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"Part autobiography, part how-to manual, superstar female impersonator Frank Marino talks about performing in the neon city of Las Vegas for the past ten years, along with all the trials and tribulations that he's encountered along the way. Don't miss his many make-up and beauty secrets, fashion advice, and exercise tips on how to keep that "girlish figure." He keeps his audience in stitches while his surgeon keeps him in stitches with over nine plastic surgeries. Plus, many hysterical face-to-face encounters with superstars like Joan Rivers, Whitney Houston, Dolly Parton and Diana Ross"--Dust jacket flap.
A travel guide to Las Vegas that also focusses on the neglection of its historic places.
His purview ranges from casino art galleries to spectacular animal collections like those of magicians Siegfried and Roy and Mandalay Bay's Shark Reef exhibit, from the environmental and psychological impact of lavish water displays in the arid desert to the artistic ambiguities intrinsic to Las Vegas's floating world of showgirls, lapdancers, and ballet divas. This compelling, disturbing discussion of entertainment and the arts in Las Vegas shows how our insatiable modern appetite for extravagance and spectacle has diminished the power of unembellished nature and the arts to teach and inspire us, and demonstrates the way our libertarian society privileges private benefit over public good."--BOOK JACKET.
Alexis Peterson is delighted when her friend, ex-Playboy Playmate Shana Stern, invites her to Hugh Hefner's infamous Halloween party. But the fun ends when, after a few drinks, Shana is found dead. Alex's investigation leads ger to a soap opera convention in Las Vegas, and bodies continue to pile up on the strip. She must catch this killer who is more vicious than any television critic...
A funny, fact-driven, and illustrated field guide to how to live a feminist life in today's world, from the hosts of the hit Unladylike podcast. Get ready to get unladylike with this field guide to the what's, why's, and how's of intersectional feminism and practical hell-raising. Through essential, inclusive, and illustrated explorations of what patriarchy looks like in the real world, authors and podcast hosts Cristen Conger and Caroline Ervin blend wild histories, astounding stats, social justice principles, and self-help advice to connect where the personal meets political in our bodies, brains, booty calls, bank accounts, and other confounding facets of modern woman-ing and nonbinary-ing. By laying out the uneven terrain of double-standards, head games, and handouts patriarchy has manspread across society for ages, Unladylike is here to unpack our gender baggage and map out the space that's ours to claim.
Debuting at the Tropicana Hotel on Christmas Eve, 1959, at a reported cost of one quarter-million dollars (over two million in today's dollars), the Folies Bergere stage show featured a cast of "eighty stars" and promised an elegant evening of sensual entertainment complete with sensational song and dance numbers, curious novelty acts, and exquisite leggy showgirls. Imported directly from Paris, the iconic French production, famed for its elegant and chic legacy, was a mainstay on the Las Vegas Strip for nearly half a century. A 1959 Las Vegas Sun newspaper article portends the significant role that the Folies Bergere would play in the city's history: "From beginning to end this is the most dazzling entertainment which any city has been privileged to see. It's saucy, piquant and racy in the splendidly provocative French way. Las Vegas, the entertainment capital of the world, is now no idle boast."
The history of the AIDS epidemic has largely been told from the perspective of gay men: their losses, struggles, and contributions. But what about women - in particular, straight women? Not just Elizabeth Taylor and Princess Diana, but thousands whose accomplishments have never been recognized?Drawing on personal interviews and archival research, Fag Hags, Divas and Moms: The Legacy of Straight Women in the AIDS Community is the first book to share the stories of women around the world, throughout the epidemic. Victoria Noe assures their place in women's history, for their determination to educate and advocate, to end the epidemic, once and for all.
“A startlingly frank look at the life of one of our generation’s most prominent operatic stars.”—Associated Press In Call Me Debbie, internationally renowned opera singer Deborah Voigt describes her journey to become one of the world’s most celebrated artists and also discusses her private battles with addictions to food and alcohol, and a myriad of other self-destructive tendencies that nearly destroyed her. Voigt reveals here the troubling sequence of addictive behavior that led to her being fired from a London opera production for being too large to fit into the “little black dress” demanded by the role, and her subsequent gastric bypass surgery and its dramatic aftermath. She speaks openly of the “cross-addiction” that led to severe alcoholism, frightening all-night blackouts, and suicide attempts. Here, too, is the story of how she achieved complete sobriety, thanks to a twelve-step program and a recommitment to her Christian faith. Highlighting hilarious anecdotes and juicy gossip about what really goes on backstage, Voigt talks candidly about the impresarios, singers, and conductors with whom she’s worked and offers fascinating insight into the roles she has played and the characters she loves. Complete with eight pages of color photographs, Call Me Debbie is an inspirational story that offers a unique look into the life of an incredible artist.