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This groundbreaking study looks at the evolution of the war novel, tracing the movement from the modernist novel that followed World War I to the postmodernist novel that followed World War II. The book uses close readings of iconic literary texts such as Catch-22 and Slaughterhouse-Five to discover the origins of the postmodern zeitgeist. It concludes that postmodern narratives employing devices such as collage and pastiche and the fragmentation of the postmodern protagonist are a reaction to the vast scale of technological warfare and its accompanying atrocities. This study also looks at Vietnam War novels, such as the novels of Tim O’Brien and demonstrates their debt to post-World War II novels and the postmodern zeitgeist. It concludes with an investigation of recent texts, and asks if the postmodern novel is being replaced by older, more traditional narrative strategies, or is simply on hiatus and will return to influence in future texts.
Originating as a radio series in 1933, the Lone Ranger is a cross-media star who has appeared in comic strips, comic books, adult and juvenile novels, feature films and serials, clothing, games, toys, home furnishings, and many other consumer products. In his prime, he rivaled Mickey Mouse as one of the most successfully licensed and merchandised children’s properties in the United States, while in more recent decades, the Lone Ranger has struggled to resonate with consumers, leading to efforts to rebrand the property. The Lone Ranger’s eighty-year history as a lifestyle brand thus offers a perfect case study of how the fields of licensing, merchandizing, and brand management have operated within shifting industrial and sociohistorical conditions that continue to redefine how the business of entertainment functions. Deciphering how iconic characters gain and retain their status as cultural commodities, Selling the Silver Bullet focuses on the work done by peripheral consumer product and licensing divisions in selectively extending the characters’ reach and in cultivating investment in these characters among potential stakeholders. Tracing the Lone Ranger’s decades-long career as intellectual property allows Avi Santo to analyze the mechanisms that drive contemporary character licensing and entertainment brand management practices, while at the same time situating the licensing field’s development within particular sociohistorical and industrial contexts. He also offers a nuanced assessment of the ways that character licensing firms and consumer product divisions have responded to changing cultural and economic conditions over the past eighty years, which will alter perceptions about the creative and managerial authority these ancillary units wield.
The Western Front has become, once again, and after 100 years, an important and increasingly popular tourist destination. The Centenary is already encouraging large numbers of visitors to engage with this highly poignant landscape of war and to commemorate the sacrifice and loss of a previous generation. Interest is also being sharpened in the places of war as battle-sites, trench-systems, bunkers and mine craters gain a clearer identity as war heritage. For the first time this book brings together the three strands of heritage, landscape and tourism to provide a fresh understanding of the multi-layered nature of the Western Front. The book approaches the area as a rich dynamic landscape which can be viewed in a startling variety of ways: historically, materially, culturally, and perceptually. To illustrate these two dominant interpretations of the regions landscape commemorative and heritage are highlighted and their relationship to tourism explored. Tourism is a lens through which these layers can be peeled away, and each understood and interacted with according to the individuals own knowledge, motivation, and degree of emotional engagement. Tourism is not regarded here as a passive phenomenon, but as an active agent that can determine, dictate and inscribe this evocative landscape. The Western Front: Heritage, Landscape and Tourism is a timely addition to our increasing interest in the First World War and the places where it was fought. It will be indispensable to those who seek a deeper understanding of the conflict from previously undervalued perspectives.
Research on popular culture is a dynamic, fast-growing domain. In scholarly terms, it cuts across many areas, including communication studies, sociology, history, American studies, anthropology, literature, journalism, folklore, economics, and media and cultural studies. The Routledge Companion to Global Popular Culture provides an authoritative, up-to-date, intellectually broad, internationally-aware, and conceptually agile guide to the most important aspects of popular culture scholarship. Specifically, this Companion includes: interdisciplinary models and approaches for analyzing popular culture; wide-ranging case studies; discussions of economic and policy underpinnings; analysis of textual manifestations of popular culture; examinations of political, social, and cultural dynamics; and discussions of emerging issues such as ecological sustainability and labor. Featuring scholarly voices from across six continents, The Routledge Companion to Global Popular Culture presents a nuanced and wide-ranging survey of popular culture research.
The trench raid came to typify the aggression and close-combat of trench warfare on the Western Front. Inevitably, raiding by aggressively minded units had a psychological effect on the enemy. Dominance over the enemy could be established by aggressive raiding. Equally, raiding had an effect on the morale of friendly troops but not always a positive one. Successful raids buoyed spirits but unsuccessful raids could be detrimental because of the casualties sustained for no gain and raiding provoked retaliation from enemy artillery or mortars or a tit-for-tat return raid.Raids came to be the epitome of all-arms operations, combining individual weapons skills with tactical sense and requiring cooperation with artillery and mortar batteries for success. Yet, a raiding party was an ad hoc all-arms combat team put together and trained for a specific operation. In the early days of raiding, the raiders were always volunteers but the steady toll of experienced soldiers led to raiders being told off for the first task like any other.This is the first book to look at how raids were carried out, the successes, the failures, the consequences of raiding, and their effect on morale and their contribution to military operations on the Western Front.
Alongside Waterloo and Gettysburg, the Battle of Verdun during the First World War stands as one of history’s greatest clashes. Perfect for military history buffs, this compelling account of one of World War I’s most important battles explains why it is also the most complex and misunderstood. Although British historians have always seen Verdun as a one-year battle designed by the German chief of staff to bleed France white, historian John Mosier’s careful analysis of the German plans reveals a much more abstract and theoretical approach. From the very beginning of the war until the armistice in 1918, no fewer than eight distinct battles were waged there. These conflicts are largely unknown, even in France, owing to the obsessive secrecy of the French high command. Our understanding of Verdun has long been mired in myths, false assumptions, propaganda, and distortions. Now, using numerous accounts of military analysts, serving officers, and eyewitnesses, including French sources that have never been translated, Mosier offers a compelling reassessment of the Great War’s most important battle.
This book offers a thoughtful analysis of the international and domestic political impact of the global war on terrorism through the prism of US security relations in the wake of 9/11. Focused on regional and country-specific responses and consequences, the book considers the change and continuity in the international system.
The story of Anton Dilger brings to life a missing chapter in U.S. history and shows, dramatically, that the Great European War was in fact being fought on the home front years before we formally joined it. The doctor who grew anthrax and other bacteria in that rented house was an American -- the son of a Medal of Honor winner who fought at Gettysburg -- on a secret mission, for the German Army in 1915. The Fourth Horseman tells the startling story of that mission led by a brilliant but conflicted surgeon who became one of Germany's most daring spies and saboteurs during World War I and who not only pioneered biowarfare in his native land but also lead a last-ditch German effort to goad Mexico into invading the United States. It is a story of mysterious missions, divided loyalties, and a new and terrible kind of warfare that emerged as America -- in spite of fierce dissention at home -- was making the decision to send its Doughboys to the Great War in Europe. This story has never been told before in full. And Dilger is a fascinating analog for our own troubled times. Having thrown off the tethers of obligation to family and country, he became a very dangerous man indeed: A spy, a saboteur, and a zealot to a degree that may have so embarrassed the German High Command that, after the war, they ordered his death rather than admit that he worked for them.