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"Hart’s novel does something exceptional that few pieces of fiction have done successfully….[H]as flashes of Sally Rooney’s Conversations With Friends." – New York Times “An unforgettable account of a forbidden romance.” – Nicole Dennis-Benn, author of Patsy “Moving and memorable.” – Meg Wolitzer, author of The Female Persuasion “Sensual and wise.” – Tayari Jones, author of An American Marriage A novel about a young woman’s life-altering affair with a much older, married woman. Mallory is a freshman in college when she meets the woman. She sees her for the first time at the university’s gym, immediately entranced by this elegant, older person, whom she later learns is married and works at the school. Before long, they begin a clandestine affair. Self-possessed, successful, brilliant, and aloof, the woman absolutely consumes Mallory, who is still reeling from her mother’s death a few months earlier. Mallory retreats from the rest of the world and into a relationship with this melancholy, elusive woman she admires so much yet who can never be fully hers, solidifying a sense of solitude that has both haunted and soothed her as long as she can remember. Years after the affair has ended, Mallory must decide whether to stay safely in this isolation, this constructed loneliness, or to step fully into the world and confront what the woman meant to her, for better or worse. This simmering, unsettling debut novel reveals the consequences of desire and influence, portraying two women whose lives have been transformed by love, loss, and secrecy.
"Propulsive and chilling." --People Magazine "An intoxicating thrill ride. Hillier jams her foot on the accelerator and never lets up." --New York Times Book Review Things We Do in the Dark is a brilliant new thriller from Jennifer Hillier, the award-winning author of the breakout novels Little Secrets and Jar of Hearts. Paris Peralta is suspected of killing her celebrity husband, and her long-hidden past now threatens to destroy her future. When Paris Peralta is arrested in her own bathroom—covered in blood, holding a straight razor, her celebrity husband dead in the bathtub behind her—she knows she'll be charged with murder. But as bad as this looks, it's not what worries her the most. With the unwanted media attention now surrounding her, it's only a matter of time before someone from her long hidden past recognizes her and destroys the new life she's worked so hard to build, along with any chance of a future. Twenty-five years earlier, Ruby Reyes, known as the Ice Queen, was convicted of a similar murder in a trial that riveted Canada in the early nineties. Reyes knows who Paris really is, and when she's unexpectedly released from prison, she threatens to expose all of Paris's secrets. Left with no other choice, Paris must finally confront the dark past she escaped, once and for all. Because the only thing worse than a murder charge are two murder charges.
Sadie meets Girl in Pieces in this dark, emotional thriller by acclaimed author Saundra Mitchell. Something happened to Ava. The curving scar on her face is proof. Ava would rather keep that something hidden—buried deep in her heart and her soul. But in the woods on the outskirts of town, the traces of someone else’s secrets lie frozen, awaiting Ava’s discovery—and what Ava finds threatens to topple the carefully constructed wall of normalcy that she’s spent years building around her. Secrets leave scars. But when the secret in question is not your own—do you ignore the truth and walk away? Or do you uncover it from its shallow grave and let it reopen old wounds—wounds that have finally begun to heal?
A dark yet compassionate comedy of art aspirations and friendships come to naught. First published in 2003, Gary Indiana’s turn-of-the-millennium novel traces the lives of a loosely connected group of New York artists and the dissolution of their scene. During the summer of 2001, the narrator of Do Everything in the Dark, a gallery curator, receives intermittent dispatches from his far-flung friends—many of whom resemble well-known figures in the art and intellectual worlds—who are spread out across the globe, from Istanbul to Provincetown to Santa Fe. Seeking various reprieves from a changed New York, the long-festering, glossed-over incompatibilities of these aging bohemians blossom into exotic and unbearable relief. Beneath the contemporary excesses Indiana chronicles, we can see the outlines of the earlier New York bohemia captured by Dawn Powell. Arguably Indiana’s most intimate, internal, and compassionate work to date, Do Everything in the Dark is a chilling chronicle of madness and failure, success and disappointment, and the many ways love dies in a world people find increasingly unlivable.
The first gay protest novel, first published by G.P. Putnam, May, 1971
Two ten-year-old girls growing up in a tough town in the 1970s think their dreams are about to come true when a popular television star shoots a movie nearby, but instead face awful consequences when they become victims of playground bullying.
Just when you thought you knew what was going on in your community, here comes a story that just may shatter the security of your American Dream. This is a story about abuse, survival, false religion and dubious court systems in a state that may be advanced on some levels, but sometimes proves to be a miserable failure in terms of equity and fairness and conventional thinking. – Tim King, Editor/Salem-News.com, War Correspondent, Author, “BETRAYAL: Toxic Exposure of U.S. Marines, Murder and Cover-Up” BONSHEÁ pierces through the darkness that hides the legal system’s routine abuse of mothers and children. It is a work of immense courage, a true tale of heartbreak and salvation. Not a single particle of the wisdom Coral shares misses the mark. - Maureen T. Hannah, Ph.D., Chair, Battered Mother’s Custody Conference, Albany, New York BONSHEÁ illustrates the degree to which the legal system can also be used as a vehicle to further perpetuate abuse even after the victim has chosen to take a stand against the abuse. – John Haroldson, District Attorney, Benton County District Attorney’s Office, Corvallis, Oregon Coral Theill’s BONSHEÁ is intense in its effort to “open the doors” behind which many domestic violence perpetrators have stood for so long in the name of “privacy.” At every level, family and friends, key people in her community, the health care system, the legal and judicial system, and the culture which socializes us all, she met with adversity and re-victimization. In the telling of her recovery, which is truly remarkable given her circumstances, the reader gets a vivid sense of the indominability of her spirit and light. I recommend this book for health care providers, those in the criminal justice system, and volunteers or helpers of any kind to get insights and clarity about the complex dynamics of domestic violence and its toxic effects to individuals and society---and what needs to be done to eradicate this pandemic problem.” – Barbara A. May, PhD, RN, Professor Emerita of Nursing, Linfield College, Portland, Oregon
"Paperback edition printed by RiverStream Publishing in arrangement with Amicus."--Title page verso.
“A chiller” (The New York Times Book Review) and #1 New York Times bestseller about a writer’s horrific and haunting pseudonym that destroys everyone on the path leading to the man who created him. After thirteen years of international bestseller stardom with his works of violent crime fiction, author George Stark is officially declared dead—revealed by a national magazine to have been killed at the hands of the man who created him: the once well-regarded but now obscure writer Thad Beaumont. Thad’s even gone so far as to stage a mock burial of his wildly successful pseudonym, complete with tombstone and the epitaph “Not a Very Nice Guy.” Although on the surface, it seems that Thad can finally concentrate on his own novels, there’s a certain unease at the prospect of leaving George Stark behind. But that’s nothing compared to the horror about to descend upon Thad’s new life. There are the vicious, out-of-control nightmares, for starters. And how is he able to explain the fact that everyone connected to George Stark’s untimely demise is now meeting a brutal end of their own in a pattern of homicidal savagery…and why each blood-soaked crime scene has Thad’s fingerprints all over it? Thad Beaumont may have once believed that George Stark was running out of things to say, but he’s going to find out just how wrong he is…