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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Advises on women's costumes, men's shirts, and decorations for moccasins. Well illustrated with numerous drawings and pictures that also points out the materials used to make various equipment.
Assembles information on and photographs of the shirts, robes, moccasins, headdresses, and ceremonial clothing of various Plains Indian tribes, illuminating their history and culture
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
"...we have tried here to present designs known to be Sioux, for use in Sioux schools. The purpose of the book is a practical one. Though we have striven for accuracy, our aim has not been an exhaustive scientific study. Rather, it has been to bring together a representative collection of designs and to explain them, so that practical workers, both students and teachers, may be able to recognize the bead and quillwork of the western Sioux and to make it for themselves. The art has changed in the past and those who understand its style and uses may use their imaginations to develop it still more, while keeping it Indian and Sioux."--Introduction, page 9.