck in a cosmic Groundhog/Valentine's Day nightmare where she discovers her family is splitting up and her boyfriend is cheating on her, decides to embark upon The Day of No Consequences, but when her repetitive day suddenly ends, she must face the consequences of her actions.
From the New York Times bestselling author of The Unteachables, Gordon Korman, comes a hilarious new high-concept friendship story in the vein of Back to the Future. Perfect for fans of Korman’s Restart. Mason and Ty were once the very best of friends, like two nerdy sides of the same coin . . . until seventh grade, when Ava Petrakis came along. Now Mason can trace everything bad in his life to that terrible fight they had over the new girl. The one thing he’d give anything for is a do-over. But that can’t happen in real life—can it? As a science kid, Mason knows do-overs are impossible, so he can’t believe it when he wakes up from a freak accident and finds himself magically transported back to seventh grade. His parents aren’t yet divorced and his beloved sheepdog is still alive. Best of all, he and Ty haven’t had their falling-out yet. It makes no logical sense, but Mason is determined to use this second chance to not only save his friendship (and his dog!) but do other things differently—like trying out for the football team and giving new friends a chance. There’s just one person he’ll be avoiding at all costs: Ava. But despite his best efforts, will he be able to stop the chain of events that made his previous life implode?
Ever wonder if you could relive part of your life, to experience again the innocence of childhood or to correct a grievous mistake that has haunted you? Mack McCoy may have done just that unwittingly. Mack is a good man, captain in the Dallas Police Department who would describe his career as "in the weeds," thanks mainly to an incident in which he shot and killed two unarmed teenagers in the act of robbing a pizza restaurant. Though cleared of wrongdoing, he has become a pariah, busted back to captain from deputy chief. Mack is paired with a fire captain for a project they both perceived as dead-end with no potential growth for either of them and more importantly, no redemption for Mack. Just as it seems things couldn't get any worse, they do. A violent traffic accident kills Mack's best friend and leaves Mack fighting for his life. Through recovery, Mack begins to realize there are certain realities in his life that are quite different from the way he remembers them. People begin walking into his life that had passed or played a completely different roll in his life in the past. New people such as a homeless man and other unknowns that come and go in the shadows and call themselves "advocates" also become a part of his new reality. What happened to Mack while in surgery, and what childhood event could be a gateway that changed everything? No one expects a "Do-Over" in life. Mack didn't expect it. The question is, did he take it?
In a time when reinventing oneself is more of a necessity than a choice, QVC host Rick Domeier offers how-to examples from people who've done it successfully
"Bad days are the worst! Like when your mom tells you that you can't wear your mermaid costume to the dentist and the ballet teacher says you can't pirouette in rain boots and the cat steals your pencil--those days are the WORST worst!"--Back cover.
Robin Hemley's childhood made a wedgie of his memory, leaving him sore and embarrassed for over forty years. He was the most pitiful kindergartner, the least spirited summer camper, and dateless for prom. In fact, there's nary an event from his youth that couldn't use improvement. If only he could do them all over a few decades later, with an adult's wisdom, perspective, and giant-like height . . . In the spirit of cult film classics like Billy Madison and Wet Hot American Summer, in Do-Over! Hemley reencounters papier-mâché, revisits his childhood home, and finally attends the prom -- bringing readers the thrill of recapturing a misspent youth and discovering what's most important: simple pleasures, second chances, and the forgotten joys of recess.
What exactly is a Do-Over Dog? It might be a shelter dog you're working with to help her become more adoptable. Perhaps it's the dog you've adopted, rescued, or even found running stray who is now yours to live with and love]]forever. Or it could be the dog you've lived with for years but you realize he still has issues that make him a challenging canine companion. A Do-Over Dog is any dog that you think needs make that deserves a second chance in life. Noted author and trainer Pat Miller has spent her life working with both people and shelter dogs, family dogs, and dogs with behavior problems. In her newest book she shares the wisdom of her years in the field of force-free, positive dog training to help give people and pets a first class life together.
Vail's most lauded book to date, "Do-Over" is the story of 13-year-old Whitman, who has to deal with the anger he feels towards his father when his parents separate, his own interest in several girls, and the heady feeling of acting in his first play.