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Led by the colorful pitcher Dizzy Dean, the 1934 St. Louis Cardinals personified Depression-era America. The players were underpaid, wore uniforms that were almost always torn and dirty, and had wandered into professional baseball from small towns in the Midwest where other jobs were scarce. Despite their lack of resources, however, and despite coming off two mediocre seasons, the Cardinals emerged triumphant in '34, winning the pennant by two games over the Giants and the World Series in seven games over the Tigers. The book chronicles that championship team which came to be known in baseball lore as the famous "Gas House Gang." This work brings to life the legendary exploits of player manager Frankie Frisch and the Dean brothers--Dizzy and Paul--who combined for 49 wins that season. The era, the team, the season, and the Series are all fully covered.
The story of Dean's (1911-1974) magical seasons with the St. Louis Cardinals and Chicago Cubs and his 25-year broadcasting career, first in radio and then as the nation's first regular play-by-play announcer on television. With 16 pages of bandw photographs. Annotation copyrighted by Book News, Inc., Portland, OR
“I believe in rules. Sure I do. If there weren't any rules, how could you break them?” The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo “the Lip” Durocher. Following a five-decade career as a player and manager for baseball’s most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success—and an outsized celebrity. Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him “the All-American Out.” But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious “Gashouse Gang” Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers—and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson’s “shot heard ’round the world,” which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets. All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials—not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day—kept his name in the headlines and spread his fame far beyond the confines of the diamond. A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball’s greatest era to vivid life, earning a place on every baseball fan’s bookshelf.
The 1934 St. Louis Cardinals were one of the most colorful crews ever to play the National Pastime. Sportswriters delighted in assigning nicknames to the players, based on their real or imagined qualities. What a cast of characters it was! None was more picturesque than Pepper Martin, the “Wild Horse of the Osage,” who ran the bases with reckless abandon, led his team­mates in off­ the­field hi­jinks, and organized a hillbilly band called the Mississippi Mudcats. He was quite a baseball player, the star of the 1931 World Series and a significant contributor to the 1934 championship. The harmonica player for the Mudcats was the irrepressible Dizzy Dean. Full of braggadocio, Dean delivered on his boasts by winning 30 games in 1934, the last National League hurler to achieve that feat. Dizzy and his brother Paul accounted for all of the Cardinal victories in the 1934 World Series. Some writers tried to pin the moniker Daffy on Paul, but that name didn’t fit the younger and much quieter brother. The club’s hitters were led by the New Jersey strong boy, Joe “Ducky” Medwick, who hated the nickname, preferring to be called “Muscles.” Presiding over this aggregation was the “Fordham Flash,” Frankie Frisch. Rounding out the club were worthies bearing such nicknames as Ripper, “Leo the Lip,” Spud, Kiddo, Pop, Dazzy, Ol’ Stubblebeard, Wild Bill, Buster, Chick, Red, and Tex. Some of these were aging stars, past their prime, and others were youngsters, on their way up. Together they comprised a championship ball club. “The Gas House Gang was the greatest baseball club I ever saw. They thought they could beat any ballclub and they just about could too. When they got on that ballfield, they played baseball, and they played it to the hilt too. When they slid, they slid hard. There was no good fellowship between them and the opposition. They were just good, tough ballplayers.” — Cardinals infielder Burgess Whitehead on "When It Was A Game," HBO Sports, 1991
Explore over a century of Cardinals baseball in this illustrated tour of the players, teams, ballparks, and historic moments! With a legacy that goes back to the Brown Stockings of the old American Association, the St. Louis Cardinals have one of the longest and greatest traditions in the history of baseball. Winners of ten World Series titles (second only to the New York Yankees) and twenty-one pennants dating back to 1885, the Redbirds have established a dynasty across the decades—from Charlie Comiskey’s four-time AA champs, through the “Gashouse Gang” of the 1930s and the “Runnin’ Redbirds” in the 1980s, up to the 2006 World Champions. Front-office pioneers like Chris von der Ahe and Branch Rickey have put the Cardinals franchise at the forefront of innovation, while bringing in some of baseball’s greatest talent—pitchers Dizzy Dean to Bob Gibson, sluggers Johnny Mize to Mark McGwire, and all-around superstars like Rogers “Rajah” Hornsby, Stan “the Man” Musial, and Albert Pujols. Pairing historic black-and-white photos and contemporary images of the modern game, St. Louis Cardinals: Past & Present explores the ballparks and the fans, the players and the teams that have defined Cardinals baseball.
