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Discussion ranges from theories of biological growth to intervals and tones in music, Pythagorean numerology, conic sections, Pascal's triangle, the Fibonnacci series, and much more. Excellent bridge between science and art. Features 58 figures.
This enlightening and gorgeously illustrated book explores the beauty and mystery of the divine proportion in art, architecture, nature, and beyond. From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. Author Gary Meisner has spent decades researching the subject, investigating and collaborating with people across the globe in dozens of professions and walks of life. In The Golden Ratio, he shares his enlightening journey. Exploring the long history of this fascinating number, as well as new insights into its power and potential applications, The Golden Ratio invites you to take a new look at this timeless topic.
In this eagerly awaited follow-up to his international bestsellers Anam Cara and Eternal Echoes, John O'Donohue turns his attention to the subject of beauty - the divine beauty that calls the imagination and awakens all that is noble in the human heart. In these uncertain times of global conflict and crisis, we are riven with anxiety; our trust in the future has lost its innocence, for we know now that anything can happen from one second to the next. In such an unsheltered world, it may sound naive to suggest that this might be the moment to invoke and awaken beauty, yet this is exactly the claim that this book seeks to explore. DIVINE BEAUTY is a gentle but urgent call to awaken. O'Donohue opens our eyes, hearts and minds to the wonder of our own relationship with beauty. Rather than 'covering' this theme, he uncovers it, exposing the infinity and mystery of its breadth. His words return us home to the dignity of silence, the profundity of stillness, the power of thought and perception, and the eternal grace and generosity of beauty's presence. In this masterful and revelatory work, O'Donohue encourages our greater intimacy with beauty, and celebrates it for what it really is: a homecoming of the human spirit. As he focuses on the classical, medieval and Celtic traditions, on art, music, literature, nature and language, O'Donohue reveals how beauty's invisible embrace invites us towards new heights of passion and creativity. DIVINE BEAUTY is an exquisite treasury of Forms of the Beautiful. Its surface employs narrative, image, anecdote and myth, while into the silence of its subtext are sown seeds of reflection that gradually blossom in the heart.
Taylor Swift's "Eras" tour grossed more than $2 billion. Beyoncé has won more than two dozen Grammy Awards. Justin Timberlake has successfully navigated crossing over from boy band fame to solo recording artist to movie star with startling ease! There's no question these individuals, and the others in this set, are icons! Readers follow each icon from their first steps into the spotlight to superstardom in these volumes, written in accessible language perfect for struggling readers as well as dedicated fans of all levels.
Beauty does not linger, it only visits. Yet beauty's visitation affects us and invites us into its rhythm, it calls us to feel, think, and act beautifully in the world: to create and live a life that awakens the Beautiful. Beauty is a gentle but urgent call to awaken. Bestselling author John O'Donohue opens our eyes, hearts, and minds to the wonder of our own relationship with beauty by exposing the infinity and mystery of its breadth. His words return us to the dignity of silence, profundity of stillness, power of thought and perception, and the eternal grace and generosity of beauty's presence. In this masterful and revelatory work, O'Donohue encourages our greater intimacy with beauty and celebrates it for what it really is: a homecoming of the human spirit. As he focuses on the classical, medieval, and Celtic traditions of art, music, literature, nature, and language, O'Donohue reveals how beauty's invisible embrace invites us toward new heights of passion and creativity even in these uncertain times of global conflict and crisis.
Catholic theology, philosophy, and spirituality have long taught that the joy of Christian contemplation is to delight in the splendor of the divine love for us in all things. John Navone explains that Happiness Itself - God - is forever knowing its truth and loving its goodness and delighting in its beauty. The gift of the beatific vision is communion with Happiness Itself.
The Divine Beauty book by Michelle Cox and Jenn Gotzon Chandler will provide a spa for the soul experience to lead you to true beauty based on God's truth. Divine Beauty: Becoming Beautiful based on God's Truth focuses on the inscriptions engraved on the #Beauty Bracelet(TM), equipping women of all ages to see themselves as God sees them-and to then go out to serve him as beautiful models of his love. Bonus chapters included: Psychology Approach to Divine Beauty - Erin Smalley, BSN, MS, LPCC Nutrition Tips to Divine Beauty - Susan Silvestri, Therapy Steps to Divine Beauty - Arolyn Burns, LPCC, LMFT Cosmetic Tips to Divine Beauty - Jacqui Phillips
In the beginning was beauty, and beauty was with God, and beauty was God. If the tradition of divine names, that (in its Christian form) originates with Dionysius the Areopagite and includes among its ranks Albert the Great, Thomas Aquinas, and others, is correct in identifying God with the name beauty, then repurposing the Prologue to John's Gospel in this way seems hardly controversial. For if beauty is a divine name then not only is it fitting to say God is beautiful, but it is equally fitting to say that God is beauty itself. However, like most arguments from fittingness-that is to say, arguments whose veracity derives from the congruency, proportion, or harmony between the various elements of a proposition or idea rather than from some categoricallyhigher, or univocally determinate, logical necessity-the simplicity of its utterance stands in stark contrast to the complexity of its intelligible content. It is the aim of the present work is to explore what it means to say that beauty is a divine name.
This volume announces a new era in the philosophy of God. Many of its contributions work to create stronger links between the philosophy of God, on the one hand, and mathematics or metamathematics, on the other hand. It is about not only the possibilities of applying mathematics or metamathematics to questions about God, but also the reverse question: Does the philosophy of God have anything to offer mathematics or metamathematics? The remaining contributions tackle stereotypes in the philosophy of religion. The volume includes 35 contributions. It is divided into nine parts: 1. Who Created the Concept of God; 2. Omniscience, Omnipotence, Timelessness and Spacelessness of God; 3. God and Perfect Goodness, Perfect Beauty, Perfect Freedom; 4. God, Fundamentality and Creation of All Else; 5. Simplicity and Ineffability of God; 6. God, Necessity and Abstract Objects; 7. God, Infinity, and Pascal’s Wager; 8. God and (Meta-)Mathematics; and 9. God and Mind.
Marshall Sahlins centers these essays on islands—Hawaii, Fiji, New Zealand—whose histories have intersected with European history. But he is also concerned with the insular thinking in Western scholarship that creates false dichotomies between past and present, between structure and event, between the individual and society. Sahlins's provocative reflections form a powerful critique of Western history and anthropology.