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Pete has a protector and friend in the huge, green dragon Elliot. But when Pete and Elliot are rediscovered by other humans, Pete must find a way to protect Elliot in return. Pete and Elliot find friendship, adventure, and a place to belong in this junior novelization of the upcoming film Pete's Dragon.
When a young boy named Pete gets lost in a gigantic forest, he forms an unforgettable friendship with a giant flying dragon named Elliot. Based in the world of the film Pete's Dragon, this original story features original illustrations, explores Pete and Elliot's adventures and struggles in the forest and tells the tale of the lost years not shown in the film.
Throughout time and across cultures, dragons have existed as part of our collective imagination, breathing fire, guarding treasure, and embodying magic. Some are evil, some are kind, and all are fascinating. The Walt Disney Company has had a long-standing fascination with dragons, and this book, conceived as a sketchbook handed down through generations of Disney artists, chronicles the impact that dragons have had on Disney films, parks, and resorts. Inside these pages are the bold storyboards of Sleeping Beauty's Maleficent, color concepts of Epcot's Figment (who was green before he became purple!), and playful studies of Mulan's Mushu. The illustrators are a wide variety of animators, live-action studio artists, and Imagineers, including Tim Burton, Rolly Crump, Marc Davis, Eric Goldberg, Bill Justice, John Hench, Joe Rohde, Chuck Ballew, and more. Tom Bancroft, who has worked in animation for more than twenty-five years, offers memories and insights from his tenure as Mushu's lead animator, during which he character designed, and later refined, the look of Mulan's feisty little dragon.
After more than five decades in Hollywood, Don Bluth, the man behind some of the most iconic animated films ever made, tells his story. Don Bluth never felt like a Donald. So people have always called him Don. A matinee of Snow White and the Seven Dwarfs awakened something within him. Despite growing up in rural Texas and Utah, he practiced and worked hard to become an Hollywood animator. And after working alongside his idol Walt Disney, and on films including Sleeping Beauty, The Sword in the Stone, Robin Hood, Winne the Pooh, The Rescuers, and Pete’s Dragon, he realized that the company had changed into something he didn’t necessarily believe in. So made the industry-shocking decision to start his own animation studio. It was from that studio—Don’s studio—that came such award-winning, generation-defining films as The Secret of NIMH, An American Tail, The Land Before Time, All Dogs Go to Heaven, Anastasia, and the video game Dragon’s Lair. Now, after more than half a century in the movie business, Don is ready to tell the story of his life. How his passions for artistry, integrity, and his Mormon faith shaped him into the beloved icon whose creativity, entrepreneurship, and deeply-held beliefs entertained, enthralled, and inspired millions across the globe. Exclusive original art makes this book perfect for fans, cineasts, and anyone looking “somewhere out there” for inspiration and motivation.
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
The adventures of a boy and his dragon friend are recounted in this classic song from the 1960s.
Nothing is overdone and not a word is out of place in this auspicious debut," wrote Kirkus in a starred review of Instead of Three Wishes, the first book by Megan Whalen Turner. Her second book more than fulfills that promise. The king's scholar, the magus, believes he knows the site of an ancient treasure. To attain it for his king, he needs a skillful thief, and he selects Gen from the king's prison. The magus is interested only in the theif's abilities. What Gen is interested in is anyone's guess. Their journey toward the treasure is both dangerous and difficult, lightened only imperceptibly by the tales they tell of the old gods and goddesses. Megan Whalen Turner weaves Gen's stories and Gen's story together with style and verve in a novel that is filled with intrigue, adventure, and surprise.
This volume presents an evaluation of the quality and financial successes of the Disney Company's ventures. It also provides an overview of and behind-the-scenes information about 30 Disney animated films from "Snow White" through "The Hunchback of Notre Dame". The author relates each film to its original tale, gives the Disney version, and tells what and why cuts were made. The exposed secrets consist of such things as "Plot Holes," "Bloopers," "Hidden Images," and "Strange Reactions." Anecdotes about the growth of the Disney industry and the development of the theme-park rides are included. One of the most enticing sidebars offers over 50 names that were originally considered for the seven dwarfs.