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A biography of one of the most culturally significant authors in the world. Philip K Dick loosened the bonds of the genre, ultimately making his reputation as a literary writer who happened to write speculative fiction.
n The Divine Invasion, Philip K. Dick asks: What if God--or a being called Yah--were alive and in exile on a distant planet? How could a second coming succeed against the high technology and finely tuned rationalized evil of the modern police state? The Divine Invasion "blends Judaism, Kabalah, Zoroastrianism, and Christianity into a fascinating fable of human existence" (West Coast Revew of Books). From the Trade Paperback edition.
"A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn't a legend and he wasn't mad. He lived among us, and was a genius."-Jonathan Lethem Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.
Interviews with the genius behind The Man in the High Castle and countless other science fiction classics. In the field of science fiction, Philip K. Dick is unparalleled. His novel Do Androids Dream of Electric Sheep? became the classic film Blade Runner. His short story “The Minority Report” was adapted for the screen by Steven Spielberg. The Man in the High Castle has become a hit series on Amazon, and those titles represent only a small fraction of his work. In November 1982, six months before the author’s untimely death, journalist Gwen Lee recorded the first of several in-depth discussions with Philip K. Dick that continued over the course of the next three months. This transcription is a fascinating read for anyone interested in the field of science fiction. “These transcripts bring fresh insights—notably, into the imaginative biotech plot line of the unwritten The Owl in Daylight . . . Dick also discusses music, writing, philosophers and his 1974–1975 mystical visions, when the revelation of his son’s undiagnosed birth defect—‘down to anatomical details’—saved the child’s life . . . Fans will rejoice.” —Publishers Weekly
The Transmigration of Timothy Archer, the final novel in the trilogy that also includes Valis and The Divine Invasion, is an anguished, learned, and very moving investigation of the paradoxes of belief. It is the story of Timothy Archer, an urbane Episcopal bishop haunted by the suicides of his son and mistress--and driven by them into a bizarre quest for the identity of Christ. From the Trade Paperback edition.
A mind-bending, classic Philip K. Dick novel about the perception of reality. Named as one of Time's 100 best books.
"As disturbing and engrossing as a work by Dick himself, Carrere's unconventional biography interweaves life and art to reveal the maddening genius whose writing foresaw - from cloning to reality TV - a world that looks ever more like one of his inventions."--BOOK JACKET.
For millennia a patriarchal society has ruled to the exclusion of the feminine or the Goddess who was peacefully worshipped before being completely replaced by a warrior Father God. The Goddess and hence women have been relegated to second-class citizens. The concept of woman as defined by traditional patriarchal society has disempowered the female sex and deemed them inferior. This exclusion and denigration of the divine feminine has done serious damage to women and men both individually and collectively, not to mention the damage this masculine mindset has caused to the environment through wars and other aggressive acts. In this dissertation, the history of the Goddess from the Paleolithic to the present is discussed and causes for the rise of patriarchy, such as invasions by warrior cults, the advent of language and the development of the ego are explored. Then the re-emergence of the divine feminine and its psychological, spiritual and evolutionary effects are discussed. This negative perception of the self by women is challenged by re-imaging women after the Greek Goddess archetypes: Athena, Hera, Demeter, Artemis, Aphrodite and Persephone. The Goddess archetypes are discussed in a therapeutical context as well as other therapeutical techniques such as aspecting, visualizations and women's' groups and circles. The author proposes the re-introduction of the "Sacred Marriage," a sacred ritual performed in temples since Neolithic times and in certain sects today, as a technique for therapy. This sexual ritual along with an understanding of the history of the divine feminine will have individual, collective and evolutionary effects with its use.
Philip K. Dick was a writer who drew upon his own life to address the nature of drug abuse, paranoia, schizophrenia and transcendental experiences of all kinds. More than 10 major Hollywood movies are based on his work including Blade Runner, A Scanner Darkly, Total Recall, Minority Report and The Adjustment Bureau. Born in 1929 just before the Great Crash, Dick's twin sister died when she was a month old and his parents were divorced by the time he was three. In his teens, he began to show the first signs of mental instability, but by then he was already producing fiction writing of a visionary nature.