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In the late nineteenth and early twentieth centuries, tens of thousands of Southern Italians and Sicilians immigrated to the American Gulf South. Arriving during the Jim Crow era at a time when races were being rigidly categorized, these immigrants occupied a racially ambiguous place in society: they were not considered to be of mixed race, nor were they “people of color” or “white.” In Dixie’s Italians: Sicilians, Race, and Citizenship in the Jim Crow Gulf South, Jessica Barbata Jackson shows that these Italian and Sicilian newcomers used their undefined status to become racially transient, moving among and between racial groups as both “white southerners” and “people of color” across communal and state-monitored color lines. Dixie’s Italians is the first book-length study of Sicilians and other Italians in the Jim Crow Gulf South. Through case studies involving lynchings, disenfranchisement efforts, attempts to segregate Sicilian schoolchildren, and turn-of-the-century miscegenation disputes, Jackson explores the racial mobility that Italians and Sicilians experienced. Depending on the location and circumstance, Italians in the Gulf South were sometimes viewed as white and sometimes not, occasionally offered access to informal citizenship and in other moments denied it. Jackson expands scholarship on the immigrant experience in the American South and explorations of the gray area within the traditionally black/white narrative. Bridging the previously disconnected fields of immigration history, southern history, and modern Italian history, this groundbreaking study shows how Sicilians and other Italians helped to both disrupt and consolidate the region’s racially binary discourse and profoundly alter the legal and ideological landscape of the Gulf South at the turn of the century.
Managing Migration in Italy and the United States shows how the development of gatekeeping in the United States and Italy laid the groundwork for immigration restriction worldwide at the turn of the twentieth century. The volume brings together European and American scholars, many for the first time, effectively crossing national and disciplinary boundaries. Using archives on both sides of the Atlantic, the authors explore the rise of immigration restriction and the attendant growth of the bureaucracy to regulate migration through the lens of migration studies, transnational history, and diplomatic and international history. The essays contribute to recent scholarship on the global repercussions of immigration restriction and the complex web of interactions created by limits on mobility. Managing Migration brings to light Italy’s important role in the establishment of international border controls promoted by the United States and expands the chronology of restriction from its origins to the present.
Between 1850 and 1870, New Orleans boasted the largest Italian-born population of any city in the United States. Its early Italian immigrants included musicians, business leaders, and diplomats. Sadly, in 1891, 11 members of the large Sicilian settlement in New Orleans were victims of the largest mass lynching in American history. However, by 1910, the city's French Quarter was a "Little Palermo" with Italian entrepreneur, laborers, and restauranteurs dominating the scene.
When Latino migration to the U.S. South became increasingly visible in the 1990s, observers and advocates grasped for ways to analyze "new" racial dramas in the absence of historical reference points. However, as this book is the first to comprehensively document, Mexicans and Mexican Americans have a long history of migration to the U.S. South. Corazon de Dixie recounts the untold histories of Mexicanos' migrations to New Orleans, Mississippi, Arkansas, Georgia, and North Carolina as far back as 1910. It follows Mexicanos into the heart of Dixie, where they navigated the Jim Crow system, cultivated community in the cotton fields, purposefully appealed for help to the Mexican government, shaped the southern conservative imagination in the wake of the civil rights movement, and embraced their own version of suburban living at the turn of the twenty-first century. Rooted in U.S. and Mexican archival research, oral history interviews, and family photographs, Corazon de Dixie unearths not just the facts of Mexicanos' long-standing presence in the U.S. South but also their own expectations, strategies, and dreams.
In Media-Made Dixie Jack Kirby shows how the American public’s perceptions of the South have been influenced, even controlled, by the mass communications media. In this newly updated edition, Kirby surveys major movies, radio and television shows, plays, popular histories, and music from the turn of the century through the 1980s. He documents a progression in the national image of the South from the cracker wasteland of Erskine Caldwell’s God’s Little Acre to the antebellum wonderland of Hollywood’s Shirley Temple-“Bojangles” Robinson musicals; from William Styron’s searching account of the Old South in Confessions of Nat Turner to the New South ingenuity of Jimmy Carter and Ted Turner; and from the regressive back-roads of television’s The Dukes of Hazzard to the complex reconciliation found in Alice Walker’s and Steven Spielberg’s The Color Purple.
Most of this book was written in Shreveport, Louisiana. The poems about foreign countries and citieswith the exception of the two poems about Russiawere written in Los Angeles. The book is not as personal as my Among Possibilities, nor as analytical as Landscapes of Existenceit is somewhere in between. Most of the poems were inspired by my life in the South, but because of my background the book has a cosmopolitan flavor to it, too. For this reason, I consider it one of the most original poetry books ever written. And I hope that my readers would enjoy this book for its originality, its spectrum of emotions and mood swings, and its poetic and intellectual goodwill.
"This work is a critical collection of the standout editorials, columns, and essays of Alabama journalistic lion H. Brandt "Brandy" Ayers, editor and publisher of the Anniston Star"--