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Time is running out. Can Nar and Kale stop the worst pirate of all from seizing the gods' treasure? After an explosive secret threatens to rip Nar and Kale apart, Nar and her fellow pirate recruits must race to stop Vulgan from reaching the Divine Treasure first. Whoever obtains the treasure will achieve world domination. In fact, nothing looks good right now. The pirate king blames them for crimes they didn't commit, but to catch up to Vulgan, they're going to need his help. Nar must entrench herself, and Kale, deeper into the pirate life and leading the pirate king straight to the treasure as well. Nothing can go wrong with that. But Nar's worst struggle comes from within. What's her true nature? Can she only bring pain to others? And is she doomed to repeat the mistakes of the past?
Nar may have passed her Test of Bravery, but the danger is just starting. After completing the first half of her pirate training at Islanda Nylar, Nar should be relieved that a dangerous enemy is dead and another is subdued. But of course it's not that simple, for another, even more dangerous foe lives. And Nar's deathly magic just might be the key to the most powerful and dangerous treasure in the world. Whoever gains it will have control over the land and seas. So much for slipping away and controlling her own destiny. Kale's not helping with that decision, either. His mixed signals to Nar are beyond frustrating, and she may not escape without leaving everything and everyone she cares about. If she stays, Nar may have to learn about her own past, which she'd rather leave undiscovered... Can Nar stop the enslavement of the world, and sacrifice everything she holds dear to do it?
Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.