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Is the portrait of God revealed in Scripture fundamentally intelligible? The biblical accounts of God reveal seemingly contradictory themes: God's holiness and narratives telling of his anger; the Divine Omnipotence faced with the Impossible; the suffering Christ upon the Cross and the transcendent Trinity of Persons in God; the unique Savior and the universality of God's salvific will; and so forth. How are we to hold together all of this data without denying any aspect of the mystery of God? Must we give into our ambient culture's sense that the biblical God cannot be taken seriously by truly discerning and rational minds when they try to understand "the Divine"? Or, in the midst of this apparent contradiction, can we find the lines of harmony in the revealed mysteries? In Divine Speech in Human Words, Fr. Emmanuel Durand unties some of the knots that face us when we reflect on the God of biblical Revelation. In each of the essays gathered here, Fr. Durand sympathetically articulates the tensions and apparent contradictions experienced by contemporary minds as they strive to understand the revealed truth of God. A whole host of topics are covered in this volume: the Cross and the revelation of the Trinity; God's holiness and transcendence; divine immutability and the sorrow of a loving God; Divine Providence and human prayer; the fatherhood of God and eschatology; Christ's way of life; and many others. Drawing philosophical insights from the Thomistic tradition as his intellectual tools, Fr. Durand nonetheless emphasizes the importance of a properly theological mode of reflection, allowing these issues to be illuminated by the revealed truth of Sacred Scripture. Thus, for each of these difficult topics, he shows that a vital theological response must not limit itself to mere logical rigor but, rather, requires metaphysical insight and, above all, sapiential appreciation of God's revealed word. With such instruments in hand, each essay approaches the tensions of biblical revelation with an eager readiness to show how a thoughtful Thomistic practice of biblical theology can guide faith as it seeks an understanding of both contemporary and perennial theological problems.
The theme of divine speech appears at the opening of the Hebrews (1.1-2) and recurs throughout the book, often in contexts suggesting connections to other areas of scholarly interest (christology, soteriology, cosmology, and the writer's understanding of the nature of his discourse). Griffiths begins with a consideration of the genre and structure of Hebrews (offering a new structural outline), concluding that Hebrews constitutes the earliest extant complete Christian sermon and consists of a series of Scriptural expositions. Griffiths then turns to consider Hebrews' theology of divine speech through an exegetical analysis of eight key passages (with particular attention to the writer's use of the terms logos and rhema), and finds that, for the writer, God's speech is the means by which the place of divine rest is accessed, and is supremely expressed in the person of his Son. Griffiths concludes that the writer presents his sermon as communicating the divine word and effecting an encounter between his hearers and the God who speaks. Analysis of the exegetical data shows that Hebrews presents God's word, which finds full expression in the incarnate Christ, as the central means by which salvation is made available and the place of divine rest is accessed. The study finds that the terms logos and rhema are used with a high degree of consistency to signify forms of divine speech, logos usually signifying verbal revelation (and three times specifically identifying the author's own discourse) and rhema typically signifying non-verbal revelation in the cosmos. The investigation leads to the ultimate conclusion that the author believes that, through his discourse, he himself communicates that divine word and effects an encounter between his hearers and the God who speaks.
Prominent in the canonical texts and traditions of Judaism, Christianity, and Islam is the claim that God speaks. Nicholas Wolterstorff argues that contemporary speech-action theory, when appropriately expanded, offers us a fascinating way of interpreting this claim and showing its intelligibility. He develops an innovative theory of double-hermeneutics - along the way opposing the current near-consensus led by Ricoeur and Derrida that there is something wrong-headed about interpreting a text to find out what its author said. Wolterstorff argues that at least some of us are entitled to believe that God has spoken. Philosophers have never before, in any sustained fashion, reflected on these matters, mainly because they have mistakenly treated speech as revelation.
The Divine Dance has become a classic for fans of Richard Rohr and an important book on Christian mysticism, it provides a fresh perspective for anyone studying or teaching the trinity. The Trinity is the central doctrine of Christianity, but it is still widely considered a mystery we won't ever fully understand. Should we still try to understand it, even so? If we could, how would it transform our relationship with God? In this stimulating and thought-provoking book, internationally recognised teacher Richard Rohr explores the nature of God and the paradoxical idea of the Holy Trinity as both three and one. With clear, surefooted wisdom, he encourages us to build on the early Christian understanding of the relationship between Father, Son and Spirit as a flow and dance - a Divine Dance - that we are invited to join in. An engaging, accessible look at the nature of God, The Divine Dance will challenge the way you think about the Trinity and give you a much fuller understanding of the triune relationship that is at the heart of Christian doctrine. It will leave you with a faith that is renewed and strengthened, and show you how you can engage more deeply in your relationship with God and the world through the Trinity.
God is infinite, but language finite; thus speech would seem to condemn Him to finitude. In speaking of God, would the theologian violate divine transcendence by reducing God to immanence, or choose, rather, to remain silent? At stake in this argument is a core problem of the conditions of divine revelation. How, in terms of language and the limitations of human understanding, can transcendence ever be made known? Does its very appearance not undermine its transcendence, its condition of unknowability? Speech and Theology posits that the paradigm for the encounter between the material and the divine, or the immanent and transcendent, is found in the Incarnation: God's voluntary self-immersion in the human world as an expression of His love for His creation. By this key act of grace, hinged upon Christs condescension to human finitude, philosophy acquires the means not simply to speak of perfection, which is to speak theologically, but to bridge the gap between word and thing in general sense.
Makes the bold claim that the rhetorical skills of public speaking are essential to all Christian witness.