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Cathy sees things that are invisible to everyone else. Her new stepbrother's bizarre behavior. A ghostly little boy. An abandoned house in the woods. But she doesn't see how they're all connected. And what she doesn't see might just kill her.
Dave Webster’s book is a counter-blast against the culturally accepted norm that spirituality is a vital and important factor in human life. Rejecting the idea of human wellbeing as predicated on the spiritual, the book seeks to identify the toxic impact of spiritual discourses on our lives. Spirituality makes us confused, apolitical and miserable - whether that spirituality is from conventional religious roots, from a new-age buffet of beliefs, or from some re-imagined ancient system of belief. Looking beyond this dismissal, the book looks towards atheistic existentialism, Theravada Buddhism and political engagement as a means to imagine what a post-spiritual world view could look like. ,
In his Preface to "A Christmas Carol", Charles Dickens wrote that he tried "to raise the Ghost of an Idea" with readers and trusted that it would "haunt their house pleasantly". In December 1997, 154 Christmases later, the "New York Times Magazine" asked its own Edward Gorey to refurbish this enduring morality tale. The result is this "dispirited and distasteful diversion for Christmas". Illustrations.
"... Argues that contemporary accounts of spirituality are a dead end for human potential, a threat to intellectual rigour, and opposed to social and political engagement"--From publisher description.
2002 Catholic Press Association Award Winner The classical expression of soteriology (salvation theology) has tended to spiritualize salvation and place it on a supernatural plane where it loses contact with the existential lives of people. In the face of this heritage, questions have risen from contemporary experience that challenge the Christian tradition. Does life have meaning? Is love at the core of all reality? In Gifted Origins to Graced Fulfillment, Kerrie Hide searches for responses to these questions. Hide examines the soteriology presented in the Revelations of Divine Love, composed by Julian of Norwich. She analyzes the understanding of salvation expressed in the Visions, or showings of Julian and expands previous theological inquiry into Julian's texts. After demonstrating how Julian's theology is a trinitarian theology of love, Hide addresses each aspect of Julian's soteriology within the framework of her trinitarian formula. The theological precis reveals that, for Julian, salvation is a process of oneing in a mystical, three-part journey from our origins with God to our ultimate return to God. Hide's analysis provides a hermeneutic for examining mystical literature theologically and demonstrates the important contribution mystical theology makes to the broader field of theology. She contributes a systematic study of Julian's understanding of salvation not undertaken previously. In Part One, Hide examines Julian's Visionary experience and her expression of the experience that led others to reflect on, record, and write about her texts. She also presents a hermeneutic for interpreting Julian's showings. Part Two presents Julian's soteriology as a trinitarian soteriology of oneing and explores how our life is in three stages. In Part Three, Hide delves into our gifted origins. She surveys Julian's creation theology and her anthropology. Part Four focuses on Christology. This section presents Christ's role in redemption through the cross, through his work as servant, and through his function as mother. Part Five inquires into graced endings. The chapters examine the present experience of graced fulfillment in the power of the Holy Spirit and the hope for fulfillment in the eschaton. Finally, in Part Six, Hide draws together Julian's understanding of salvation. She appraises the relevance of these teachings for today. Chapters are Julian of Norwich," *A Hermeneutic for Interpreting the Showings, - *Oneing Through the Trinity, - *Oneing in Being, - *Oneing Through the Crucifixion, - *Oneing Through the Servant, - *Oneing Through Christ, Deep Wisdom and Mother, - *Oneing Through the Holy Spirit, - *One ing in the Eschaton, - and *Julian's Spiritual Understanding.
Jason Ward is a depressed man. He sees the world in gray and dark faces continue to haunt him from a buried memory. Despite his best friend, Teddy, trying to help him out, the memories become extremely painful. One sad, rainy night, he unexpectedly meets a ginger woman, Maria, a seemingly kind and passionate woman. Despite Jason beginning wary of her at first, he realizes her good intentions and could be the one to bring him out of his nightmares.
Join the conversation . . . With more than one hundred women restaurateurs, activists, food writers, professional chefs, and home cooks—all of whom are changing the world of food. Featuring essays, profiles, recipes, and more, Why We Cook is curated and illustrated by author and artist Lindsay Gardner, whose visual storytelling gifts bring nuance and insight into their words and their work, revealing the power of food to nourish, uplift, inspire curiosity, and effect change. “Prepare to be blown away by Lindsay Gardner’s illustrations. Her gift as an artist is part of this fluid conversation about food with some of the most intriguing women, and you’ll never want it to end. Why We Cook highlights our voices and varied perspectives in and out of the kitchen and empowers us to reclaim our place in it.” —Carla Hall, chef, television personality, and author of Carla Hall’s Soul Food “Why We Cook is a wonderful, heartwarming antidote to these trying times, and a powerful testament to unity through food.” —Anita Lo, chef and author of Solo and Cooking Without Borders “This book is a beautiful object, but it’s also much more than that: an essay collection, a trove of recipes, a guidebook for how we might use food to fight for and further justice. The women in its pages remind us that it’s in the kitchen, in the field, and around the table that we do our most vital work as human beings—and that, now more than ever, we must.” —Molly Wizenberg, author of A Homemade Life and The Fixed Stars