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Let’s get this baby dance party started with DJ Baby, a novelty book with record turntables that spin on every page and bright, funky art from the illustrator of A Pizza with Everything on It! This boogie-worthy board book with record-spinning novelties helps DJs-in-training practice their skills! Featuring two turntables at the top of the book, young readers can spin, turn, and mix the moving records as they pump up the jams.
Unhappy over the attention that his new baby sister receives, a young boy dreams that he trades places with her and discovers that he likes being the big brother better.
Baby’s down—and could be out for good—when she faces off with forces bent on turning her lakeside paradise into a living hell, for fans of Alissa Nutting and Amy Engel. Baby’s heart is in the right place, but she’s got problems—namely, a fierce taste for booze and an on-again, off-again boyfriend who can't commit. She’s living and working at Oakwood Hills, a crumbling lakeside resort, with her friends, Crystal Nugget and DJ Overalls, reeling since her adoptive mother died of a stroke. And now, the return of the local drug kingpin, Bad Mike, is about to throw her already unstable summer into full-blown chaos. To make matters worse, the owner of Oakwood Hills announces plans to sell the resort to Amelia, her boyfriend's wealthy twin sister, who plans to renovate it, sucking the life out of the only home Baby's ever known. Desperate to thwart the sale, Baby and her friends decide to try to recover a sunken treasure rumored to be sitting at the bottom of the lake. But Bad Mike also has his eyes on the prize and when the search gets criminal, Baby will be forced to walk down a road full of hidden secrets that will change how she sees herself—and her life—forever.
Im on the road again in my car. I think Ive been here before it looks familiar to me. The ocean looks different when the moon hits it at night. Even the road looks longer from the shine. The same mountains and curves, nothing has changed since I last came out this way. Somehow I feel this trip is different though like it has a reason for my coming. Im in the driveway now. Lots of cars are here. The house is the same as always. Im looking up at the window no one is there as usual. I put my key in the door and open it as I walk inside. It seems like I should know Im home but this isnt my house. Its always the same feeling and I tell myself maybe tonight will be different. I reach the stairs and there he is waiting for me. His hand is outstretched but I wont take it I cant breathe. I have to leave. Im in my car now and driving away fast. Hes in the window now looking at me as I drive away. I can see you standing there in the distance, I know youre there. I can hear your voice, I know youre near me. You are just the way I imagined you too be. ***I have had this dream since I was 13 years old ***
Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called "bounce." Hip-hop has been the latest conduit for a "New Orleans sound" that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions. In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.
It’s the eighties, baby! This adorable, electric board book features everything from neon legwarmers to totally rad rock music, and plenty of eighties slang! I’m an eighties baby, check me out! I’m tubular, I’m radical, I’m chill, no doubt. From shoulder pads to fanny packs, Walkmans to VCRs, this baby’s got your eighties dreams covered!
Drawing on in-depth interviews with DJs, critics, musicians, recording executives, and others, two music journalists traces the definitive role of the disc jockey as a primary factor in the evolution of popular music, tracing the the dramatic influence of DJs on music over the past forty years and profiling some of the most important DJs in the business. Original. 30,000 first printing.
It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ. Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur DJ himself) delves into the fascinating world of the DJ, tracing the art of the turntable from its humble beginnings in the Bronx in the 1970s to its meteoric rise to global phenomenon today. Based on extensive interviews with practicing DJs, historical research, and his own personal experience, Katz presents a history of hip-hop from the point of view of the people who invented the genre. Here, DJs step up to discuss a wide range of topics, including the transformation of the turntable from a playback device to an instrument in its own right, the highly charged competitive DJ battles, the game-changing introduction of digital technology, and the complex politics of race and gender in the DJ scene. Exhaustively researched and written with all the verve and energy of hip-hop itself, Groove Music will delight experienced and aspiring DJs, hip-hop fans, and all students or scholars of popular music and culture.