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Imagine if you will, a satirical retelling of Dante Aligheri’s Inferno starring Mickey Mouse. This is the very first of the world-famouse, er, famous Great Parodies featuring classic Disney stars in outrageous spoofs of the world’s greatest stories.
Collects the original issues of one of the longest-running comic books in history and presents them complete with short stories, cartoons, puzzles, contests, and advertisements.
During a time of unprecedented political, social, and cultural upheaval in U.S. history, one of the fiercest battles was ignited by a comic book. In 1963, the San Francisco Chronicle made 21-year-old Dan O'Neill the youngest syndicated cartoonist in American newspaper history. As O'Neill delved deeper into the emerging counterculture, his strip, Odd Bodkins, became stranger and stranger and more and more provocative, until the papers in the syndicate dropped it and the Chronicle let him go. The lesson that O'Neill drew from this was that what America most needed was the destruction of Walt Disney. O'Neill assembled a band of rogue cartoonists called the Air Pirates (after a group of villains who had bedeviled Mickey Mouse in comic books and cartoons). They lived communally in a San Francisco warehouse owned by Francis Ford Coppola and put out a comic book, Air Pirates Funnies, that featured Disney characters participating in very un-Disneylike behavior, provoking a mammoth lawsuit for copyright and trademark infringements and hundreds of thousands of dollars in damages. Disney was represented by one of San Francisco's top corporate law firms and the Pirates by the cream of the counterculture bar. The lawsuit raged for 10 years, from the trial court to the US Supreme Court and back again.
Second Star to the Fright, Book 3 of the all-new Disney Chills chapter book series, tells the tale of a kid who finds he's hooked far more than he can handle when Captain Hook creeps out of Neverland and into our world. With shuddersome spooks and blood-curdling frights, readers should grab their night-lights and prepare to be chilled!
In the years since Georges Méliès’s Le voyage dans la lune (A Trip to the Moon) was released in 1902, more than 1000 science fiction films have been made by filmmakers around the world. The versatility of science fiction cinema has allowed it to expand into a variety of different markets, appealing to age groups from small children to adults. The technical advances in filmmaking technology have enabled a new sophistication in visual effects. This second edition of Historical Dictionary of Science Fiction Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on important personalities, films, companies, techniques, themes, and subgenres. This book is an excellent resource for students, researchers, and anyone wanting to know more about science fiction cinema.
This hilarious companion to the New York Times #1 bestseller, Goodnight Goon, is a ghoulish parody of We're Going on a Bear Hunt. We're going on a goon hunt. We're going to catch a green one. What a spooky night! We're not scared. A goon hunt is no easy task. A twisted tangled pumpkin patch, murky bubbling swamp, and foggy crumbling graveyard are just a few of the obstacles these kids will have to go through, skulking monsters included. And when the Goon finally makes an appearance—under the covers they go! Except one brave child who finds monsters more fun than scary. The beloved classic We're Going on a Bear Hunt gets an eerie twist in this goon-infused parody that perfectly plays with the rhythm and sound effects of the original. Mike Rex's creepy settings and hilarious text will have kids demanding to giggle and shiver through the story again and again, and now this board book edition is perfect for toddler bedtimes and read alouds.
Read the book that inspired the famous film franchise in this wonderfully funny picture book. Before Shrek made it big on the silver screen, there was William Steig's SHREK!, a book about an ordinary ogre who leaves his swampy childhood home to go out and see the world. Ordinary, that is, if a foul and hideous being who ends up marrying the most stunningly ugly princess on the planet is what you consider ordinary.
"Based on the classic novel by Mary Shelley."
In The Right to Parody: Comparative Analysis of Free and Fair Speech, Amy Lai examines the right to parody as a natural right in free speech and copyright, proposes a legal definition of parody that respects the interests of rights holders and accommodates the public's right to free expression, and describes mechanisms to ensure that parody will best serve this purpose. Combining philosophical inquiry with robust legal analysis, the book draws upon examples from the United States, Canada, the United Kingdom, France, and Hong Kong. While it caters to scholars in intellectual property and constitutional law, as well as free speech advocates, it is written in a non-specialist language designed to appeal to any reader interested in how the boom in online parodies and memes relates to free speech and copyright.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.