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Includes Killer's Gruesome Confession! "She had beautiful legs. I wanted to keep those legs." One by one, investigators found the women's bodies. Each one carefully posed. Each one brutally mutilated. An arm here. A leg there. A breast, nipples, a tattoo. The killer was cutting his victims to pieces. . . "At that point, I pretty much went for the head." For ten years in Baton Rouge, Louisiana, the killings went on. Women of slight stature were hunted down, bludgeoned and strangled. And what the killer did with their bodies in the privacy of his car, his home, his kitchen, and his shower-was beyond anything police could imagine. "I was pure evil." When investigators finally caught mild-mannered, Star Trek fan Sean Vincent Gillis, he couldn't wait to tell his story. In the presence of shocked veteran detectives, Sean told them every detail of his killings, everything he did with the bodies. . .. And he smiled the whole time. . . Includes 16 pages of shocking photographs Warning: Contains Graphic Details
This volume digitally reconstructs a 15th-century Book of Hours illuminated by Robert Boyvin, which was dismembered by a notorious American dealer. Utilising the WBRM methodology, it integrates digital humanities and philological research to restore the manuscript, addressing the ethical challenges associated with manuscript dismemberment. The study examines the manuscript’s historical context, its connection to Cardinal Georges d’Amboise, and Louis de La Londe. Through provenance and dating analysis, it provides a comprehensive understanding of this cultural treasure and advocates against biblioclasm. It underscores the ethical responsibility of preserving our heritage, critiques the complicity of some scholars in manuscript dismemberment, and highlights the omission of critical information in cataloguing platforms. Aimed at scholars, preservationists, and enthusiasts, this book revitalises a dismembered masterpiece and enriches the discourse on the ethical handling of historical artefacts.
It is often presumed that biblical redaction was invariably done using scribal methods, meaning that when editors sought to modify or compile existing texts, they would do so in the process of rewriting them upon new scrolls. There is, however, substantial evidence pointing to an alternative scenario: Various sections of the Hebrew Bible appear to have been created through a process of material redaction. In some cases, ancient editors simply appended new sheets to existing scrolls. Other times, they literally cut and pasted their sources, carving out patches of text from multiple manuscripts and then gluing them together like a collage. Idan Dershowitz shows how this surprising technique left behind telltale traces in the biblical text - especially when the editors made mistakes - allowing us to reconstruct their modus operandi. Material evidence from the ancient Near East and elsewhere further supports his hypothesis.
This book examines the intersecting communitarian endeavors of Georges Bataille, Maurice Blanchot, Michel Leiris, and Colette Peignot, known post-humously as Laure. Through detailed analysis of a series of interlocking texts that the four authors wrote on, for, and to one another on such topics as love, friendship, and fraternity, it explores these authors' theoretical elaborations of community, their actual communities, and the relation between the two.
Dismemberment in Drama / Dismemberment of Drama is an essay collection which considers the dramatic possibility contained in the images and narratives of dismemberment frequently recurring on the western stage. The Classical Tragedies of Sophocles and Euripides, the Romanticism of Kleist, the surrealism of Artaud, and the contemporary drama of Suzan-Lori Parks and Marina Carr are just some of the fractured and fragmented bodies analyzed in this collection. Both individually and in concert the contributors ask what a dismembered body means. Such an inquiry allows them to confront dismemberment as a theoretical category which understands such twentieth-century innovations as the Theatre of Cruelty, the Epic Theatre, the Open Theater, and documentary theatre as part of a long dramatic tradition. Dismemberment in drama examines the tenuous bond between representation and the object being represented by highlighting the dismemberment of drama as a form that occurs during drama’s repeated theorizations of its own enactment. There is a conflict between disintegration and unity inherent in mimesis, theatrical phenomenology, and performance.
This book provides a detailed exploration of profit-driven biblioclasm, centring on the case of a Book of Hours, part of the Brooklyn Museum’s holdings until 2021. Facing financial difficulties exacerbated by the COVID-19 pandemic, the museum chose to deaccession and sell various pieces, among which was a manuscript from the Mary Benson bequest of 1919, later dismembered by an American dealer who had purchased it at auction. Whilst examining the moral complexities surrounding these sales and the destruction of irreplaceable European cultural artifacts, the book uncovers the identity of the original owner of the manuscript, and provides a digital reconstruction of the original text. This book not only brings to light a critical occurrence but also discusses wider issues of cultural conservation and ethical responsibility in the art world. Its global significance and focus on a notable event in art history render it an indispensable read for those dedicated to safeguarding our collective cultural heritage.
Criminal Dismemberment is the first book to examine dismemberment as a phenomenon in the context of criminal acts. While the number of such dismemberment cases in any given country is often small, the notion of dismemberment captures the imagination, often leading many to question the motivations as to why anyone would perpetrate such an unnatural act. The act of dismemberment, in its original form, referred to cutting, tearing, pulling, wrenching or otherwise separating the limbs from a living being as a form a capital punishment. In today’s society, it has become associated most frequently with the criminal act of sectioning the remains of the dead in an attempt to conceal the death and dispose of the remains or make the process of identification of the deceased more difficult to achieve. Drawing on expertise from leading forensic anthropologists, pathologists, and forensic materials engineers, the book brings together much of the literature on criminal dismemberment—viewing it from the investigative, forensic, and social science perspectives. Key features include: Psychological analysis of the perpetrator Detailed examination of case studies, anonymized from recent investigations Difficulties encountered in a dismemberment investigation Tool mark analysis, including knives and saws, accompanied by over 120 detailed, full-color illustrations and photographs Serves as a unique and useful resource in the investigation of dismembered human remains The diverse backgrounds of the contributors offers a thorough account of such topics as the history of dismemberment, the forensic pathology in such cases, the importance of developing a common vocabulary in terminology used, the legal admissibility in dismemberment cases. As such, Criminal Dismemberment will serve as a comprehensive reference for students and practitioners alike.
What is the state? And what's it ever done for you? More than you think. The state houses us, educates us, employs us, protects us on the street and in the wider world. It is the country we created together, and a part of our national identity. However, in recent years there has been a systematic and covert attack on the state that has turned us all against it - the government have depleted funding and resources, and mounted an ideological assault on the public sector through the media. Toynbee and Walker travelled around Great Britain gathering the voices of the people who make up the state: nurses and patients, teachers and parents, policemen and civilians. This book is your chance to hear their side of the story. The story they tell is one of dismemberment across our nation state: a fragmented NHS, a reduced police force, divided schools and a vulnerable military. In Dismembered, it becomes clear that this attack on the state is an attack on each and every one of us, for our peace and productivity as a country depend upon a strong state. DISMEMBERED lays bare the deliberate dismantling of the public sector and its consequences. Our post-Brexit well-being and prosperity are now at stake.
The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.
Some historians contend that femininity was "disrupted, constructed and reconstructed" during World War I, but what happened to masculinity? Using the evidence of letters, diaries, and oral histories of members of the military and of civilians, as well as contemporary photographs and government propoganda, Dismembering the Male explores the impact of the First World War on the male body. Each chapter explores a different facet of the war and masculinity in depth. Joanna Bourke discovers that those who were dismembered and disabled by the war were not viewed as passive or weak, like their civilian counterparts, but were the focus of much government and public sentiment. Those suffering from disease were viewed differently, often finding themselves accused of malingering. Joanna Bourke argues convincingly that military experiences led to a greater sharing of gender identities between men of different classes and ages. Dismembering the Male concludes that ultimately, attempts to reconstruct a new type of masculinity failed as the threat of another war, and with it the sacrifice of a new generation of men, intensified.