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The year is 1916, Europe is at war, and American industrialists are getting rich. Englishman Benedict Cramb deserts the trench warfare of northern France and stows away on an outbound transatlantic ship. When the ship docks in New York City, a place untouched and largely unaware of the horrors of war, he realizes this is the place to reinvent himself. In the process, he soon falls under the sway of the urbane and mysterious Julius McAteer, who sees in Ben his chance to finely hone the tools of someone who can master the art of the con. They concoct a ruse, pick their mark – a blustering midwestern cattleman named Henry Jergens – and the game is afoot. In the process, Ben falls in love with teh beguiling actress Katherine Howells, who in turn is connected to even more men of vast means. But the further Ben follows the money in New York, the closer he moves back to the war in Europe and his shattering experiences there. This page-turner is rich in historical detail and filled with suspense, romance and adventure.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.
Robin, a fourteen-year-old kleptomaniac, and genius, deals with the realities of life as someone as special as she. Her family, friends, and community expect a lot from her since they count on her to escape the quicksand of Kingstree, SC, and make something of herself they can be proud of. However, Robin wants to relieve her loved ones from poverty using her intellect and hacker skills. Taking from the rich and giving to the poor is difficult, but she has a gift that makes her the best. However, the failure of a job that sent her best friend Dizzy to the juvenile detention center for three years makes Robin apprehensive about getting her crew back together. When she discovers a secret about Dizzy’s arrest from her rival Shayna Mackie, she questions whether she can trust her crew members. Although she is a thief for hire, Robin governs her crew and herself by a code, and not taking from their community is at the top of that list. The mysteries around Dizzy’s arrest, being targeted by some faculty members at her school, and dealing with the feeling of abandonment by her parents’ absence in her life for the past three years have her emotions all over the place. Yet, Robin has to face her fears and find herself again to help her family, friends, and community. Will she accept her role as a revolutionary and remove the shackles of poverty from her people, or will her fears keep her stagnant and hold her back from greatness?
This book follows Dizzy and Daffy Dean's All-Stars as they barnstormed across the country in 1934, taking the field against the greatest teams in the Negro Leagues. It shows the glory of the games as well as the disingenuous journalistic tactics that proliferated during the tour with an introspective look at its impact on race relations. In 1934, brothers Dizzy and Daffy Dean were stars of Major League Baseball's regular season and World Series. Following their St. Louis Cardinals' victory over the Detroit Tigers in Game Seven, Dizzy and Daffy went on a fourteen game barnstorming tour against the best African-American baseball players in the country. The Dizzy and Daffy Dean Barnstorming Tour: Race, Media, and America's National Pastime examines for the first time the full barnstorming series in its original and uncensored splendor. Phil S. Dixon profiles not only the men who were part of the Deans' All-Star teams but also the men who played against them, including some of baseball's most monumental African-American players. Dixon highlights how the contributions during the tour of Negro League stars such as Satchel Paige, Chet Brewer, Charlie Beverly, and Andy Cooper were glossed over by sports writers of the day and grants them their rightful due in this significant slice of sports history. The Dizzy and Daffy Dean Barnstorming Tour gives careful consideration to the social implications of the tour and the media's biased coverage of the games, providing a unique window for viewing racism in American sports history. It is more than a baseball story--it is an American story.
In Dizzy, Dr. Jack Wazen uncovers the root causes of this disabling, difficult-to-diagnose syndrome and shares the therapies and techniques that can return patients' lives to normal. Recent statistics show that more than 90 million Americans will experience dizziness at some time during their lives. The good news is that 80 to 90 percent of sufferers can find relief. In this comprehensive guide, one of the nation's leading authorities on balance disorders tells the millions of sufferers what they can to do to conquer dizziness—what it is, why they feel this way, and what they can do about it.
Until 1947, professional ball players were paid only from opening day to season's end. Even during the season, a lot of their expenses came out of their own pockets. Even the best-paid players had trouble making ends meet. One answer to their money woes was barnstorming--tours out of season. Cities lacking their own major league teams were happy to host big-league players for such events, as well as for special exhibition games whose proceeds sometimes went to local charities. Here is a history of barnstorming and exhibition games from 1901 (when both of the two current major leagues began operating) through 1962 (when a team led by Willie Mays was unsuccessful in its attempt at a tour, signaling an end to true barnstorming). Decade by decade, it covers the teams, the games, and the players for a detailed look at how barnstorming and exhibition brought big-league baseball to the backyard ballparks of America.
The BBC's Jazz Book of the Year for 2008. Few jazz musicians have had the lasting influence or attracted as much scholarly study as John Coltrane. Yet, despite dozens of books, hundreds of articles, and his own recorded legacy, the "facts" about Coltrane's life and work have never been definitely established. Well-known Coltrane biographer and jazz educator Lewis Porter has assembled an international team of scholars to write The John Coltrane Reference, an indispensable guide to the life and music of John Coltrane. The John Coltrane Reference features a a day-by-day chronology, which extends from 1926-1967, detailing Coltrane's early years and every live performance given by Coltrane as either a sideman or leader, and a discography offering full session information from the first year of recordings, 1946, to the last, 1967. The appendices list every film and television appearance, as well as every recorded interview. Richly illustrated with over 250 album covers and photos from the collection of Yasuhiro Fujioka, The John Coltrane Reference will find a place in every major library supporting a jazz studies program, as well as John Coltrane enthusiasts.
The author draws a parallel between Jamaican understandings of the self, and the late philosophy of Immanuel Kant. The ethnographic material presented here, derived from two years fieldwork in Kingston, suggest that Jamaicans understand themselves as global citizens. This sense of self can be identified across multiple contexts - oral performance, music, kinship and friendship, economics and politics. In light of Jamaican cultural experience, the book argues for a reframing of ethnographic practice as an explicitly cosmopolitan cultural practice."--BOOK JACKET.