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Inspired by existential thought, but using ethnographic methods, Jackson explores a variety of compelling topics, including 9/11, episodes from the war in Sierra Leone and its aftermath, the marginalization of indigenous Australians, the application of new technologies, mundane forms of ritualization, the magical use of language, the sociality of violence, the prose of suffering, and the discourse of human rights. Throughout this compelling work, Jackson demonstrates that existentialism, far from being a philosophy of individual being, enables us to explore issues of social existence and coexistence in new ways, and to theorise events as the sites of a dynamic interplay between the finite possibilities of the situations in which human beings find themselves and the capacities they yet possess for creating viable forms of social life.
First published in 1973, Rules and Meanings is an anthology of works that form part of Mary Douglas' struggle to devise an anthropological modernism conducive to her opposition to reputedly modernizing trends in contemporary society. The collection contains works by Wittgenstein, Schutz, Husserl, Hertz and other continentals. The underlying themes of the anthology are the construction of meaning, the force of hidden background assumptions, tacit conventions and the power of spatial organization to reinforce words. The work serves to complement the philosophers' work on everyday language with the anthropologists' theory of everyday knowledge.
This book presents a portrait of African religious history framed in the religious themes common to the rest of the world. It looks at the traditional religions that provided the philosophical, religious, and ethical basis of African culture. Focusing primarily on traditional African religions and their related myths, rituals, authorities, ethics, and artwork, the book also includes substantial treatment on nationalism, African Islam and Christianity. For anyone who wants to gain an understanding of the relationship between African religion and culture.
The long-awaited, revised, and illustrated edition of Simon Simonse’s study of the Rainmakers of the Nilotic Sudan marks a breakthrough in anthropological thinking on African political systems. Taking his inspiration from René Girard’s theory of consensual scapegoating, the author shows that the longstanding distinction of states and stateless societies as two fundamentally different political types does not hold. Centralized and segmentary systems only differ in the relative emphasis put on the victimary role of the king as compared with that of enemy. Kings of Disaster proposes an elegant and powerful solution to the vexed problem of regicide.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
The hard work required to make God real, how it changes the people who do it, and why it helps explain the enduring power of faith How do gods and spirits come to feel vividly real to people—as if they were standing right next to them? Humans tend to see supernatural agents everywhere, as the cognitive science of religion has shown. But it isn’t easy to maintain a sense that there are invisible spirits who care about you. In How God Becomes Real, acclaimed anthropologist and scholar of religion T. M. Luhrmann argues that people must work incredibly hard to make gods real and that this effort—by changing the people who do it and giving them the benefits they seek from invisible others—helps to explain the enduring power of faith. Drawing on ethnographic studies of evangelical Christians, pagans, magicians, Zoroastrians, Black Catholics, Santeria initiates, and newly orthodox Jews, Luhrmann notes that none of these people behave as if gods and spirits are simply there. Rather, these worshippers make strenuous efforts to create a world in which invisible others matter and can become intensely present and real. The faithful accomplish this through detailed stories, absorption, the cultivation of inner senses, belief in a porous mind, strong sensory experiences, prayer, and other practices. Along the way, Luhrmann shows why faith is harder than belief, why prayer is a metacognitive activity like therapy, why becoming religious is like getting engrossed in a book, and much more. A fascinating account of why religious practices are more powerful than religious beliefs, How God Becomes Real suggests that faith is resilient not because it provides intuitions about gods and spirits—but because it changes the faithful in profound ways.
Museum Objects provides a set of readings that together create a distinctive emphasis and perspective on the objects which lie at the heart of interpretive practice in museums, material culture studies and everyday life. This reader brings together classic and up to date texts on the nature and definition of the object itself, the senses and embodied experience of objects. No other volume brings together such perspectives in this way, and no other volume includes such a focus on the museum context. Museum Objects incorporates both theorised and more practical readings from a range of international academic and contextual perspectives. The overall result is a definitive set of readings that offers a comprehensive understanding of objects and their place within the museum context.
The Heart of Myth: Wisdom Stories From Endangered People by Dave Alber is a global anthology of myths from the living polytheistic traditions of six continents. The Heart of Myth unpacks the spirituality of the myths of each region in a local context, then traces connections and archetypes between regions so that world myth may be understood as both a communicative vocabulary and a grand cultural continuity. Dave Alber’s The Heart of Myth: • reveals the universal language of mythology, • explains the spiritual function of myth as expressed in collective archetypes, • tells about the ecological and sustainable vision of indigenous people, • describes the lives of living polytheistic communities, most of them endangered people from six geographic regions (North America, Central and South America, Arctic, Asia, Africa, and Oceana), • tells stories of myth, legend, and folklore from around the globe (American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology) In the tradition of Joseph Campbell’s The Power of Myth and Edith Hamilton’s Mythology, Dave Alber’s The Heart of Myth: Wisdom Stories From Endangered People tells stories from the mythic world. David tells stories of Native American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology. From Native America Dave Alber’s The Heart of Myth relates the myths of the Crow, Onodowaga, Zuni, Cree, and Chemehuevis. From the Arctic it covers the myths of the Chuckchi, Igloolik Inuit Eskimo myths, Inuit, and Buriyat. From Central and South America, David Alber tells myths from the Circum-Caribbean People of the Orinoco River Valley, Bororo, Yekuana, Aymara, Mapuche. From Africa Dave tells myths of San, Ogoni, Dinka, Masai, and Karanga. From Asia The Heart of Myth tells the myths of the Tharu, Kashmiri, Akha, Ainu, Karen, and Agta. From Australia and the Pacific Islands, The Heart of Myth speaks myths from Wurundjeri, Torres Strait Islanders, Hawaiian, Maori, and Samoan peoples. Samples from The Heart of Myth are at davealber.com.