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The Duke of Glenmore had not been in London many days before he became the target of every determined matchmaker and their tenacious daughters. His first encounter with the youngest child of the Earl of Elveston leads him to believe she is yet another debutante hoping to be his Duchess, but a few pithy words and her subsequent actions soon disabuse him of such a notion. What better way to avoid the traps laid for him by every man-hungry woman than to pretend to woo the one unattached female in all of the capital who does not want him? She, however, has other ideas. If he wants to be seen courting her, then he would have to catch her first!
This illuminating work examines the social, cultural, political, and economic dimensions of the Communist takeover of China. Instead of dwelling on elite politics and policy-making processes, Dilemmas of Victory seeks to understand how the 1949-1953 period was experienced by various groups, including industrialists, filmmakers, ethnic minorities, educators, rural midwives, philanthropists, stand-up comics, and scientists. A stellar group of authors that includes Frederic Wakeman, Elizabeth Perry, Sherman Cochran, Perry Link, Joseph Esherick, and Chen Jian shows that the Communists sometimes achieved a remarkably smooth takeover, yet at other times appeared shockingly incompetent. Shanghai and Beijing experienced it in ways that differed dramatically from Xinjiang, Tibet, and Dalian. Out of necessity, the new regime often showed restraint and flexibility, courting the influential and educated. Furthermore, many policies of the old Nationalist regime were quietly embraced by the new Communist rulers. Based on previously unseen archival documents as well as oral histories, these lively, readable essays provide the fullest picture to date of the early years of the People’s Republic, which were far more pluralistic, diverse, and hopeful than the Maoist decades that followed.
Plays written in English or translated into English; Published since 1900 Cover title: Index to one-act plays for stage, radio, and television.
Charity Mupanga, the resilient and maternal proprietor of Harrods International Bar (and Nightspot) faces her toughest challenge in Dizzy Worms, the final novel in Michael Holman's acclaimed trilogy set in the African slum of Kireba. Faced with a Health and Safety closure, Charity has a week to appeal and the chances of success seem negligible: elections are imminent, and Kireba is due to become a showcase of President Josiah Nduka's 'slum rehabilitation program', backed by gullible foreign donors. But before taking on Nduka and the council, she has a promise to keep - to provide a supply of her famous sweet doughballs to a small army of street children, as voracious as they are malodorous... Michael Holman uses his witty satirical pen to brilliant effect in this affectionate portrait of a troubled region, targeting local politicians, western diplomats, foreign donors and journalists, puncturing pretensions and questioning the philosophy of aid.