The St. Louis Baseball Reader is a tale of two teams: one the city’s lovable losers, the other a formidable dynasty. The St. Louis Cardinals are the most successful franchise in National League history, while the St. Louis Browns were one of the least successful, yet most colorful, American League teams. Now Richard Peterson has collected the writings of some of baseball’s greatest storytellers to pay tribute to both these teams. His book, the first anthology devoted exclusively to the Cardinals and Browns, covers the rich history of St. Louis baseball from its late-nineteenth-century origins to the modern era. The St. Louis Baseball Reader is a celebration of the many legendary stars and colorful characters who wore St. Louis uniforms and the writers who told their stories, including Alfred Spink, Roger Angell, George Will, and Baseball Hall of Fame writers Bob Broeg, J. Roy Stockton, Red Smith, and Fred Lieb. Here, too, are John Grisham, who grew up a Redbirds fan in Mississippi, and Jack Buck, the most identifiable voice in Cardinal history. Great players—Grover Cleveland Alexander, Rogers Hornsby, Marty Marion, and Satchel Paige—tell their own stories, while Bill Veeck offers an account of his wild ride as the last Browns owner and Whitey Herzog shares regrets about the play that cost the Cardinals the 1985 World Series. From the days of the Gas House Gang to the 1944 “Streetcar Series,” from Bill Veeck’s legendary stunts to Mark McGwire’s pursuit of Roger Maris’s home-run record, the Reader will bring back memories for every fan. It takes in all of the magic of the ballpark—whether recounting the unhittable pitching of Bob Gibson, the slugging prowess of Stan “The Man” Musial, or the sterling glove-work of Ozzie Smith—along with reflective commentaries that tell how Jackie Robinson confronted racism and Curt Flood challenged the reserve clause. St. Louis is a city blessed with a memorable baseball history, and The St. Louis Baseball Reader perfectly captures the joy and heartbreak of its winning and losing teams. It’s a book that will delight current fans of the Cardinals and old-timers who fondly recall the Browns.
The riveting story of four men—Larry Doby, Bill Veeck, Bob Feller, and Satchel Paige—whose improbable union on the Cleveland Indians in the late 1940s would shape the immediate postwar era of Major League Baseball and beyond. In July 1947, not even three months after Jackie Robinson debuted on the Brooklyn Dodgers, snapping the color line that had segregated Major League Baseball, Larry Doby would follow in his footsteps on the Cleveland Indians. Though Doby, as the second Black player in the majors, would struggle during his first summer in Cleveland, his subsequent turnaround in 1948 from benchwarmer to superstar sparked one of the wildest and most meaningful seasons in baseball history. In intimate, absorbing detail, Luke Epplin's Our Team traces the story of the integration of the Cleveland Indians and their quest for a World Series title through four key participants: Bill Veeck, an eccentric and visionary owner adept at exploding fireworks on and off the field; Larry Doby, a soft-spoken, hard-hitting pioneer whose major-league breakthrough shattered stereotypes that so much of white America held about Black ballplayers; Bob Feller, a pitching prodigy from the Iowa cornfields who set the template for the athlete as businessman; and Satchel Paige, a legendary pitcher from the Negro Leagues whose belated entry into the majors whipped baseball fans across the country into a frenzy. Together, as the backbone of a team that epitomized the postwar American spirit in all its hopes and contradictions, these four men would captivate the nation by storming to the World Series--all the while rewriting the rules of what was possible in sports.
2011 Selection for the Amelia Bloomer Project. From the time she was a girl growing up in the shadow of Lexington Park in Saint Paul, Minnesota, Toni Stone knew she wanted to play professional baseball. There was only one problem--every card was stacked against her. Curveball tells the inspiring story of baseball's "female Jackie Robinson," a woman whose ambition, courage, and raw talent propelled her from ragtag teams barnstorming across the Dakotas to playing in front of large crowds at Yankee Stadium. Toni Stone was the first woman to play professional baseball on men's teams. After Robinson integrated the major leagues and other black players slowly began to follow, Stone seized an unprecedented opportunity to play professional baseball in the Negro League. She replaced Hank Aaron as the star infielder for the Indianapolis Clowns and later signed with the legendary Kansas City Monarchs. Playing alongside some of the premier athletes of all time including Ernie Banks, Willie Mays, Buck O'Neil, and Satchel Paige, Toni let her talent speak for itself. Curveball chronicles Toni Stone's remarkable career facing down not only fastballs, but jeers, sabotage, and Jim Crow America as well. Her story reveals how far passion, pride, and determination can take one person in pursuit of a dream.
Arkansas' Fields of Dreams... Travel down almost any backroad in Arkansas and you will pass a relic of Arkansas' baseball history. The dilapidated back stops and the remains of long-neglected dugouts are a disappearing visual image of a rural sports history long forgotten. In the first half of the 20th century, baseball was the chosen sport of farmers, coal miners, timber cutters, and even sharecroppers. No educational affiliation was required, and elementary school drop-outs were welcome. If someone could buy a ball, or even make one, and procure a bat or two, the game was on. The three acres or so needed to play were readily available, as was the creek for the after-game bath. These are rural Arkansas' Fields of Dreams. Stop the car, get out, and walk out to the forgotten ball field. Sit in the rickety dugout and look out at the field. See the game? The players of your imagination are an important part of our heritage. This book is an attempt to keep the stories of these rural baseball players alive.