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An investigation of the cultures and technologies of early radio and how a generation of cultural operators—with Schoen at the center—addressed crisis and adversity. Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. Dissonant Waves tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises. An exploration of the ripples of radio waves, the circuits of experimentation and friendship, and the proposals that half-found a route into the world—and might yet spark political-technical experimentation.
On interpreting musical phenomena in terms of mental function
People are chemical machines, yet we (and some other animals) develop a sense of beauty. Why and how did it evolve? How is it formed? This book answers these questions from the perspective of scientists with deep knowledge of the arts. It interweaves experimental sciences with the histories of art, architecture, music, dance, speech, literature, and food. Although we perceive each of our senses to be dramatically different, the authors show them all to be similar under the hood—similar in how they function and in how they shape our aesthetic experience. The authors cover many fields, and do not assume the reader has any special knowledge or expertise. They avoid jargon, equations and formulae, and begin every discussion at an introductory level. However, introductory does not mean elementary. This is a broad knife that cuts deep.
Kandar and Kiri were born Ormiri: a race of beings who had evolved to possess great mystical powers. When an ancient alien enemy returns to attack their home-worlds, Kandar and Kiri find themselves mixed in a war they do not understand, their destiny compelled by a prophecy long kept secret and faced with a power they still need to master fully. This is the first book of the Legends of the Ormiri.
Welcome to Fortune City, a world ruled by luck, in which Alexander Berkel has received the worst of the defects: being a jinx. One autumn afternoon in the year thirteen, Alexander Berkel, a jinx who tries to avoid the dangers that his condition entails, receives an unexpected order from the mysterious Heptagon Organization, the quasi-clandestine entity that watches over and protects luck in the world. Several people in poor neighborhoods have died from consuming a substance in powder form that is sold as a drug, nicknamed "saffron." If Alexander locates the person responsible for these events, he will discover the identity of his biological family, who abandoned him as a child in an orphanage. During the investigation of the "saffron case," Alexander will meet various allies and enemies. He will decipher the ins and outs of philosophy, genetics, and religion. He will meet love with a young woman very different from him. But will he manage to evade the influence of the seven dogmas that rule luck in the world?
“[Rechy’s] tone rings absolutely true, is absolutely his own. . . . He tells the truth, and tells it with such passion that we are forced to share in the life he conveys. . . . This is a most humbling and liberating achievement.”—James Baldwin When John Rechy’s explosive first novel appeared in 1963, it marked a radical departure in fiction, and gave voice to a subculture that had never before been revealed with such acuity. It earned comparisons to Genet and Kerouac, even as Rechy was personally attacked by scandalized reviewers. Nevertheless, the book became an international bestseller, and fifty years later, it has become a classic. Bold and inventive in style, Rechy is unflinching in his portrayal of one hustling “youngman” and his search for self-knowledge within the neon-lit world of hustlers, drag queens, and the denizens of their world, as he moves from El Paso to Times Square, from Pershing Square to the French Quarter. Now including never-seen original marked galley pages and an interview with the author, Rechy’s portrait of the edges of America has lost none of its power to move and exhilarate.
The Kingdom of the Vale... ancient, powerful, and rotting from within: beset on all sides by rivals, pretenders, and rebels who would bring centuries of peace crashing down. King Grett... the last of the great old kings: greedy, corrupt, and fearful as the end of his days draws near. Prince Alexi... strong, wise, and wild young adventurer: the only son of the King, and the last hope for the Vale. My father... a peasant farmer with just enough learning to read and write: brought to the Capital to sell his wares at the Autumnal Markets. Fate... that inexorable force that draws all strange things together. By her design, my Father was sent north by the King to scatter Alexi's ashes, when the only hope for the Vale fell before his time. Herein find my Father's own words... the journal of a simple man drawn into a game of kings, priests, and ancient magyk. This is no tale for the fainthearted. The stout and true - may they read, and understand.
Building on the historical perspective that characterized the previous book in the trilogy, Atlantis Rising, this final volume asks readers to remember that when they decided “to come to this earth adventure... blowing down the Establishment Walls would be a Herculean task.” But, she adds, “Fall they would indeed.” Hastening this necessary next step in evolution to higher being, says author Patricia Cori, requires understanding the forces at work and how to challenge and conquer them. No More Secrets, No More Lies unmasks the lies that have been employed to disempower the human race, while illuminating the tools necessary for those who intend to ascend with a revitalized Planet Earth. Intended as a guide for overcoming the designs of the dark warriors, and a blueprint for achieving the absolute freedom that is our true birthright as the super race of the realm, this provocative book brilliantly integrates into a larger schema such issues as media manipulation, racism, dark forces, crop circles, our food and water, and imminent extraterrestrial contacts, with the cosmic unfolding of human awareness and the evolutionary activation of our complex DNA codes—our blueprint to immortality.
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.