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This book begins with a painting. Loyalty to cultural artefacts, listening carefully to what they have to say, is the secret of Inge E. Boer’s approach to the French Orientalists tradition. In a post-Said manner, Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts. Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship. She treats all these artefacts like subjects in their own right, enabling them to show and tell. This dialogic attention to detail makes for an innovative vision that shuns the sweeping statements of a priori conviction, as much as avoiding the unwitting endorsements that the rhetoric of scholarship sometimes promotes.
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1 Through Traumatized Eyes: Trauma and Visual Stream-of-Consciousness Techniques in Paul Hornschemeier's Mother, Come Home -- 2 Joe Sacco's Documentary Graphic Novels Palestine and Footnotes in Gaza: The Thin Line Between Trauma and Propaganda -- 3 From "Maus" to MetaMaus: Art Spiegelman's Constellation of Holocaust Textimonies -- 4 Greek Romance, Alternative History, and Political Trauma in Alan Moore and Dave Gibbons' Watchmen -- Conclusion -- Index
The principal goal of the Handbook of Behavioral Neurobiology is a systematic, critical, and timely exposition of those aspects of neuroscience that have direct and immediate bearing on overt behavior. In this first volume, subtitled "Sensory Integration," the subject matter has been subdivided and the authors selected with this particular goal in mind. Although the early chapters (on the phylogeny and ontogeny of sensory systems, and on the common properties of sensory systems) are somewhat too abstract to permit many direct behavioral inferences, the focus on behavior has been maintained there too as closely as is now possible. A behavioral orientation is most obvious in the remaining chapters, which layout for each sensory modality in turn what is now known about structure-behavior relationships. The handbook is primarily intended to serve as a ready reference for two types of readers: first, practicing neuroscientists looking for a concise and authori tative treatment of developments outside of their particular specialities; and second, students of one or another branch of neuroscience who need an overview of the persistent questions and current problems surrounding the relation of the perceptual systems to behavior. The requirements imposed by the decision to address these particular audiences are reflected in the scope and style of the chapters as well as in their content.
Contributed articles.
Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.
In a kingdom where magic is forbidden, a young orphan discovers she possesses unimaginable powers that could change the fate of the realm forever. The young orphan struggles to conceal her powers while navigating life in the oppressive kingdom, but a group of underground rebels discovers her secret and enlists her in their fight against the magic ban. As the orphan's powers grow stronger, she attracts the attention of a powerful sorcerer who offers to mentor her in mastering her abilities, but his true motives may jeopardize her mission to liberate magic in the kingdom. The orphan's best friend, a staunch supporter of the anti-magic laws, betrays her secret to the kingdom's authorities, leading to a heart-wrenching confrontation that tests their friendship and loyalty. A clandestine society of magic users reaches out to the orphan, seeking to recruit her in their resistance against the kingdom's tyrannical ruler, but their hidden agenda puts her in a moral dilemma. The orphan discovers a hidden sanctuary where magical beings and outcasts find refuge, but the sanctuary's existence is threatened by the kingdom's relentless witch hunters, forcing her to choose between revealing her powers to protect the sanctuary or keeping them hidden. In her quest to uncover the origins of her powers, the orphan delves into ancient texts and prophecies that reveal a dark secret about the kingdom's history and the true reasons behind the magic ban. A charismatic rebel leader sees the orphan as a symbol of hope and rallies the oppressed citizens to rise up against the magic ban, igniting a rebellion that spirals out of control and threatens to plunge the kingdom into chaos. The orphan's powers catch the attention of a vengeful spirit trapped in a cursed artifact, who offers to enhance her abilities in exchange for freeing it from its prison, leading her down a dangerous path of temptation and corruption. A rival kingdom with a deep-rooted connection to magic seeks an alliance with the orphan to overthrow the oppressive regime in exchange for sharing their arcane knowledge, presenting her with a moral dilemma that could alter the course of history.
This Palgrave Handbook examines the ways in which researchers and practitioners theorise, analyse, produce and make use of testimony. It explores the full range of testimony in the public sphere, including perpetrator testimony, testimony presented through social media and virtual reality. A growing body of research shows how complex and multi-layered testimony can be, how much this complexity adds to our understanding of our past, and how creators and users of testimony have their own complex purposes. These advances indicate that many of our existing assumptions about testimony and models for working with it need to be revisited. The purpose of this Palgrave Handbook is to do just that by bringing together a wide range of disciplinary, theoretical, methodological, and practice-based perspectives.
Although Isak Dinesen has been widely acclaimed as a popular writer, her work has received little sustained critical attention. In this revisionist study, Susan Hardy Aiken takes up the complex relations of gender, sexuality, and representation in Dinesen's narratives. Drawing on feminist, psychoanalytic, and post-structuralist theories, Aiken shows how the form and meaning of Dinesen's texts are affected by her doubled situations as a Dane who wrote in English, a European who lived for many years in Africa, and a woman who wrote under a male pseudonym within a male-centered literary tradition. In a series of readings that range across Dinesen's career, Aiken demonstrates that Dinesen persistently asserted the inseparability of gender and the engendering of narrative. She argues that Dinesen's texts anticipate in remarkable ways some of the most radical insights of contemporary literary theories, particularly those of French feminist criticism. Aiken also offers a major rereading of Out of Africa that both addresses its distinctiveness as a colonialist text and places it within Dinesen's larger oeuvre. In Aiken's account, Dinesen's work emerges as a compelling inquiry into sexual difference and the ways it informs culture, subjectivity, and the language that is their medium. This important book will at last give Isak Dinesen's work the prominence it deserves in literary studies.