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Finley Peter Dunne, American journalist and humorist, is justly famous for his creation of Mr. Dooley, the Chicago Irish barkeep whose weekly commentary on national politics, war, and human nature kept Americans chuckling over their newspapers for nearly two decades at the beginning of this century. Largely forgotten in the files of Chicago newspapers, however, are over 300 Mr. Dooley columns written in the 1890s before national syndication made his name a household word. Charles Fanning offers here the first critical examination of these early Dooley pieces, which, far better than the later ones, reveal the depth and development of the character and his creator. Dunne created in Mr. Dooley a vehicle for expressing his criticism of Chicago's corruption despite the conservatism of most of his publishers. Dishonest officials who could not be safely attacked in plain English could be roasted with impunity in the "pure Roscommon brogue" of a fictional comic Irishman. In addition, Dunne painted, through the observations of his comic persona, a vivid and often poignant portrait of the daily life of Chicago's working-class Irish community and the impact of assimilation into American life. He also offered cogent views of American urban political life, already dominated by the Irish as firmly in Chicago as in other large American cities, and of the tragicomic phenomenon of Irish nationalism. Mr. Fanning's penetrating examination of these early Dooley pieces clearly establishes Dunne as far more than a mere humorist. Behind Mr. Dooley's marvelously comic pose and ironic tone lies a wealth of material germane to the social and literary history of turn-of-the century America.
It was only after serving as a chaplain in the American Revolution, playing an important role in the Whiskey Rebellion, and serving (often controversially) on the Pennsylvania Supreme Court, that Hugh Henry Brackenridge composed his great comic epic. Published in installments over the twenty-eight–year period beginning with Washington's presidency ending with that of Madison, this irreverent and ribald novel, relating the misadventures of Captain Farrago and his sidekick, Teague O'Regan, leaves no major ethnic, racial, religious, or political issue of the period unscathed.
Born in Chicago to Irish parents, journalist Finley Peter Dunne struck literary gold with his creation of Mr. Dooley, an Irish immigrant to America who earned his living as a bartender and always had a unique take on the world events of the day. Mr. Dooley: In the Hearts of His Countrymen is the second collection of Mr. Dooley essays, drawn from Dunne's newspaper column.
No, 'tis no aisy job bein' a candydate, an' 'twud be no easy job if th' game iv photygraphs was th' on'y wan th' candydates had to play. Willum Jennings Bryan is photygraphed smilin' back at his smilin' corn fields, in a pair iv blue overalls with a scythe in his hand borrid fr'm th' company that's playin' 'Th' Ol' Homestead, ' at th' Lincoln Gran' Opry House. Th' nex' day Mack is seen mendin' a rustic chair with a monkey wrinch, Bryan has a pitcher took in th' act iv puttin' on a shirt marked with th' unio label, an' they'se another photygraph iv Mack carryin' a scuttle iv coal up th' cellar stairs. An' did ye iver notice how much th' candydates looks alike, an' how much both iv thim looks like Lydia Pinkham?
“A man is born into the world with his own pair of eyes, and he is not responsible for his vision—he is merely responsible for his quality of personal honesty.” In the course of his tragically abbreviated career, Stephen Crane (1871–1900) saw things that his contemporaries preferred to overlook—the low life of New York’s Irish slums; the tedium, brutality, and chaos that were the true conditions of the Civil War; the ambiguous contract that binds a terrified man to his killer and the damned to their human judges. He communicated what he saw with the same laconic factuality that characterized his journalism and, in the process, laid the foundations for the unblinking realism of Hemingway and Dos Passos. The Portable Stephen Crane allows us to appreciate the full scope and power of this writer’s vision. It contains three complete novels—Maggie: A Girl of the Streets, George’s Mother, and Crane’s masterpiece, The Red Badge of Courage; nineteen short stories and sketches, including “The Blue Hotel” and “The Open Boat,” a barely fictionalized account of his own escape from shipwreck while covering the Cuban revolt against Spain; the previously unpublished essay “Above All Things”; letters and poems, plus a critical essay and notes by the noted Crane scholar Joseph Katz.
The blank-verse drama concerns a mayoral contest between Irish Americans in Brooklyn, New York in 1890. The play's focus is on the personal life of Matthew Stanton, the dynamic leader of the Sixth Ward, who hopes to unseat corrupt incumbent Ned Quinn. Stanton's wife Kathleen fears campaign publicity will reveal that they never were married in the Catholic Church, a fact uncovered by Quinn, who also discovers Stanton was once the "kept man" (known as a "goat" in the lexicon of the time) of Agnes Hogan, Quinn's ex-girlfriend who is now on her deathbed. Blinded by ruthless ambition, Stanton ignores Quinn's threats to reveal his past and forges ahead with the race, ultimately destroying not only his political career, but his marriage as well
Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.