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Disobedient Bodies: JW Anderson at The Hepworth Wakefield' has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book? made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM? acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth?s galleries come in to play with images from Anderson?s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson?s own collections.00Exhibition: The Hepworth Wakefield, West Yorkshire, United Kingdom (18.03.-18.06.2017).
"From the author of Arshile Gorky, a major biography of the great American sculptor that redefines his legacy"--
Preparation S20' is the third in series exploring narratives around the various?acts of preparing? leading up the Alyx show in Paris, this time featuring 1010 Benja SL in his home turf in Kansas City as he prepares the score for the show in Paris. Photographed by Esther Theaker and art-directed by OK-RM it is the result of a close collaboration both in the shoot and edit. The book features 164 images: 144 in double-black and 20 colour plates with a graphite silk-screened cover and embossed textured dust-jacket.
The close relationship of the drawings to her sculpture is revealed.
This is a compilation of statements, manifestos and chronologies of concrete, visual and sound poetries. Chapters include the history of the word 'concrete', semantic poetry, and 'concrete renewal'.
This book starts from the proposition that the field of intelligence lacks any systematic ethical review, and then develops a framework based on the notion of harm and the establishment of Just Intelligence Principles. As the professional practice of intelligence collection adapts to the changing environment of the twenty-first century, many academic experts and intelligence professionals have called for a coherent ethical framework that outlines exactly when, by what means and to what ends intelligence is justified. Recent controversies, including reports of abuse at Guantanamo Bay and Abu Ghraib, allegations of extraordinary rendition programmes and the ever-increasing pervasiveness of the ‘surveillance state’, have all raised concerns regarding the role of intelligence in society. As a result, there is increased debate regarding the question of whether or not intelligence collection can be carried out ethically. The Ethics of Intelligence tackles this question by creating an ethical framework specifically designed for intelligence that is capable of outlining under what circumstances, if any, different intelligence collection activities are ethically permissible. The book examines three of the main collection disciplines in the field of intelligence studies: imagery intelligence, signals intelligence and human intelligence. By applying the ethical framework established at the beginning of the book to these three important intelligence collection disciplines, it is possible to better understand the ethical framework while also demonstrating its real-life applicability. This book will be of much interest to students of intelligence studies, ethics, war and conflict studies, security studies and IR.
'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.
A piece must be practical enough to be used every day. It must be crafted at its place of origin, using traditional techniques and materials. And it must be handmade. Japanese craft has long been revered for its quality and beauty, and skilled craftwork remains an important part of Japanese life. 'Utsuwa', meaning 'for everyday use', embodies the ethos of handmaking in Japan, where handcrafted wares must be as practical as they are beautiful. This book takes us behind the scenes into the private studios of some of Japan's most exciting artisans to reveal stories of material, method, place and culture. It guides us through quiet galleries and colourful marketplaces, where the provenance of a piece is central to its story. Utsuwa is a love letter to the makers and sellers, and to all those who share the Japanese reverence for tradition and beauty.
"'Casual relationships' explores the mechanisms at work in the construction of visual culture. By carefully curating and simulating photographs from contemporary vernacular sources, Max Creasy identifies the way these images are endorsed within social groups and norm circles. The sequencing and design of the publication articulate the associations and patterns discerned from this promiscuous collection of images. The book is offered as a 56pp single section mounted into a case with exposed core and 4 foil blocks to cover." -- publisher's website.