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In 1955 a brand new television series, "Dixon of Dock Green", came to Britain's screens, whose eponymous hero had featured in "The Blue Lamp" (1950). Although it has traditionally been assumed that the uniform police series begins with the Ealing film, this book, based on original archive research, challenges this assumption, proposing that in fact these series were shaped by changes in television's social role from the relaying of news to the replaying of stories. Susan Sydney-Smith demonstrates how the development of the British television police drama - and indeed British television in general - was more complex than accepted accounts allow. She traces numerous lineages, from inter-war public service films, live studio crime reconstructions and story documentaries such as 1942's "Target for Tonight" through to the mix of public service and entertainment values embodied by the BBC Television Light Entertainment's "Dixon of Dock Green". Showing how the genre mapped new social and regional geographies, from Dixon's metropolitan policeman to the gritty northern realism of "Jacks and Knaves" and "Z Cars" with its irascible "Barlow", the author follows the increasing commercialization of television in the sixties, investigating how the BBC set about restoring the values of southern England in the 1966 "Z Cars" spin-off "Softly, Softly", with its more palatable protagonist. The book also offers insights not only into the relationship between early British television and its cinematic forebears but also early radio.
The New Policing provides a comprehensive introduction to the critical issues confronting policing today. It incorporates an overview of traditional approaches to the study of the police with a discussion of current perspectives. The book goes on to examine key themes, including the core purpose of contemporary policework; the reconfiguration of police culture; organizational issues and dilemmas currently confronting the police; the managerial reforms and professional innovations that have been implemented in recent years; and the future of policing, security, and crime control. In offering this discussion of the nature and role of the police, The New Policing illustrates the need to re-examine and re-think the theoretical perspectives that have constituted policing studies. Examining evidence from the UK, the USA, and other western societies, the book promotes and enables an understanding of the cultural and symbolic significance of policing in society.
One of the longest running police series on British television between 1955 and 1976. Dixon of Dock Green was also the best-loved. Starring the popular Jack Warner in the role of Sergeant George Dixon, the series set the tone for television police drama and paved the way for all that would follow. Filmed on set and on location around the fast disappearing dockland community of London's East End, the character of Dixon, with his friendly and informal ᑞvening allņ, offered viewers the kind of policeman you d be tempted to welcome into your home for a cup of tea even if youᑭ just robbed a bank. In this collection, the Dock Green police must deal with cases as diverse as a vanished policeman; a mysterious assailant of young women; police protection of a witness to murder; a charming crook with friends in the right places; the hidden world of spousal abuse; and the police shooting of an unarmed criminal. The Dock Green police force has come up against a mixed bag of thieves, villains and corruption, with one case playing dangerously close to home. In a modern world of DNA and CCTV, much has changed and much remains the same in these still-gripping and utterly compelling episodes of Dixon of Dock Green.
Based on interviews with former police officers, this book addresses two main issues. Firstly, the question of how the police themselves viewed the priorities of the job and what they considered their role to be. This is the first study to consider this question and its implications for the style and content of police work. Secondly, it challenges the view of the prewar period as a "Golden Age", and shows that policing from the 1930s to the 1960s was not as unproblematic as has often been assumed. Police violence and the fabrication of evidence were more prevalent than the cosy image of the British TV series Dixon of Dock Green would have us believe. The fact that this image often went unchallenged has much to do with prevailing concepts of masculinity and with the greater moral certitude of the police within a more stable and stratified society.
'Winningly eccentric . . . London, in all its non-homogenous, sprawling splendour, is as much a character as Fowler's sleuthing duo' Barry Forshaw, Financial Times The Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now. Arthur Bryant remembers these lost cases as if they were yesterday. Unfortunately, he doesn't remember yesterday, so the newly revealed facts could come as a surprise to everyone, including his exasperated partner John May. Here, then, is the truth about the Covent Garden opera diva and the seventh reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul's son discovered buried in the unit's basement, the corpse pulled from a swamp of Chinese dinners, a Hallowe'en crime in the Post Office Tower, and the impossible death that's the fault of a forgotten London legend. All of the unit's oddest characters are here, plus the detectives' long-suffering sergeant Janice Longbright gets to reveal her own forgotten mystery. These twelve crimes must be solved without the help of modern technology, mainly because nobody knows how to use it. Expect misunderstood clues, lost evidence, arguments about Dickens, churches, pubs and disorderly conduct from the investigative officers they laughingly call 'England's Finest'! _______________________ What readers are saying: ***** 'Another gem from Christopher Fowler' ***** 'I've loved Bryant & May since I first discovered them' ***** 'A perfect collection of implausibly, improbably impossible mysteries for readers of Bryant and May both old and new'
Written by experienced teachers and examiners, A2 Media Studies builds solidly on the groundwork laid by the AS Media Studies syllabus and develops key topics in greater depth and introduces students to the notion of independent study. Bang up-to-date, this full colour, fully-illustrated text is designed to support students through the transition from a focus on textual analysis to the consideration of the wider contexts that inform any study of the media. Specially designed to be user-friendly, A2 Media Studies includes: sample AQA exam questions activities and practical assignments further reading case studies a glossary of key terms and resources. This is a book no A2 level media studies student can afford to be without.