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In 1989 the University of Groningen celebrated its 375th anniversary. Near Eastern Studies, in one form or another, have been part of the Groningen curriculum almost from the beginning. For this reason the Department of Middle-Eastern Languages and Cultures decided to contribute to the anniversary celebrations by organizing an international Symposium and a Workshop on The Literary Debate in Semitic and Related Literatures. The topic of the Symposium and the Workshop was chosen and prepared by the members of the research programme Disclosure of Semitic Texts. Since 1985 the literary debate in the Sumerian, Akkadian, Hebrew, Aramaic/Syriac and Arabic language and literature has been a central theme within this Groningen research programme. Because the research group sees as one of its tasks to place the study of the literary and cultural heritage of the Ancient and Mediaeval Near East also in the wider context of its connection with Classical Antiquity and the European Middle Ages, specialists in Byzantine and Mediaeval Studies were also invited to contribute to the Symposium and Workshop. The present volume contains the contributions presented during the Symposium and Workshop on The Literary Debate in the Semitic and Related Literatures. Some of the more important issues regarding matters of genesis, development and possible interdependence of the dispute poems, dialogues and related texts, which can all be subsumed under the general type of 'debate', are discussed in the introduction, which also reflects a number of points raised in the discussions during the Workshop itself.
Disputation literature is a type of text in which usually two non-human entities (such as trees, animals, drinks, or seasons) try to establish their superiority over each other by means of a series of speeches written in an elaborate, flowery register. As opposed to other dialogue literature, in disputation texts there is no serious matter at stake only the preeminence of one of the litigants over its rival. These light-hearted texts are known in virtually every culture that flourished in the Middle East from Antiquity to the present day, and they constitute one of the most enduring genres in world literature. The present volume collects over twenty contributions on disputation literature by a diverse group of world-renowned scholars. From ancient Sumer to modern-day Bahrain, from Egyptian to Neo-Aramaic, including Latin, French, Middle English, Armenian, Chinese and Japanese, the chapters of this book study the multiple avatars of this venerable text type.
This book tests the proposition that the humanities can, and at their best do, represent a commitment to ethical reading. And that this commitment, and the training and discipline of close reading that underlie it, represent something that the humanities need to bring to other fields: to professional training and to public life. What leverage does reading, of the attentive sort practiced in the interpretive humanities, give you on life? Does such reading represent or produce an ethics? The question was posed for many in the humanities by the “Torture Memos” released by the Justice Department a few years ago, presenting arguments that justified the use of torture by the U.S. government with the most twisted, ingenious, perverse, and unethical interpretation of legal texts. No one trained in the rigorous analysis of poetry could possibly engage in such bad-faith interpretation without professional conscience intervening to say: This is not possible. Teaching the humanities appears to many to be an increasingly disempowered profession—and status—within American culture. Yet training in the ability to read critically the messages with which society, politics, and culture bombard us may be more necessary than ever in a world in which the manipulation of minds and hearts is more and more what running the world is all about. This volume brings together a group of distinguished scholars and intellectuals to debate the public role and importance of the humanities. Their exchange suggests that Shelley was not wrong to insist that poets are the unacknowledged legislators of mankind: Cultural change carries everything in its wake. The attentive interpretive reading practiced in the humanities ought to be an export commodity to other fields and to take its place in the public sphere.
Late Antiquity has attracted a significant amount of attention in recent years. As a historical period it has thus far been defined by the transformation of Roman institutions, the emergence of distinct religious cultures (Jewish, Christian, Islamic), and the transmission of ancient knowledge to medieval and early modern Europe. Despite all this, the study of late antique literary culture is still in its infancy, especially for the Greek and other eastern texts examined in this volume. The contributions here presented make new inroads into a rich literature notable above all for its flexibility and unparalleled creativity in combining multiple languages and literary traditions. The authors and texts discussed include Philostratus, Eusebius of Caesarea, Nonnos of Panopolis, the important St Polyeuktos epigram, and numerous others. The volume makes use of a variety of interdisciplinary approaches in an attempt to provoke discussion on change (Dynamism), literary education (Didacticism), and reception studies (Classicism). The result is a study which highlights the erudition and literary sophistication characteristic of the period and brings questions of contextualization, linguistic association, and artistic imagination to bear on little-known or undervalued texts, without neglecting important evidence from material culture and social practices. With contributions by both established scholars and young innovators in the field of late antique studies, there is no work of comparable authority or scope currently available. This volume will stimulate further interest in a range of untapped texts from Late Antiquity.
When ancient philosophers meet mediaeval poetry and cinema, you are sure to get a unique perspective on a culture. Encounter Armenia through the Lens of Time for new insights into art, history, literature, language, and religion, penned by leading scholars of all ages.
The liber amicorum is a collection of 40 articles written by Polish, Russian, Belgian and French philologists about the themes of the jubilarian's interests and academic research: general linguistics, comparatism and etymology, relations between Poland and the World, modern Polish literature, Russian literature and culture (18-20th century). The contributions are representative for the varied horizon of historical, linguistic, literary and cultural interests of Prof. Skalmowski.
An impressive array of the leading names in the field have together produced a volume that seeks to open a new period in the study of Midrash and its creative role in the formation of culture. With a comprehensive introduction that situates Midrash in its historical and rhetorical setting and provides the context for a detailed consideration of different genres and applications, it should interest all scholars of Jewish studies as well as a wider readership interested in how a classical genre can inspire new creativity.
Leading scholars in early Christianity, Judaic studies, classics, history and archaeology explore the ways that memories were retrieved, reconstituted and put to use by Jews, Christians and their pagan neighbours in late antiquity, from the third century B.C.E. to the seventh century C.E.
A collection of seventeen essays on pre-modern Hebrew poetry in honor of Wout van Bekkum. The articles in this volume all seek to examine how the religious, cultural, and social context in which the poet functioned impacted on and is visible, either explicitly or more elliptically, in their poetical oeuvre. For this purposes a broad understanding of "world" has been accepted, including both the natural world and the constructed one (society, culture, language) as well as the spiritual and emotional world. History, a pillar of the man-made constructed world, has been used to determine the boundaries: from Late Antiquity to the Middle Ages, and—in instances where the topic connects to older traditions—to Early Modern Judaism, i.e. pre-modern Hebrew (and Aramaic) poetry. The articles in this volume, in the breadth of their temporal and spatial range and their multiplicity of approaches and methodologies, highlight the richness of contemporary scholarship on Hebrew poetry. The volume invites the reader to engage with this astonishing body of poetry, while providing a glimpse into the world of the payṭanim, and the cultures and societies from which they drew their ininspiration and to which they made such important contributions.
This Festschrift is presented to professor Cornelis Houtman on the occasion of his retirement at Kampen Theological University, where he held the chair of Old Testament Studies from 1990 to 2006. Since his major achievement until now is his voluminous commentary on the book of Exodus, this collection consists of seventeen studies that deal with the interpretation of the book of Exodus and related matters.